Interview: Three Thirteen

It's time to kick the tires and light the fires!! If you don't know who Three Thirteen is by now, then you have really been missing out on some maximus rock! This band is comprised of so much freaking talent that they have been deemed illegal by makers of all that fluffy pre-manufactured crap that commands most of the airwaves today.

I sat down with band founder Randy Weitzel, who schooled me on all things Three Thirteen. You can read our interview for Rock Revolt Magazine here:

http://rockrevoltmagazine.com/interview-three-thirteen/

There's Nothing QuiteLike A Chat With Uncle Ted

The only thing for certain when sitting down to talk to Ted Nugent is that you are definitely in for a treat. I had a chance to sit down with this icon in music and it was one of the most entertaining conversations that I think I have ever had. Check it out and see for yourself on page 40 of Rock Revolt Magazine:

http://rockrevoltmagazine.com/

Pillbuster Bring The Noise To Virginia Beach, Virginia

Virginia Beach, Virginia may not spring to mind when you think about cities with awesome music, but all that's about to change. Most of Pillbuster may have relocated to that city, but they brought a wealth of musical expertise with them. Their self-titled album was recently released and I interviewed them for Rock Revolt Magazine:

http://rockrevoltmagazine.com/interview-pillbuster/

Edge of Paradise Raise The Bar On New EP

Perfect Shade of Black  is the new EP recently released by Edge of Paradise and it's going to shock quite a few people. If you think you know the band already, you may want to rethink that. Here's my review of their outstanding EP that I did for Rock Revolt Magazine:

http://rockrevoltmagazine.com/album-review-edge-of-paradise-perfect-shade-of-black/

Five Finger Death Punch Deliver In A Major Way With New Album

Consistent is one word that can definitely be used to describe Five Finger Death Punch. The band has released three albums so far in their career and all three have been certified gold, meaning sales of 500,000.  Now, the word consistent can also apply to two different mindsets depending on which camp you belong to. If you are a knucklehead, a nickname for fans of the band, then it would be safe to say that you think the band has consistently delivered some of the best head banging music since their first album The Way of the Fist came out in 2007.

Then, there are those who would say that the band has consistently put out some of the most overrated music ever since the release of their debut album. It seems that the band has developed a huge following of haters, which usually means that you are doing something right. Would their new album The Wrong Side of Heaven and The Righteous Side of Hell, Volume 1 convert some haters or just fuel their fire? Well, I think the answer to both questions would be yes. Let me dissect this new album and hopefully you will understand.

Ivan Moody and the boys open the album up with a track that has been all over rock radio, “Lift Me Up”, which features guest vocals by the iconic Rob Halford of Judas Priest. This is pretty damn near perfection for the boys. It has that chugging guitar riff through it that you associate with the band and it’s infectious as hell. Next up is “Watch You Bleed” and don’t let its acoustic guitar intro fool you because this is no ballad. It doesn’t take too long for Jeremy Spencer’s double kick drum sets in and takes over and it’s a full blown assault.

“You” is definitely a stand-out track and it provides one of the most intense, rapid fire vocal deliveries from Ivan Moody that I have ever heard.  “The Wrong Side of Heaven” is up next and it proves that the band has definitely perfected the modern age metal ballad. “Burn MF” is a tender, emotional, heartfelt song (insert heavy sarcasm). This should be another great song to perform live when the band hits the road, complete with a great sing-a-long chorus.

“Anywhere but Here” features a guest vocal appearance by Maria Brink of In This Moment. The two bands definitely have ties together that go back quite a few years. Ivan and Maria have also been trying to record a song together for quite some time now, but the suits got in the way a time of two. It’s a great song, but I kind of feel like Maria was underutilized on it. There are more guest appearances on the album including Jamey Jasta of Hatebreed. One of the most interesting tracks would be the band’s cover of LL Cool J’s “Mama Said Knock You Out”. I was really looking forward to this when I read about it, but it just doesn’t blow me away. It features an appearance by Tech N9ne, but I think it would have been much cooler if LL himself would have been on it.

Ivan mixes up his vocals on here and delivers the lyrics just how you would expect him to. The riffage from Jason Hook and Zoltan Bathory may very well be some of their best work yet. Lastly, both certainly not least, would be the amazing rhythm section of Jeremy Spencer on drums and Chris Kael on bass, who seem to hold it all together and provide the underlying assault that sometimes gets overlooked and underappreciated.

Overall, it is definitely a very solid album and in time may prove to be their best one yet. It has a harder, more aggressive edge to it than their last album American Capitalist had. Will it convert some haters over to the land of being a knucklehead? I think it’s strong enough of an album to do so, yet it is definitely a huge dose of fuel for the fire for all of those haters out there. I don’t think there is much anyone can do for some of them because they are just always going to hate.

Chris Kael of Five Finger Death Punch Keeps It Real Son

Five Finger Death Punch will be getting very little sleep in 2013. The band has not one but two new studio albums coming out this year as well as a co-headlining spot on this summer's Rockstar Mayhem Festival. There's also a headline tour in the plans, but that will be a few months away. I sat down with The Beard himself, Chris Kael and we talked about singing with Rob Halford, being a KISS fan and more for Rock Revolt magazine. Check it out:

http://rockrevoltmagazine.com/Magazine/July2013/RockRevoltIssue5.html#p=1

Korn Go back To The Basics On New Album With Head

Korn are about to unleash a brand new studio album with returning family member Brian "Head" Welch back in the fold. I caught up with drummer Raly Luzier before their headlining gig at the 2013 Rock on the Range and talked to him about what it was like having Head back. You can read all about that interview with Rock Revolt Magazine at:

http://rockrevoltmagazine.com/Magazine/July2013/RockRevoltIssue5.html#p=1

HIM Return To Basics

Ville Valo and HIM are back in a major way with a new album, new tour and a new found focus. Their new album Tears on Tape is a back to roots type of album that taps into the trademark HIM sounds that fans fell in love with from the beginning. Check out my interview with Ville for Rock Revolt Magazine as we discuss the new album, KISS and Hot Topic going corporate:

http://rockrevoltmagazine.com/Magazine/May2013/RockRevoltIssue4.html

KISS : A Monster That Can't Be Tamed

KISS is at a point in their career where they don’t have to put out a new album. After 28 US Gold albums, 40 million US sales and over 100 million worldwide, they have nothing to prove to anyone, other than themselves. They don’t need to have a Top 40 hit and they definitely don’t sit around worrying if an album will go gold or platinum because none of that matters. If you’re a KISS fan, you probably thought that after the release of 1998’s Psycho Circus, there would be no more new KISS in your future. Well, funny how things change.

2009 saw the release of Sonic Boom. It was the first studio album from the band in over a decade and the first to feature the current lineup of founders Paul Stanley and Gene Simmons along with Tommy Thayer and Eric Singer. That album and tour saw resurgence for the band. It wasn’t a platinum seller, but it proved that the band still had alot of fire in the musical furnace of this machine. Here we are three years later and the band is releasing its 20th studio album entitled Monster.

The album opens with “Hell or Hallelujah” which is the first single and was released as the band began their tour with Motley Crue this past summer. It’s a guitar driven anthem whose riff sounds a little similar to “Any Way You Slice It” from their 1985 Asylum album. Just go back and listen and see what you think. Another déjà vu happened when I listened to the song “Freak”. Now, call me crazy but it sounds a little bit like “Thief in the Night” off of their 1987 Crazy Nights album. Yet, it’s still a great song and a standout on the album.

I’m not really sure what got into Gene Simmons on this album, but he’s playing with a renewed energy and he delivers some of his strongest material in a very long time. “Back to the Stone Age” and “The Devil is Me” are two great examples of The Demon firing on all cylinders. The Stanley/Simmons track entitled “Take Me Down Below” is a (clears throat) tender love story. It’s classic KISS innuendo, which we haven’t heard in ages. It may not be Lennon and McCartney but it’s been a longtime since we’ve heard such lines as “I raised my flag and she dropped her dress”. The added touch of having Stanley and Simmons share vocal duties on this one is a major plus.

Stanley also has his fair share of shining moments on the album as well including “Freak” as well “Shout Mercy”, on which Stanley proves he still has a knack for writing a killer hook. His standout may be “Long Way Down”, which is a well crafted song with great melody and it’s infectious. The acappella intro to “Eat Your Heart Out” will probably catch you off guard, as it did me. This song is loud and fun and the harmonies on the chorus are a throwback to some of the boys early rock influences.

The new guys, Tommy Thayer and Eric Singer also have lead vocal duties on the album. Thayer, in his tenth year with the band, offers up “Outta This World” which a good song and his voice sounds a little bit like Gene on this one. The chorus is pretty damn catchy too. Singer, in his sixteenth overall year with the band, offers up “All for the Love of Rock and Roll”, which didn’t blow me away, but it does allow Singer to show that he has a great voice.

 A tip of the hat needs to go to, here comes the collective moan from fans fixated on the 73-79 era of the band, Tommy Thayer. He shares writing credits on 10 of the 13 tracks on the album. A good rock song without a solo is like an Oreo with no crème. Well, Tommy offers up lots of Oreo filling on this album as he is laying down some great solos every time you turn around.

I really hate when the band is about to deliver a new album and they say it sounds like Destroyer or Revenge or a combination of both. I think a great album by any band needs to stand on its own merit. Now, I don’t think that this will go down as one of their all-time classics, but it actually is a very strong album. It’s not the Son of Destroyer or the Son of Revenge. Are they re-inventing the wheel on this one? Of course not, but they don’t sound like a band that’s about to celebrate their 40th anniversary.

Thayer and Singer were both KISS fans themselves before joining the group, which is not news to anyone. They were able to connect with Stanley and Simmons on a level that has seemed to re-energize them to some extent. Stanley may have had his hip and vocal issues and Simmons may seem determined to find more and more products to slap the KISS logo on, but they still know how to rock. Once considered all style and no substance, I think the group has finally shaken that image off. It may have taken them 40 years, but I think they have proven to the critics that they are a balance of both. They pull no punches and you get exactly what you expect from them, classic guitar driven rock and roll that’s fun.

KISS and Motley Crue: A Night of Rock and Roll Excess

“The Tour”, as it was christened at a press conference a few months ago, pulled into the Verizon Wireless Amphitheater in Charlotte, North Carolina on July 25. The crowd, despite the heat and humidity, was ready to experience two of the biggest spectacles ever in the history of rock and roll. Tonight, they were sharing the same stage and promised to bring a full production, 90 minute set of maximum rock and roll.

The Treatment, heralding from the U.K., opened up the show with a brief, yet power packed mini-set with selections from their debut album This Might Hurt. After a short break, the curtain covering Motley Crue’s stage dropped and the house lights went down. Scantily clad girls holding Motley Crue signs marched their way across the walkway from one side of the amphitheater to the other. In the middle of this precession were both Vince Neil and Nikki Sixx from the Crue. They made their way to the stage and the show began with a pyrotechnics bang.

Motley Crue’s show was filled with theatrics including stilt walkers, scantily clad female back-up singers, girls suspended by tapestries above Tommy's drum kit and a ton of pyro. The band sounded tight even though poor Mick Mars can barely move around the stage because of his ankylosing spondylitis, a form of arthritis that affects the spine and pelvis. Don’t let that fool you though; the guy still plays like a beast. Speaking of playing, drummer Tommy Lee brought along his roller coaster drum kit from last summer’s tour. He even took a lucky fan along for the topsy turvy ride.

Motley Crue’s set was hit filled and included such Crue classics as “Girls, Girls, Girls”, “Dr. Feelgood” and “Home Sweet Home”. They even included their new single “Sex”, which got a decent reaction from the rowdy crowd. Speaking of reaction, bassist Nikki Sixx and his newly found syndicated fame thanks to his radio show The Sixth Sense got the biggest crowd reaction of all the Crue members. It seemed as if every time he spoke, the crowd would cheer wildly.

The Crue exited the stage and the tear down began as the road crew attacked the stage at a fever pace. They were tearing down the Crue’s set and clearing things out for the huge KISS stage show. After a brief period, the big, black curtain with the KISS logo on it dropped down covering the front of the stage and the crowd was brought to its feet. Then, the anticipation stated to build.

Then, the intro known to millions worldwide began to bellow over the PA system. “Alright Charlotte, you wanted the best, you got the best, the hottest band in the world….KISS!!!!” The curtain dropped and “Detroit Rock City” began to ring out. The guys were lowered down from the ceiling. Yes, we have seen this stage intro before, so that part was a small disappointment.

The band stuck close to the original make-up days playing such KISS classics as “Black Diamond”, “Love Gun” (during which Stanley flew out into the audience) and “Firehouse” (which saw Simmons breathe fire). They did include their new single “Hell or Hallelujah”, which sounded really good, and one non-make-up classic “Lick It Up”. Simmons also did his blood spitting routine and then flew to the rafters to sing his trademark song “God of Thunder”. "War Machine" sounded almost as menacing as the looks Gene was directing towads the cameras throughout the song.

Stanley and Simmons were particularly animated on this night in Charlotte, NC and seemed in great spirits. Guitarist Tommy Thayer, who is still receiving criticism for wearing the Spaceman makeup even though he has now for almost ten years, sounded just as sharp as ever, although not as animated towards the crowd. The band included all their trademarks including lots of pyro, cherry pickers that raised Simmons and Thayer almost to the top of the amphitheater, Stanley smashed his guitar in half and drummer Eric Singer’s drum kit was raised high in the air also. Oh yeah, “Rock and Roll All Night” was the finale and the confetti covered everyone as far back as the eye could see. No matter how many times I experience that, it never gets old.

Now, for the bad stuff. Vince Neil of Motley Crue still manages to mumble his way through songs. KISS have been coming out at each show and mentioning a curfew that won’t allow them to play any longer. It seems the truth of the matter is that it’s taking much longer to tear down the Crue’s stage to get ready for KISS to come out. This has cut into each band’s playtime with each one clocking in, on average, 75 minutes. That’s not exactly the 90 minute sets that we had been promised. KISS’ set list has become somewhat stale and needs to change up a bit. There are so many non-makeup songs that could be included into the set that would go over big with the crowd. “Heaven’s On Fire” and “Forever” are just two examples.

Overall, it was a great show. You had one up and coming band that sounded great and two legendary bands that have been doing their thing for 30 years (Motley Crue) and 40 years (KISS) and show no signs of slowing down. These two bands definitely know how to throw a party when it comes to a concert. It was a rarity to see anyone sitting down on this eventful night, unless they were just catching their breath. On this hot and humid night in Charlotte, KISS solidified why they are still called the hottest band in the world.

John 5: From KISS to Universal Monsters

John 5 is one of those artists that you don’t know what to expect before your first meeting. He’s obviously an insanely talented guitarist with a resume a mile long. He’s worked with Marilyn Manson, David Lee Roth, Meatloaf, Paul Stanley of KISS, Saliva, k.d. lang, Salt-N-Pepa and many more. His job for the past few years has been with Rob Zombie and the two of them have something magical going on.

In between touring with Rob Zombie and writing songs for other artists, John 5 even finds time for a solo career. His new solo effort God Told Me To just came out and we had the chance to sit down and talk to him about it.

Music Is My Drug Of Choice: Hey John, thanks for working us into your busy schedule. I guess this is media day for you. I know you have a lot on your plate today, so let’s jump right into the questions here. Let’s talk a little bit about this new solo album and the new direction that you chose for some of the songs.

John 5: Well, thanks for wanting to talk to me. You know, the whole key to putting out instrumental solo albums is to keep the fans on their toes. I’ve done heavy rock to country and it has gone really well for me. So, I asked myself what I could do to change it up and make it new. That’s where the acoustic stuff came into play.

MIMDOC: Have you been a fan of acoustic music already or was this something that you just wanted to explore?

John 5: I absolutely love electric guitar, but some of my favorite (Led) Zeppelin stuff is their acoustic stuff. It’s absolutely amazing! I love all types of guitar playing. When I put my iPod on shuffle, it has so much diversity, but that’s just who I am.

MIMDOC: Did you work with anyone on this album?

John 5: No, I pretty much did everything on it. I played all the instruments with the exception of drums. My producer Chris Baseford helped me out. Other than that, it’s all me!

MIMDOC: What’s the appeal of going out and doing a solo album after getting off the road with Rob Zombie?

John 5: It’s a great outlet for me and almost therapeutic. Crazy, instrumental guitar music is close to my heart and so very important to me. It allows me a canvas to paint on and to do things I can necessarily do with Rob. He doesn’t want every other bar on his song being a solo.

MIMDOC: Will your fans ever have a chance to hear any of this live?

John 5: I don’t think I will be doing and live dates, but you never know. It’s tough because a lot of my fans are really young and they can’t get into some of these clubs. It’s really late when we go on, sometimes close to midnight and there’s beer everywhere. My younger fans can’t always be a part of that. I will probably go more guitar clinics. They seem to be the best way to go. My younger fans can come to them and I have more time to meet people there and sign autographs.

MIMDOC: I have to ask you about the title of the album. Is there any hidden meaning there?

John 5: I love the title and it can be taken many ways. When I was really young, I would only go to church once or twice a year, like on Christmas Eve, and I would pray for God to make me a successful guitar player. So, in one way, when I’m asked on why I picked up a guitar, it’s because God told me to. On the other hand, I just love it in one of those creepy movies where a guy murders a bunch of people and they ask him why and he says “God told me to”.

MIMDOC: The cover is really cool! So, did you ask Rob to paint it for you or was it something that he offered to do?

John 5: I actually approached him asked him what he thought about painting the cover to the new solo album. He said that he’d love to do it. It’s as simple as that!

MIMDOC: Speaking of Rob, how was it scoring his film The Lords of Salem? Was that your first score?

John 5: That’s the first full length movie that I have scored. I’ve actually done pieces of other movies. It was actually very challenging for me. It’s so different to create music using so many different instruments, but I loved it. It pushed me as an artist.

MIMDOC: That’s a great transition for my next question. Your first solo album called Vertigo came out in 2004. How does the artist who created that album differ from the artist that created God Told Me To?

John 5: Wow, that’s a really good question. I remember when I starting recording Vertigo, I wanted it to be all instrumental, but I was very careful. I held back from doing things at times, but now if I want to put in a crazy solo or two, I will. I think there are some really good songs on Vertigo; very well structured.

MIMDOC: Where did the fascination with horror and the face makeup come from? I know you’re a big KISS fan and especially Ace Frehley.

John 5: Well, I have loved classic monsters since I was really young. You know, Dracula, Frankenstein and stuff. I remember buying KISS’ Love Gun album just because of the cover. That was the first album that I ever bought. It was awesome! That picture reminded me of those monsters that I loved.

MIMDOC: I’m a huge KISS fan too and I wanted to ask how you ended up working on the last Paul Stanley solo album Live to Win?

John 5: I’ve known Paul and Gene for quite a while now, as well as Peter and Ace. Paul was working on his solo album with Desmond Child and I had worked with Desmond when he was recording with Meatloaf. He suggested to Paul that we write something together and we did. KISS has definitely been a major influence on me. When an artist goes on stage to entertain, then they need to go all out and make sure that they entertain the crowd completely. Those guys are just about the best example of how to do that correctly!

MIMDOC: One last question for you John and we’ll wrap this up so that you can get back to work. Do you have any guilty pleasures that may surprise your fans?

John 5: Well, I’m not sure how much it will surprise them, but I do love those old horror movies with Frankenstein and Dracula and all those guys. I always watch about 20 minutes or so of one of those old movies before I go to bed, each and every night.

MIMDOC: That wraps up our time with you John. Thanks again so much for taking time out of your very busy schedule to talk with us. We plan on being at Rock on the Range in Columbus this year covering the show, so we will see you there. We also want to remind fans that your new solo album God Told Me To is out and to go buy it!

Steel Panther Go Balls Out On New Album

It was bound to happen; something this awesome can’t stay an underground sensation for too long. The new masters of cockrock are back in a big way. How dare you ask who! I’m talking about LA’s Steel Panther and their sophomore album Balls Out is exactly what you want from these guys and then some. The narrow minded and easily offended need to stop reading right here because this just won’t be your cup of tea.

The guys from Steel Panther have been paying their dues for some time now under different band names including Danger Kitty and Metal Skool before officially becoming Steel Panther in 2008. If they look familiar, it may be because you saw them as the house band on the Gene Simmons roast or on his show Family Jewels. These guys have an impressive fan base including Paul Stanley of KISS, Green Day, Scott Ian of Anthrax and Steven Tyler of Aerosmith.

Their new CD Balls Out is trademark Steel Panther. It’s funny, it’s raunchy, it’s catchy and it kicks some major metal ass. It’s deep in 80s influences such as Def Leppard and especially Motley Crue. One listen will have you wishing the days of 80s metal was back to stay.

“In The Future” opens the album, based in the year 6969, sounding eerily familiar to Motley Crue’s “In the Beginning” and features comedian Dane Cook. “Supersonic Sex machine” then gets the party truly rocking. The combination of Steel Panther and a song with a title of “Just like Tiger Woods” just screams instant classic. This is definitely old school 80s and is so catchy that you almost start singing along on the first listen. It also contains the line of the year, tongue in cheek of course: “Three holes are better than a hole in one”.

“If You Really Really Love Me” starts off acoustically, but then slips into true Panther territory and will have you laughing until it hurts. The lyrically content has you shaking your head sometimes as if “Did I just really hear that?”! “It Won’t Suck Itself” contains cameos by none other than Nuno “Where Have I Been Hiding For The Last 20 years” Bettencourt of Extreme and Chad Kroger of “the band that seemingly sells millions of records yet nobody seems to like” Nickelback. I don’t think I have to go into the lyrical content of the song given a title like that.

“Tomorrow Night” is probably my favorite track on the album. It’s straight up Motley Crue Shout at the Devil era influenced and is infectious as hooker with an STD. What other band can put together a song as epic as this and name drop Charlie Sheen, Britney Spears and Christopher Walken at the same time?

80s metal and power ballads are as synonymous as Lindsey Lohan and court appearances and Steel Panther deliver a great one entitled “Why Can’t You Trust Me”. To quote a line from this song,” you better treat me with a little respect, before I go Chris Brown and punch you in the neck.”

There’s nothing better than a song that rocks and helps you with your spelling. A, B, C is as easy as 1, 2, 3 when you have Steel Panther cranking out classics such as “Gold Digging Whore”. You have to love those sing-a-long choruses! “I Like Drugs” is like a 4 ½ minute dinner theater metal style complete with Michael getting pulled over by a cop. It’s hilarious!

Is anyone craving some cowbell? Then “Let me Come In” is for you, but not if you’re bashful. It doesn’t take a rocket scientist to figure out the lyrical content given a title like that! The album closes with yet another Crue inspired song ala “Home Sweet Home”, well at least musically it is. “Weenie Ride” is a piano ballad, but don’t let that brief description fool you. It’s pure Panther baby complete with the big guitar solo.

Wow, what a ride a Steel Panther album is. The guys are serious about their metal, but I don’t think they always take themselves seriously. It’s almost as if they are a caricature of themselves, yet they live out these characters 24/7. It is a fun album, a raunchy album, a rocking album and one of the catchiest that I have heard this year. If you’re not embarrassed or offended by the lyrics, then you will soon be converted over to a huge fan of Steel Panther. Balls Out will go down, no pun intended, as one of the best of 2011.

Josh Todd of Buckcherry Talks Rock and Roll and Fried Chicken

The Rock Allegiance Tour rolled out onto America recently with a lineup worthy of a very long night of maximum rock. Buckcherry is co-headlining the tour with Papa
Roach. The tatted bad boys from L.A. have been bringing their style of slick
and sometimes raunchy rock each and every night and exciting crowds across the
US on this tour. I caught up with front man Josh Todd before their set in
Winston Salem, NC recently. We talked about AC/DC, opening for KISS and fried
chicken.

Hey man, I want to start off by saying thanks for taking the time to do this interview. The Rock Allegiance tour is a new package this year. How have things been so far?

It’s been going great! We’ve been touring for our record All Night Long since July of last year, so this is just a small leg of our tour for that album. We’re about 200shows deep. We’re a little tired, but other than that, the shows have been going awesome.

You guys are like a touring machine after you put an album out. You seem to have that old school mentality of hitting the road and staying on it seemingly forever after you have a new album drop.

Yeah, that’s how we built our fan base and our reputation off of the live show. That’s how real rock bands do it; you go out and play live.

So, after this tour end, you guys will be taking part in the Ship Rocked cruise. What can you tell us about that?

We’re doing like three shows or maybe more. I really don’t know that much about it other than it goes on annually and they have been doing it for a while now. They have
been after us to participate, but this is the first time that it actually
worked out with our schedule. It’s going to be a mess; people just hammered
24-7.

How did signing with 11-7 Music change you guys? Did it free you up and give you more creative control? What was behind the decision to go with them?

11-7 was actually created for Buckcherry. We were the first band to be on it so that we could put an album out. Our manager created it because at the time, nobody
would sign our record 15, which was our highest selling record of all that we have put out. It’s a great story because since we couldn’t get a proper record deal in the states, he started a record label for us. We were the first record and the rest is history. Now, there are all sorts of great bands on the label. It’s just so good to be independent. Basically, a major record label is really just a bank. If you are just starting out and don’t really have a fan base built up yet, a major label can get you on a bill and get tour support. Once you’ve established that base, the way to go is independent. You have more control over everything.

You mentioned All Night Long, which came out in 2010. Are you guys writing or working on any new material yet? With all of your touring, have you even had any time to do so?

We’re thinking about doing a concept record, so we have some ideas in the works.
We’ve been writing some songs, but we have to see how it’s all going to come
out. I think it’s going to be really cool.

Wow, a concept record? That definitely has my curiosity peaked. I can’t wait to hear that. Speaking of curious, I wanted to ask how it was opening up for KISS back in 2009.

It was amazing! That was actually the second KISS tour that we got to go on. We got to open up for them in Europe on our first record. We did a whole tour with them,
24 dates, when they decided to put their makeup back on. We were a brand new
band, we had never been on arena stages and we had never been to Europe. It was
very intimidating, but we had such a good time on that tour. KISS is really
cool because they support real rock and roll bands and they were very cool to
us. They took us under their wing back then and we really appreciated it. Then,
we got the privilege to do it again on here in the States.

I know you guys caught a lot grief for the language that you use during your shows on that tour. I mean, it’s a Buckcherry show and it’s expected. You guys stayed true to yourselves and didn’t change.

Yeah, we did have a lot of problems with the profanity issue on that tour. I mean, I get it because a KISS show now is a family affair. We did our best to clean it up
some, but some of our songs do have profanity in them. I guess it’s just not
acceptable for us to be using it.

You have an hour to play tonight. How tough is it to trim your set list down to fit that time frame?

It is pretty tough because we just finished up doing headlining shows in July and August. Now, we have to condense it down quite a bit because we can’t play as long as
we would like to. The first week or so it takes some getting used to, but now
we’re having a blast out there.

A fan sent me a question to ask you. Are you listening to anything music that may surprise your fans?

I listen to all sorts of stuff. I just like good songs. I like music that
will motivate me. I like Neil Diamond. I just went through a major 70s Bruce
Springsteen phase. I am addicted to his song “Rosalita” right now. I’m really
into Rival Suns. They have two or three records out and they sound like a young
Led Zeppelin and they are awesome.

Here are a few other questions for the fans; best 80s metal/rock album?

AC/DC’s Back in Black; that album changed my life!

Most underrated band?

Do you mean right now or ever? There was a band that came out called Love/Hate and they were amazing, but they never really got a shot. They put out a record called Blackout in the Red Room. For me that record is right up there with Back in
Black and Appetite for Destruction for me. That’s one if you really love rock, then you should really visit that record. They deliver that stuff live perfectly. Jizzy Pearl, the singer, was such an influence on me early on. I would go to LA and see shows when I was like 16 and I had never seen a rock band. I mean, I never really go the glam bands like Poison and all those kind of glammy hair bands I never really got. Then, I saw Love/Hate and I thought this stuff is amazing. Jizzy was rad and he
still is.

Favorite food while you’re out on the road?

I really love fried chicken and I know that it’s probably going to kill me at some
point, but if I can find some good fried chicken, I’m going to go get it. I ate
at Bojangles because it was close to here and I just had to do it. After I’m
done, I’m like man I shouldn’t have done that.

Favorite drink?

Jack and coke.

I can’t think of a better way to wrap up this interview than with a great drink! Thanks for the chance to talk with you and I can’t wait to see you guys out on the stage tonight putting on a show like only Buckcherry can do.

80s Metal Goddess Still Throwing Horns After 25 Years

The 80s saw metal explode into the mainstream and take over the radio airwaves and MTV. It was a period dominated heavily by androgynous men and very few women. The few women who did venture in this genre were seen more as eye candy or a novelty act. It was hard for a woman to be taken seriously as a musician during this time.
Germany brought us a heavy metal band by the name of Warlock and was fronted by a blonde warrior by the name of Doro Pesch. Although she was a beautiful woman, she also had a very strong and aggressive nature to her that has allowed her to endure for over 25 years.

Due to legal reasons, the band changed its name in 1989 and released its fifth album as Doro. She received a great deal of exposure on MTV and many of the metal magazines of that era including Metal Edge, Circus and Kerrang. Her album that was produced by Gene Simmons of KISS also garnered quite a bit of attention. Over the last two decades, Doro has continued to record and tour and has even ventured into acting.

This month sees the release of a special 2DVD/CD package entitled 25 Years in Rock. It’s a commemorative package of Doro’s 25th anniversary show from 2008 when she played the ISS Dome in her hometown of Dusseldorf, Germany. It was the 2500th show in her career and a very special day to all of those involved in her career. We recently caught up with Doro who told us all about the new release and reflected on her long career.

Doro, it’s awesome to be able to sit down and talk to you. Your must be very excited about your new album that’s about to come out. Can you give us some details?

Thank you for wanting to talk to me! I am so proud of this album that is coming out. The show is 3 ½ hours long and there are so many guests on there. Klaus and Rudolph from the Scorpions were there and Jean Beauvoir. We also have a lot of the great ladies of metal including Liv Jagrell, Jackie Chambers and more. The show is huge and it took 10 months just to build the stage. It is a visual treat; it’s the home of Warlock. You know how Iron Maiden had Eddie? Well, we had a huge warlock built that rose up behind the drum set. It had lights and smoke coming out of it and it actually scared some people.

I also read that you were going to be doing a few dates here in the states for the release?

Yes, there are two dates with one being 9/9 in New York City and one on 9/11 in Chicago. Those are two of our favorite places to play and we’ve always done really well there. Hopefully, we will be doing many more dates in the US after the new album comes out.

Your career is in its third decade. You have to have a lot of great memories along this crazy metal ride that you have been on?

Wow, there are so many of them. Where do I start? One would be playing with Megadeth in 1986 on the Monsters of Rock. Touring with (Judas) Priest in 86 is another and our 1987 tour with DIO. Then there was our first tour of the US with Megadeth. I loved recording my album in 1990 that Gene Simmons of KISS produced. He has been the best producer that I have ever had. He was a great motivator and he pushed me to achieve more. Did you know that Tommy Thayer, who is in the band now, was my co-producer on there? He also played a lot of the solos too. Gene brought me a demo of a song called “Unholy Love” that he was singing on and told me that he really wanted me to record it.

There weren’t too many women in metal when you started. The few who were seemed to be more eye candy or seen as a novelty act. Do you think you may have broken down a few doors for some of the women in the field today?

I really don’t know if I knocked down any doors, but I may have taught them how to always be a fighter. My fans have always said that my heart beats for metal. The people out there know I love doing this. The truth has always been in my music and it shows. Nowadays, there are so many more great women out there making music and it has brought more of a balance to the field.

You are and definitely always have been the real deal. How else would you still be doing this after over 25 years? How do you stay inspired? What keeps you motivated?

The fans always have and always will motivate me. I have a great fan base and I live for them. That’s one reason that I have never been married because of how important they are to me. I always have them in my heart and in the back of my mind.

Speaking of your fans, when can they expect some new material from you?

I am hoping, fingers crossed, to have my new studio album out next year. We already have been performing one song from it called “Raise Your Fists” which we opened Waken in Germany with it and the fans loved it. We have been writing for it and it’s going to have all the ingredients; heavy, hardcore, speed and lots of anthems. We will then be here in the states touring as much as we can and hitting as many markets as possible.

That sounds awesome and we can’t wait! Doro, thanks again for taking the time to chat with us. Here’s to 25 more years and a 50th anniversary DVD to come out in the future.

Talking Music With John Corabi

John Corabi is one of those guys that everyone has heard of, yet nobody knows who he is. Well, don’t take that quite literally! John had been in numerous bands and projects, such as The Angora and The Scream, before landing his biggest mainstream gig as lead singer in Motley Crue. His stint with the Crue back in 1994 is still a controversial subject amongst the ranks of Crue fans.

John went on to form Union with Bruce Kulick, former KISS guitarist and also be a part of ESP: The Eric Singer Project which also included Kulick. John has been busy this year touring with Cinderella and performing a one-man acoustic show. This is to coincide with the recording of and eventual release of his first acoustic album. I had the chance to catch John’s acoustic set in Charlotte, NC and I got the opportunity to speak with him backstage afterwards about all things Corabi.

Hey John, it’s great to see you man. That was one amazing set that you just performed out there. You are one of those rare exceptions where a singer’s voice is actually better live than on the album. It has that rough edge to it, but is full of raw emotion. A very interesting set list too.

Thank you so much, I really appreciate that. Yeah, the set list is ever changing. I have so much that I can choose from. I want to throw in a Scream song and something from Union and of course the Crue. I also try to do a song or two from my upcoming acoustic album as well and some covers of songs I love.

Can you tell us more about the acoustic album that you’re working on?

Definitely! I am having a blast putting it together. It’s going to include acoustic versions of my old stuff and there will be about 5 or 6 new songs on there too. I was hoping to have it to sell on the tour, but it may not happen. I am doing this one by myself including releasing it because I have no label right now. The industry is going through such a crazy period right now that this seemed the best way of doing it.

What do you have lined up after the acoustic album comes out?

After I get the acoustic album finished in Nashville, I am going to work on putting out a regular, electric album with the band I am using. I have to work on that between my gigs this summer and hopefully have it out early next year.

I had the opportunity to interview Bruce Kulick at his BK3 release party at the KISS Coffeehouse. We talked about your collaboration on “No Friend of Mine” and the possibility of a full scale Union reunion.

I would love for us to get together and do something. It’s just tough to get all four of us free at the same time. I’m doing mine thing right now and Bruce is busy with Grand Funk Railroad. Jaime and Brent are busy guys too, but I am open to it.

Union put out some amazing music. Do you think the timing was wrong because of what was going on in the industry?

Maybe so because Union seems to have taken on a life all its own. I have had so many people come up to me and tell me how much they loved us. It seems to have grown over the years, almost like becoming a cult favorite. Maybe the market just wasn’t right for what we brought to it.

Almost like the album that you recorded with the Crue! There seems to be a line drawn in the sand when it comes to that album. You have one side saying it was the worst album that they ever recorded, yet the other side stands by it as their best album ever. Personally, I love it and think it’s some of the best material that they ever recorded and definitely some of the best songwriting.

Thanks man! It’s good to hear that from the fans because it seems as if Nikki just wants to forget that album even happened. It’s like they are sweeping it under the rug like there’s this big cover up. They don’t even include it on some of the greatest hits compilations that they put out.

I have to ask you John; you looked like you were having a blast up on that stage tonight. There you were with just the mic, your barstool and your acoustic guitar. You are so vulnerable up there in that type of situation. A few songs into your set and you had the crowd eating out of the palm of your hand. Was it as much fun for you as it appeared to us in the crowd?

Oh hell yeah! That’s what I love, that’s what I live for. I don’t think I could do a normal 9 to 5 job!

I think I can speak on behalf of all of the fans and tell you that we’re all glad that you don’t work 9 to 5.

Cinderella and John Corabi Deliver An Awesome Night Of Music

There was something special in the air that night in Charlotte. You could just tell it was going to be a magical night. The Cinderella tour had pulled into town and the line outside started forming early in the afternoon. The small club was a far cry from “back in the day” when stadiums and huge arenas were being packed. Cinderella is celebrating their 25th anniversary on this tour and they prove that they haven’t missed a step.

The show started with John Corabi (Union, The Scream, Motley Crue) opening up for the band and getting the crowd warmed up. That’s a tough thing to do when all you have is a mic, a barstool and an acoustic guitar. Well, that an amazing passion for the art that you create. Corabi opened with “Love (I Don’t Need It Anymore)” from his former band Union which included former KISS guitarist Bruce Kulick. He also included a couple of Scream songs including the amazing “Father, Mother, Son” which received a huge response.

“Hooligan’s Holiday” was next from his much underrated and sometimes missing in action album that he recorded as lead vocalist of Motley Crue. He also included a very of the Crue’s “Home Sweet Home” that was so heartfelt and full of emotion that it was truly moving. Corabi’s set was just that; it was real and genuine and from the heart. He shared great stories with us and brought the entire club together for his short set.

Cinderella stormed the stage next and ripped into “Once Around The Ride” from their debut album Night Songs”. This was the first time that I had seen the band since lead singer Tom Keifer’s throat surgery. His voice did seem a little strained at first; as if he didn’t take the time to warm up, but all that soon changed. “Shake Me” was next and the crowd’s reaction was as if gas had been poured on a once small fire. Their biggest hit being played two songs into their set has to speak volumes. Everyone knew at that point why there was something special in the air that night. We were about to be blown away by a band whose decade is seen as one full of bad songs and bad fashion choices.

The set list for the remainder of the night read like a Cinderella’s greatest Hits album. “Somebody Save” me brought back memories of watching MTV to see the great music videos that Cinderella always made. I have to add that the songs did not sound dated; they had a very fresh sound to them and the boys delivered a solid performance on each and every one. Tom commanded that center stage and kept the banter to a minimum, but the rock and roll output to a maximum.

The stage went dark and the roadies rolled out a beautiful piano and the lighters went up in the air. Yes, a few cell phones did too, but it doesn’t compare to a sea of lighters. The crowd knew that Cinderella’s power ballad “Don’t Know What You Got (Til It’s Gone)” was next and it was such a great moment when Tom sat down at that piano and began the song. The band left the stage, but returned a short time later to the roar of the frenzied crowd. “Long Cold Winter” and “Shelter Me” were the encore song choices and the band then did a bow to the crowd and thanked them for 25 years of good times.

What we saw on this special night was not a band just going through the motions. They seemed hungrier than I remember when I saw them open for Bon Jovi back in 1987. It was a show heavy in substance and light in style. One problem with so many bands from that era was that they were just the opposite. Cinderella did have a great lightshow that night, but there were no props used that night. It was a night of pure musicianship and talent.

There are a lot of bands out on the road these days who act as if we, the fans, owe them something. They stand on the stage like mannequins and they seem like they are bored. These are both young bands and bands who have been around long enough to know better. Today’s economy stinks and for some of these people to fork out money for a concert ticket and not get their money’s worth is downright disrespectful. With that being said, I feel like I owe John Corabi and Cinderella more than what the ticket sold for because that was a steal!

Black N Blue Raises A Little Hell Yeah!

I don’t care what anyone says, the 80s gave us a lot of great music. The second half of the decade saw the emergence of “hair bands” and it seemed like they were popping up everywhere. There were quite a few “one hit wonders” and even more “no hit wonders”. The market became oversaturated with them and some of the deserving seemed to get lost in the shuffle.

Black N Blue was one of those bands. You might even say that they were the Rodney Dangerfield’s of metal. They released four albums between 1984-1988 and had a few MTV hits. They even had the great Gene Simmons of KISS produce their last two albums, but they never seemed to get that proverbial “break” that pushed them to the next level. It’s a shame because this band had it all together. They had the look, the sound and the attitude.

Fast forward twenty three years and you find them back together and about to unleash the album that would have catapulted them to that next level. The original band is back: Jaime St. James on vocals, Jeff Warner on guitar, Patrick Young on bass, Pete Holmes on drums and Shawn Sonnenschein takes over the guitar reigns from Tommy Thayer. They have just released Hell Yeah! And it’s enough to make you want to break out your acid washed jeans and tease your hair high!

This is what Black N Blue is supposed to sound like right here. I am not sure if the band got caught up in the corporate machine after their debut album or what, but this is the raw, dirty sound that is Black and Blue. The nasty bass line from Patrick at the beginning of the leadoff track “Monkey” hooks the listener in and then the crunching guitar of Shawn grabs you by the neck and demands your attention. This is one of the best tracks on the album.

“Hail Hail” is a song that I really hope they add to their live show. I can envision the crowd with their fists pumping in the air and chanting along with that chorus. Also, Shawn has some insane guitar work on this song. The solo that he lays down is blistering. The title track is also another rocker that is similar in vain as it showcases Shawn’s fretwork.

There are two songs that may be considered rock/ballads. “Falling Down” and “Fools Bleed” are slower numbers, but they still pack that rock intensity. I also think they show how another side of the bands’ songwriting and that they do have a serious side. On the other hand, the 54 second “Jaime’s Got the Beer” seems like an out take meant for the cutting room for. I am still pondering on the meaning of the last track, “A Tribute to Hawking”. I know it is about Stephen Hawking, but I am just not sure of the point. Maybe it’s a little tongue in check, I just don’t get it.

Overall, Hell Yeah! simply ROCKS! Who knows, maybe if it would have been released back in the late 80s, then maybe Black N Blue could have joined the ranks of a Bon Jovi or Motley Crue. They certainly did deserve the attention and accolades that those guys were getting. I have to tip my hat to Jaime St. James also. His voice is superb on this release. It has a sense of maturity to it and a little bit of a rough edge that adds to the songs.

I highly recommend Hell Yeah! to old school fans from the 80s and even modern fans of metal. I think up and coming bands should listen to this as they prepare to record their debut album so that they can see what real rock and roll should sound like. It’s not an old school 80s sound recycled by the band, but rather they embrace that old school mentality of how to rock. I just hope we don’t have to wait 23 years for the follow up to this one.

KISS Prove Why They Are The Hottest Show On Earth

It was a hot summer night on August 28th in Charlotte, NC, but it was about to get even hotter. KISS brought their “Hottest Show on Earth” tour to town that night. They showed all of those in attendance why, after 37 years, they are still the iconic giants in the art of over the top rock and roll showmanship. The current touring lineup consists of co-founders Paul Stanley and Gene Simmons plus Eric Singer on drums and Tommy Thayer on lead guitar.

The amphitheatre was packed that night and the lawn was so full that it was hard to see the grass! KISS came up with a great marketing campaign for the summer tour. KISS and smart marketing go hand in hand. As dates for tour were being announced, a special offer for the lawn seats was announced. A paid adult lawn ticket could bring up to four kids, under the age of 14, to the show for free. There were a lot of parents who took advantage of this offer. There were even KISS shirts for the smaller kids on sale at the merchandise booths. Smart move on Mr. Simmons and the boys!

Touring with KISS is The Envy, who are signed to Simmons Records, and The Academy Is. Both bands performed short, yet very good sets, but you could tell that the crowd was there to see KISS. The house lights went down and the video screens came on showing KISS towering above the buildings ala Godzilla as they marched along towards the concert hall. The next images were of the band coming from their dressing rooms to the stage. The now infamous introduction was made and a huge explosion rocked the amphitheater. The boys hit the stage firing on all cylinders performing “Modern Day Delilah” from their latest CD “Sonic Boom”.

The set list for the 2 hour and 10 minute performance spanned the majority of their catalog, but was short on material from the group’s non-makeup years. “Deuce”, “Calling Dr. Love”, “Lick It Up” as well as the surprising non-makeup choice of “Crazy, Crazy Nights” were performed along with numerous others. A KISS show is known for its theatrics and they pulled out all the stops for the fans that night. Gene spit blood and flew to a platform near the top of the stage for “I Love It Loud”, Paul flew out into the audience for “I Was Made For Lovin’ You”, Tommy shot rockets at the stage lights during his solo, Eric’s drum kit rose up to the lighting rig and Gene breathed fire at the end of “Firehouse”. Of course, there was a ton of pyro and flames all during the show also.

Paul billed the band’s encore as the longest in the history of rock and roll. Most bands play one or two songs for their encore, but then again, KISS is not like most bands. Their encore was six songs which included an amazing acoustic version of “Beth” with Eric coming out from behind the drum kit to center stage to sing.
KISS brought out members of the armed services to present a check to the Wounded Warriors Foundation. One dollar from every ticket sold on their summer tour will be donated to this worthy cause. Paul gave a heartfelt speech about our troops and living in the greatest country in the world and then led the audience in the pledge of allegiance. That’s something that you usually don’t get at a rock show.

The band closed the night with their signature song known worldwide, “Rock And Roll All Night”. The confetti sprayed out into the audience so thick that it was hard to see the band onstage at times. A barrage of smoke bombs, flames and explosions made the stage look like a 4th of July celebration. As Paul smashed his guitar in half and the show ended.

The band looked and sounded incredible. Gene Simmon’s trademark tongue was wagging all night as his monster boots lurked the stage all night long. Paul Stanley was more energetic that night than I have ever seen him before in concert and he jumped around in his platform boots like he was 25 again! Tommy and Eric have brought a sense of urgency to the band again. You can tell that they are having a blast on-stage and not just going through the motions. Paul said at the show that a KISS concert was somewhere between church and the circus. Ringling Brothers doesn’t have a thing on these boys!

Bruce Kulick No Longer Walks Alone

KISS are an iconic band known for their trademark makeup and over the top stage shows. Their non-makeup years, from 1983-1996, tend to be overshadowed by their kabuki inspired legacy. During these years, the band toured and released many platinum and gold albums exposing a whole new generation to the band. One very important member of that era was lead guitarist Bruce Kulick.

Bruce joined the band in 1984 and toured and recorded with the band. He slowly began to find his niche in the band while winning over support from the fans. His guitar playing on their 1992 release “Revenge” is considered by most as Bruce’s best work with KISS and their best non-makeup album produced.

Bruce kept busy after KISS releasing two solo CD and numerous side projects including Union with ex-Motley Crue vocalist John Corabi and the Eric Singer Project with KISS drummer Eric Singer and Corabi also. Bruce just released his third solo CD entitled “BK3” which started generating a buzz months ago on the internet and in the KISS community.

I spoke with Bruce at the KISS Coffeehouse in Myrtle Beach, SC for his CD release party on February 6, 2010. I asked him how he felt about the initial response from the fans and critics on his new release. “Wow, the reaction has been wonderful. It took almost seven years to complete this one. With my other two releases, I didn’t use a talented team around me and I was very single minded. I didn’t look at my other records as trying to put out my own Revenge, which is the benchmark that my producer Jeremy and I committed to. Also, some of the time element was scheduling. I mean, if Gene Simmons commits to working with you but you have to wait a year on him, then you’re gonna wait,” responded Bruce.

The initial buzz on the net centered around Gene’s inclusion as vocalist on one track and also his son Nick on another. So, how did this come about? “Well, Gene offered Nick, but trust me, I was already going to ask him. After watching the show, I knew Nick had musical aspirations, but to be quite honest, I didn’t know that Nick was so good. I also didn’t know how important the song would end up being on my record. It was a major score to get him and he picked a great track. It’s a very sonic sounding song on the record and putting his giant voice on it just made it complete.”

I asked Bruce how the whole KISS Coffeehouse release party concept come together? “It was the record company’s idea. They wanted to do a KISS related thing and since there were no expos scheduled at the time of the release, why not do something here. I had never been here as a featured member of the KISS family and it was just the right thing to do, even though I had to fly over 3000 miles to get here. I mean, let’s face it, the core of my audience is KISS related.”

How different was it to release the CD with everything that is going on in the industry as opposed to your last release? “We definitely went more old school this time. I mean, part of the time factor was that we go it a label and got is distributed nationally. I never had anything like that with my other releases. It’s my first CD available at retail, everywhere from Best Buy to I-tunes are offering it. KISS fans tend to love the whole package, the physical CD to hold, so I spared no expense with a trifold digipak complete with a sixteen-page color booklet. I think it looks great.”

What can we expect in the near future from you? Any touring? “We did a small show in LA at the Cat Club to release the CD and we did a n eight song set. It went off very well. I had Fitz from Union on drums and some other talented guys, but I’m not in a position to say look for my tour starting whenever. It is good to know that I have a great bunch of guys that I can count on if that situation presents itself. Right now, I want to keep this initial buzz going and initial sales could generate more interesting things. I am hoping to do more in-store appearances and interviews. I have the Cleveland Expo coming up in March and I know that I’m just an email or phone call away from something exciting happening at any given moment.”

I played a little word association with Bruce next to see what his reaction would be.
I asked him to say the first thing that came to mind.

Gene Simmons- “Very bright business man who is also a very talented musician, but doesn’t say it.”
Paul Stanley- “Total rock star.”
Tommy Thayer- “A guy who knows how to do whatever job KISS asks him to do and a really great guy.”
Eric Singer- “Amazing drummer who never shuts up.”
Eric Carr- “Very missed, very talented, lost too soon.”
John Corabi- “Bluesy singer.”
Bruce Kulick- “An intolerable perfectionist who is very proud of his new record and hopes that everyone will come out and support it.”

My last question is one that I ask of all my interviews. If you were trapped on a desert island and could have only one CD with you, it cannot be a burnt CD, it has to be an official release, what would you want? “I think I would have to go with ‘Are You Experienced’ by Hendrix.”

The CD itself is an amazing step forward for Bruce. He seems to be more comfortable both vocally and with his playing. It is a bigger, bolder sound from Bruce. It kicks off with “Fate”, a great fast paced song with a unique, almost spoken, vocal type from Bruce until the chorus. There are plenty of KISS references in this song too. Hot lead off track, definitely sets the mood for what’s in store.

Gene’s track, “Ain’t Gonna Die” is next. This song blows away Gene’s contributions to KISS’ “Sonic Boom”. You get a little non-makeup era vibe on this one and Gene’s vocals are great, not to mention Bruce’s solo too. The addition of the string section on this song also adds another layer to this great arrangement.

My favorite track on the CD is next, the mini Union reunion with John Corabi on vocals and Brent Fitz on drums. “No Friend of Mine” is the song and it is stellar. John’s bluesy vocals really standout on this track and just begs for another CD from these guys. Bruce and John have such great chemistry between them that it needs to be tapped into more. A big two thumbs up on this rocker.

Gene’s not so little boy is up next with “Hand Of The King” and I guarantee you that if you have a preconceived notion as to what this is going to sound like, then most likely you are going to be blown away. The song is dark and Nick’s vocal debut proves that he has the chops to pursue this if he chooses to. That, plus a blistering solo by Mr. Kulick makes this a stellar lead off track for this release.

“I’ll Survive” is a great slower number that reflects back on Bruce’s shooting a few years back where he was just an innocent bystander and was the recipient of a shooters bullet; very introspective lyrics. “Dirty Girl” features vocals by Doug Fieger who was the lead vocalist of the Knack. Come on now, we all remember muh-muh-muh my Sharona....right? This is a very rock/popish catchy song with a great hook and chorus. Irony of this song is that with all the attention the song was garnering for Fieger, he tragically passed away shortly after the release of the CD after a long battle with cancer.

“I’m The Animal” features German rocker Tobias Sammet on vocals and ESP/KISS drummer Eric Singer on drums. An instrumental track entitled “Between the Lines” features the talent of Steve Lukather, best known for his work with Toto.

Bruce really does shine on this CD and he should be very proud of the art that he has created. Personally, I think the inclusion of Jeremy Rubolino as producer gave Bruce the push he needed to go that extra mile and strive forward as a musician. Jeremy also co-wrote all tracks with Bruce and plays bass and keyboards too.

I truly hope that Bruce gets the recognition that he deserves with this CD. He is the most underrated member of the KISS family and his contributions have never truly been acknowledged. I hope that Bruce gets to take his creation out on the road and share it with his fans. BK3 is a stellar CD for both KISS fans and fans of great guitar driven rock. Best of luck to you Bruce!

Out Of The Void With Wendy Moore

Wendy Moore has been grinding away at her music career for over ten years. She gained alot of notoriety in the music world for writing her book "Into The Void ...With Ace Frehley", which chronicled her exploits with former KISS guitarist Ace Frehley. Wendy became Ace's personal assistant after a chance meeting at the Cathouse in 2008. Her book details a great number of crazy stories about Ace along with his abuse of drugs and alcohol.

I spoke with Wendy recently to get caught up to speed with what's going on in her career. "Well, my second book, 'Out Of The Void', is about to come out this summer. It's a followup to 'Into The Void'. I had so many fans asking me questions after they read the first book so I decided to answer them in the new book," said Wendy.

How did the first book come about? "I was in a bookstore reading 'KISS and Sell' and there was a contact number in the back and I got in touch with them. I thought to myself,heck I can do that. I wrote the book in three months and after it was published I hit the KISS Conventions to promote it. The new book took a little longer. That took me over a year to write."

Her band Venus Envy has a 5 song demo that is available at www.myspace.com/venuswendy or www.myspace.com/girafeass. Wendy has a very unique vocal styling. It is a little reminiscent of one of her main influences Stevie Nicks. It is very raspy at times yet still delivers a great amount of emotion in its delivery. "Strangegirl" sounds like it could have been an outtake from Fleetwood Mac's legendary 'Rumors' release. Another personal favorite of mine is "Vibrate Me" on which Wendy's vocals shine. "We recently had Bill Aucoin (KISS original manager back in the seventies) send out a guy to LA to see us perform. He really liked the CD and we hope that he will manage us. He does want us to re-record our demo and bring out the vocals a little better so that you can understand them easier. I think that we will wait to be signed and then record it professionally," said Wendy.

Wendy's influences can be heard throughout her bands demo CD. "I love Neil Young. His melodies are incredible. I also love Joni Mitchell for her lyrical content. She can cram so many words into one sentence. Janis Joplin for her raw emotion and Fleetwood Mac for the entire package deal," said Wendy. She is also a part of an internet radio show every Wednesday night at 7:00 PM PST with Greenman at www.glxe.com. She discusses her book, her music and just about anything else that comes up. Fans are encouraged to send in questions and request songs too.

Wendy is also busy finishing up her first screenplay. "It's called 'Timeless' and it is about something that has never been written about so far.I am really excited about it. I can't say too much about it right now other than I am shopping it to Rob Reiner," Wendy said.

Wendy seems to be all over the radar these days. She was also on a recent segment on the E! networks True Hollywood Stories: Rock Wives where she told about being Ace's personal assistant and about overcoming her heroin addiction. There is a very emotional part of the scene where Wendy breaks down about her addiction.

Our talk concluded with my trapped on a desert island with only one CD what would it be question? "Most definitely Stevie Nicks 'Belladonna'. It's my favorite album and my favorite song. I also have two Stevie tattoos."

Wendy is such an amazing person. She has been through her fair share of hardships along the way, but she just pulls herself up by her bra straps and marches on. We had a great talk that night about everything from some of her favorite movies, 'Foxes', 'Little Darling' and 'Valleygirl' to 'We Are The World' being her first single ever purchased to Michael Jackson's 'Thriller' being her first album ever purchased. I wish Wendy all the best in her numerous endeavors and I hope that she finds her "Randy".