KISS : A Monster That Can't Be Tamed

KISS is at a point in their career where they don’t have to put out a new album. After 28 US Gold albums, 40 million US sales and over 100 million worldwide, they have nothing to prove to anyone, other than themselves. They don’t need to have a Top 40 hit and they definitely don’t sit around worrying if an album will go gold or platinum because none of that matters. If you’re a KISS fan, you probably thought that after the release of 1998’s Psycho Circus, there would be no more new KISS in your future. Well, funny how things change.

2009 saw the release of Sonic Boom. It was the first studio album from the band in over a decade and the first to feature the current lineup of founders Paul Stanley and Gene Simmons along with Tommy Thayer and Eric Singer. That album and tour saw resurgence for the band. It wasn’t a platinum seller, but it proved that the band still had alot of fire in the musical furnace of this machine. Here we are three years later and the band is releasing its 20th studio album entitled Monster.

The album opens with “Hell or Hallelujah” which is the first single and was released as the band began their tour with Motley Crue this past summer. It’s a guitar driven anthem whose riff sounds a little similar to “Any Way You Slice It” from their 1985 Asylum album. Just go back and listen and see what you think. Another déjà vu happened when I listened to the song “Freak”. Now, call me crazy but it sounds a little bit like “Thief in the Night” off of their 1987 Crazy Nights album. Yet, it’s still a great song and a standout on the album.

I’m not really sure what got into Gene Simmons on this album, but he’s playing with a renewed energy and he delivers some of his strongest material in a very long time. “Back to the Stone Age” and “The Devil is Me” are two great examples of The Demon firing on all cylinders. The Stanley/Simmons track entitled “Take Me Down Below” is a (clears throat) tender love story. It’s classic KISS innuendo, which we haven’t heard in ages. It may not be Lennon and McCartney but it’s been a longtime since we’ve heard such lines as “I raised my flag and she dropped her dress”. The added touch of having Stanley and Simmons share vocal duties on this one is a major plus.

Stanley also has his fair share of shining moments on the album as well including “Freak” as well “Shout Mercy”, on which Stanley proves he still has a knack for writing a killer hook. His standout may be “Long Way Down”, which is a well crafted song with great melody and it’s infectious. The acappella intro to “Eat Your Heart Out” will probably catch you off guard, as it did me. This song is loud and fun and the harmonies on the chorus are a throwback to some of the boys early rock influences.

The new guys, Tommy Thayer and Eric Singer also have lead vocal duties on the album. Thayer, in his tenth year with the band, offers up “Outta This World” which a good song and his voice sounds a little bit like Gene on this one. The chorus is pretty damn catchy too. Singer, in his sixteenth overall year with the band, offers up “All for the Love of Rock and Roll”, which didn’t blow me away, but it does allow Singer to show that he has a great voice.

 A tip of the hat needs to go to, here comes the collective moan from fans fixated on the 73-79 era of the band, Tommy Thayer. He shares writing credits on 10 of the 13 tracks on the album. A good rock song without a solo is like an Oreo with no crème. Well, Tommy offers up lots of Oreo filling on this album as he is laying down some great solos every time you turn around.

I really hate when the band is about to deliver a new album and they say it sounds like Destroyer or Revenge or a combination of both. I think a great album by any band needs to stand on its own merit. Now, I don’t think that this will go down as one of their all-time classics, but it actually is a very strong album. It’s not the Son of Destroyer or the Son of Revenge. Are they re-inventing the wheel on this one? Of course not, but they don’t sound like a band that’s about to celebrate their 40th anniversary.

Thayer and Singer were both KISS fans themselves before joining the group, which is not news to anyone. They were able to connect with Stanley and Simmons on a level that has seemed to re-energize them to some extent. Stanley may have had his hip and vocal issues and Simmons may seem determined to find more and more products to slap the KISS logo on, but they still know how to rock. Once considered all style and no substance, I think the group has finally shaken that image off. It may have taken them 40 years, but I think they have proven to the critics that they are a balance of both. They pull no punches and you get exactly what you expect from them, classic guitar driven rock and roll that’s fun.

KISS and Motley Crue: A Night of Rock and Roll Excess

“The Tour”, as it was christened at a press conference a few months ago, pulled into the Verizon Wireless Amphitheater in Charlotte, North Carolina on July 25. The crowd, despite the heat and humidity, was ready to experience two of the biggest spectacles ever in the history of rock and roll. Tonight, they were sharing the same stage and promised to bring a full production, 90 minute set of maximum rock and roll.

The Treatment, heralding from the U.K., opened up the show with a brief, yet power packed mini-set with selections from their debut album This Might Hurt. After a short break, the curtain covering Motley Crue’s stage dropped and the house lights went down. Scantily clad girls holding Motley Crue signs marched their way across the walkway from one side of the amphitheater to the other. In the middle of this precession were both Vince Neil and Nikki Sixx from the Crue. They made their way to the stage and the show began with a pyrotechnics bang.

Motley Crue’s show was filled with theatrics including stilt walkers, scantily clad female back-up singers, girls suspended by tapestries above Tommy's drum kit and a ton of pyro. The band sounded tight even though poor Mick Mars can barely move around the stage because of his ankylosing spondylitis, a form of arthritis that affects the spine and pelvis. Don’t let that fool you though; the guy still plays like a beast. Speaking of playing, drummer Tommy Lee brought along his roller coaster drum kit from last summer’s tour. He even took a lucky fan along for the topsy turvy ride.

Motley Crue’s set was hit filled and included such Crue classics as “Girls, Girls, Girls”, “Dr. Feelgood” and “Home Sweet Home”. They even included their new single “Sex”, which got a decent reaction from the rowdy crowd. Speaking of reaction, bassist Nikki Sixx and his newly found syndicated fame thanks to his radio show The Sixth Sense got the biggest crowd reaction of all the Crue members. It seemed as if every time he spoke, the crowd would cheer wildly.

The Crue exited the stage and the tear down began as the road crew attacked the stage at a fever pace. They were tearing down the Crue’s set and clearing things out for the huge KISS stage show. After a brief period, the big, black curtain with the KISS logo on it dropped down covering the front of the stage and the crowd was brought to its feet. Then, the anticipation stated to build.

Then, the intro known to millions worldwide began to bellow over the PA system. “Alright Charlotte, you wanted the best, you got the best, the hottest band in the world….KISS!!!!” The curtain dropped and “Detroit Rock City” began to ring out. The guys were lowered down from the ceiling. Yes, we have seen this stage intro before, so that part was a small disappointment.

The band stuck close to the original make-up days playing such KISS classics as “Black Diamond”, “Love Gun” (during which Stanley flew out into the audience) and “Firehouse” (which saw Simmons breathe fire). They did include their new single “Hell or Hallelujah”, which sounded really good, and one non-make-up classic “Lick It Up”. Simmons also did his blood spitting routine and then flew to the rafters to sing his trademark song “God of Thunder”. "War Machine" sounded almost as menacing as the looks Gene was directing towads the cameras throughout the song.

Stanley and Simmons were particularly animated on this night in Charlotte, NC and seemed in great spirits. Guitarist Tommy Thayer, who is still receiving criticism for wearing the Spaceman makeup even though he has now for almost ten years, sounded just as sharp as ever, although not as animated towards the crowd. The band included all their trademarks including lots of pyro, cherry pickers that raised Simmons and Thayer almost to the top of the amphitheater, Stanley smashed his guitar in half and drummer Eric Singer’s drum kit was raised high in the air also. Oh yeah, “Rock and Roll All Night” was the finale and the confetti covered everyone as far back as the eye could see. No matter how many times I experience that, it never gets old.

Now, for the bad stuff. Vince Neil of Motley Crue still manages to mumble his way through songs. KISS have been coming out at each show and mentioning a curfew that won’t allow them to play any longer. It seems the truth of the matter is that it’s taking much longer to tear down the Crue’s stage to get ready for KISS to come out. This has cut into each band’s playtime with each one clocking in, on average, 75 minutes. That’s not exactly the 90 minute sets that we had been promised. KISS’ set list has become somewhat stale and needs to change up a bit. There are so many non-makeup songs that could be included into the set that would go over big with the crowd. “Heaven’s On Fire” and “Forever” are just two examples.

Overall, it was a great show. You had one up and coming band that sounded great and two legendary bands that have been doing their thing for 30 years (Motley Crue) and 40 years (KISS) and show no signs of slowing down. These two bands definitely know how to throw a party when it comes to a concert. It was a rarity to see anyone sitting down on this eventful night, unless they were just catching their breath. On this hot and humid night in Charlotte, KISS solidified why they are still called the hottest band in the world.

John 5: From KISS to Universal Monsters

John 5 is one of those artists that you don’t know what to expect before your first meeting. He’s obviously an insanely talented guitarist with a resume a mile long. He’s worked with Marilyn Manson, David Lee Roth, Meatloaf, Paul Stanley of KISS, Saliva, k.d. lang, Salt-N-Pepa and many more. His job for the past few years has been with Rob Zombie and the two of them have something magical going on.

In between touring with Rob Zombie and writing songs for other artists, John 5 even finds time for a solo career. His new solo effort God Told Me To just came out and we had the chance to sit down and talk to him about it.

Music Is My Drug Of Choice: Hey John, thanks for working us into your busy schedule. I guess this is media day for you. I know you have a lot on your plate today, so let’s jump right into the questions here. Let’s talk a little bit about this new solo album and the new direction that you chose for some of the songs.

John 5: Well, thanks for wanting to talk to me. You know, the whole key to putting out instrumental solo albums is to keep the fans on their toes. I’ve done heavy rock to country and it has gone really well for me. So, I asked myself what I could do to change it up and make it new. That’s where the acoustic stuff came into play.

MIMDOC: Have you been a fan of acoustic music already or was this something that you just wanted to explore?

John 5: I absolutely love electric guitar, but some of my favorite (Led) Zeppelin stuff is their acoustic stuff. It’s absolutely amazing! I love all types of guitar playing. When I put my iPod on shuffle, it has so much diversity, but that’s just who I am.

MIMDOC: Did you work with anyone on this album?

John 5: No, I pretty much did everything on it. I played all the instruments with the exception of drums. My producer Chris Baseford helped me out. Other than that, it’s all me!

MIMDOC: What’s the appeal of going out and doing a solo album after getting off the road with Rob Zombie?

John 5: It’s a great outlet for me and almost therapeutic. Crazy, instrumental guitar music is close to my heart and so very important to me. It allows me a canvas to paint on and to do things I can necessarily do with Rob. He doesn’t want every other bar on his song being a solo.

MIMDOC: Will your fans ever have a chance to hear any of this live?

John 5: I don’t think I will be doing and live dates, but you never know. It’s tough because a lot of my fans are really young and they can’t get into some of these clubs. It’s really late when we go on, sometimes close to midnight and there’s beer everywhere. My younger fans can’t always be a part of that. I will probably go more guitar clinics. They seem to be the best way to go. My younger fans can come to them and I have more time to meet people there and sign autographs.

MIMDOC: I have to ask you about the title of the album. Is there any hidden meaning there?

John 5: I love the title and it can be taken many ways. When I was really young, I would only go to church once or twice a year, like on Christmas Eve, and I would pray for God to make me a successful guitar player. So, in one way, when I’m asked on why I picked up a guitar, it’s because God told me to. On the other hand, I just love it in one of those creepy movies where a guy murders a bunch of people and they ask him why and he says “God told me to”.

MIMDOC: The cover is really cool! So, did you ask Rob to paint it for you or was it something that he offered to do?

John 5: I actually approached him asked him what he thought about painting the cover to the new solo album. He said that he’d love to do it. It’s as simple as that!

MIMDOC: Speaking of Rob, how was it scoring his film The Lords of Salem? Was that your first score?

John 5: That’s the first full length movie that I have scored. I’ve actually done pieces of other movies. It was actually very challenging for me. It’s so different to create music using so many different instruments, but I loved it. It pushed me as an artist.

MIMDOC: That’s a great transition for my next question. Your first solo album called Vertigo came out in 2004. How does the artist who created that album differ from the artist that created God Told Me To?

John 5: Wow, that’s a really good question. I remember when I starting recording Vertigo, I wanted it to be all instrumental, but I was very careful. I held back from doing things at times, but now if I want to put in a crazy solo or two, I will. I think there are some really good songs on Vertigo; very well structured.

MIMDOC: Where did the fascination with horror and the face makeup come from? I know you’re a big KISS fan and especially Ace Frehley.

John 5: Well, I have loved classic monsters since I was really young. You know, Dracula, Frankenstein and stuff. I remember buying KISS’ Love Gun album just because of the cover. That was the first album that I ever bought. It was awesome! That picture reminded me of those monsters that I loved.

MIMDOC: I’m a huge KISS fan too and I wanted to ask how you ended up working on the last Paul Stanley solo album Live to Win?

John 5: I’ve known Paul and Gene for quite a while now, as well as Peter and Ace. Paul was working on his solo album with Desmond Child and I had worked with Desmond when he was recording with Meatloaf. He suggested to Paul that we write something together and we did. KISS has definitely been a major influence on me. When an artist goes on stage to entertain, then they need to go all out and make sure that they entertain the crowd completely. Those guys are just about the best example of how to do that correctly!

MIMDOC: One last question for you John and we’ll wrap this up so that you can get back to work. Do you have any guilty pleasures that may surprise your fans?

John 5: Well, I’m not sure how much it will surprise them, but I do love those old horror movies with Frankenstein and Dracula and all those guys. I always watch about 20 minutes or so of one of those old movies before I go to bed, each and every night.

MIMDOC: That wraps up our time with you John. Thanks again so much for taking time out of your very busy schedule to talk with us. We plan on being at Rock on the Range in Columbus this year covering the show, so we will see you there. We also want to remind fans that your new solo album God Told Me To is out and to go buy it!

KISS Prove Why They Are The Hottest Show On Earth

It was a hot summer night on August 28th in Charlotte, NC, but it was about to get even hotter. KISS brought their “Hottest Show on Earth” tour to town that night. They showed all of those in attendance why, after 37 years, they are still the iconic giants in the art of over the top rock and roll showmanship. The current touring lineup consists of co-founders Paul Stanley and Gene Simmons plus Eric Singer on drums and Tommy Thayer on lead guitar.

The amphitheatre was packed that night and the lawn was so full that it was hard to see the grass! KISS came up with a great marketing campaign for the summer tour. KISS and smart marketing go hand in hand. As dates for tour were being announced, a special offer for the lawn seats was announced. A paid adult lawn ticket could bring up to four kids, under the age of 14, to the show for free. There were a lot of parents who took advantage of this offer. There were even KISS shirts for the smaller kids on sale at the merchandise booths. Smart move on Mr. Simmons and the boys!

Touring with KISS is The Envy, who are signed to Simmons Records, and The Academy Is. Both bands performed short, yet very good sets, but you could tell that the crowd was there to see KISS. The house lights went down and the video screens came on showing KISS towering above the buildings ala Godzilla as they marched along towards the concert hall. The next images were of the band coming from their dressing rooms to the stage. The now infamous introduction was made and a huge explosion rocked the amphitheater. The boys hit the stage firing on all cylinders performing “Modern Day Delilah” from their latest CD “Sonic Boom”.

The set list for the 2 hour and 10 minute performance spanned the majority of their catalog, but was short on material from the group’s non-makeup years. “Deuce”, “Calling Dr. Love”, “Lick It Up” as well as the surprising non-makeup choice of “Crazy, Crazy Nights” were performed along with numerous others. A KISS show is known for its theatrics and they pulled out all the stops for the fans that night. Gene spit blood and flew to a platform near the top of the stage for “I Love It Loud”, Paul flew out into the audience for “I Was Made For Lovin’ You”, Tommy shot rockets at the stage lights during his solo, Eric’s drum kit rose up to the lighting rig and Gene breathed fire at the end of “Firehouse”. Of course, there was a ton of pyro and flames all during the show also.

Paul billed the band’s encore as the longest in the history of rock and roll. Most bands play one or two songs for their encore, but then again, KISS is not like most bands. Their encore was six songs which included an amazing acoustic version of “Beth” with Eric coming out from behind the drum kit to center stage to sing.
KISS brought out members of the armed services to present a check to the Wounded Warriors Foundation. One dollar from every ticket sold on their summer tour will be donated to this worthy cause. Paul gave a heartfelt speech about our troops and living in the greatest country in the world and then led the audience in the pledge of allegiance. That’s something that you usually don’t get at a rock show.

The band closed the night with their signature song known worldwide, “Rock And Roll All Night”. The confetti sprayed out into the audience so thick that it was hard to see the band onstage at times. A barrage of smoke bombs, flames and explosions made the stage look like a 4th of July celebration. As Paul smashed his guitar in half and the show ended.

The band looked and sounded incredible. Gene Simmon’s trademark tongue was wagging all night as his monster boots lurked the stage all night long. Paul Stanley was more energetic that night than I have ever seen him before in concert and he jumped around in his platform boots like he was 25 again! Tommy and Eric have brought a sense of urgency to the band again. You can tell that they are having a blast on-stage and not just going through the motions. Paul said at the show that a KISS concert was somewhere between church and the circus. Ringling Brothers doesn’t have a thing on these boys!