Atlanta, Georgia’s Nashville Pussy was dubbed by a U.S. magazine as “one of the hardest working bands in show business”. If you have ever seen them in concert, it would be hard to deny this label. They bring their unique mix of whiskey, Southern metal, raunch and roll to the stage unlike any other band around. Their studio albums have become instant classics, but their live show truly elevates them to another level.
The band was formed back in 1997 by vocalist/guitarist Blaine Cartwright. His wife Ruyter Suys has been by his side along the entire journey playing a blistering lead guitar. The two were joined by drummer Jeremy Thompson. The bass duties in the band have been somewhat of a revolving door having four different female bassists along their 15 year journey. Their current bassist, Karen Cuda, has been with the band 2005’s Get Some! album.
The band is releasing a deluxe version of their 2009 classic From Hell to Texas on March 27 via Steamhammer/SPV. The deluxe version features a remixed and upgraded version of the 2009 album in an unexplained new sequence. For those not familiar with the original release, it contains such staple songs as “Drunk Driving Man”, “Ain’t Your Business” and “I’m So High”. That was the last studio album to date from the band.
The deluxe version contains a second disc entitled Live and Loud in Europe. The disc contains sixteen tracks that are compiled from various shows on their 2011 European tour. The songs span their career from their 1998 debut album up through their 2009 release. The live disc really brings across the power and energy behind this band’s live show. It may be a bit raw at times and not perfect, but isn’t that what true rock and roll is about? It’s not supposed to be clean and sterile and sanitized for your protection.
The better tracks on the live disc seem to come from the show in Prague, Czech Republic. There are blistering versions of “From Hell to Texas” and “Hate and Whiskey” present from that show. Those aren’t the only highlights though. Other standout tracks include a smoking hot version of “Snake Eyes” and the crowd favorite “Go Motherfucker Go”. There’s nothing quite like a raunchy rock and roll song with a great sing-along chorus to get a little audience participation.
Now, I know that a lot of live albums are composed of songs from various shows, but it usually flows together from beginning to end making it almost impossible to tell. There are times on the album where it doesn’t flow as smoothly as others. That’s about the only fault that I have when listening to the album. I’m not sure if this is from the mixing or what, then again maybe the band intended it to be that way to give it even more of a raw edge. The omission of their 1999 Grammy nominated song “Fried Chicken and Coffee” was also a bit of a letdown for me.
The album does a great job of capturing the vibe of a live Nashville Pussy show. You can just sense the sweat dripping from lead guitarist Ruyter as she cranks out her solo; a solo that a lot of men in the business wish they could deliver in the way that she does. Blaine’s vocals do get a bit strained at times and almost sound borderline painful in his delivery, but the man’s a rock and roll trooper and keeps marching on.
The band was formed because they were tired of watching people in rock bands on stage just going through the motions, with more style over substance. As with many great and iconic bands before them, the band came together to play the type of music that they always wanted to hear. It’s raunchy, it’s dirty, it’s sexy and it’s pure, unadulterated rock and roll. They have maintained their authenticity over their fifteen year career and haven’t compromised who they are or what they believe in. You may not ever hear any of their songs performed on American Idol, but something tells me that they really could care less.
Italian rockers Lacuna Coil have been fine tuning their musical machine over the last fifteen years. They are one band that you know will turn out a really good album. They are one of the most successful bands on their Century Media Records label. Singer Cristina “there’s no H in my first name” Scabbia has become known worldwide as one of the hottest chicks in metal. Still, after five albums and countless tours, the band has never elevated to that next level of success and notoriety.
Will their new album Dark Adrenaline take them to that level? Well, let’s take a listen and see what we find. This is the band’s first album since 2009’s Shallow Life. The band went with producer Don Gilmore who also produced their last album. It opens with “Trip the Darkness” and is also the first video released. Musically, it’s familiar territory for the band as it opens with singer Andrea Ferro’s on the first verse before Cristina comes in and then takes over the chorus. The chugging guitars and bass throughout the song are that trademark sound from the band that we have come to know and love.
“Against You” has more of a rock edge to it and the guitar work between Cristiano Migliore and Marco “Maus” Biazzi is close to perfection all the way down to the superb solos midway through the song. “Give Me Something More” is a really catchy song from the band and Cristina’s delivery of the chorus is very infectious. You will be singing along after the first listen.
“Upside Down” is one of the strongest tracks on the album and it definitely rocks. Andrea and Cristina trade off vocals on this track. I like the contrast in their styles, but at times you wish Andrea just had a bit more grit to his delivery. “End of Time” is a power ballad that would sound right at home at album rock radio. This is another great vocal delivery by Cristina on the lead and Andrea taking over on the chorus.
“The Army Inside” shows the band turning up the guitars again on this catchy song. There have been many comparisons to Depeche Mode, especially after covering one of their songs. At times, to me this sounds like what Depeche Mode would if they added heavier guitars; plus a very hot female singer. “Fire” is, no pun intended, a very hot song by the band. It has great vocals, a catchy riff throughout and a great hook in the chorus.
Although “End of Time” would make it radio much easier, I think “My Spirit” is the better of the two ballads. I think it’s a much richer song in composition and Andrea’s and Cristina’s vocals shine on this track. This song has some of the darker elements from the band’s earlier work that seems to have faded throughout the years. The band is known for doing some great covers in the past and on this album they decided to take on a classic in R.E.M.’s “Losing My Religion”. As much as I wanted to like their new version, it just doesn’t work for me. It’s as if they have stripped away the core emotion of the R.E.M. song and turned it into a generic rock song. It really lacks that emotional connection that Michael Stipe made when he originally recorded the song.
So, will this new album vault Italy’s finest to that next level of superstardom? There are moments on here in which they seem poised for that. They have all the right elements working in their favor. Cristina’s vocals are full of emotion and energy and can switch from sweet to savage in note. Andrea’s vocals are great, but as mentioned before, need a bit more grit on the more aggressive lyrics to convey the feeling that is warranted. The musicianship is top notch as always, with the guitar attack being taken to a whole new, heavier level on this album. Although, I do miss some of the heavier, darker goth sound that the band had in their earlier days.
There are a few songs on the album that, given the right push my marketing, could blow up at radio and expose the band to a new fan base. There have been so many bands throughout time that have been on the verge of super stardom, but never got that one lucky break needed to crossover to the next level. Will Dark Adrenaline launch them to the next level? Stay tuned to find out.
The Finnish symphonic metal band Nightwish is back with their most daring release to date. Imaginaerum is an album written around the premise of a movie, a type of rock opera of sorts. It’s a brave move for a band to make take such a bold step and really says a great deal about their artistic integrity. They aren’t happy with playing it safe; they want to push the proverbial envelope of creativity.
It’s been a little over four years since we have heard from the band. Their last release, Dark Passion Play, marked the vocal debut of Anette Olzon who replaced longtime vocalist Tarja Turunen. The album was a big success for the band and they seemed poised for worldwide domination. This brave and bold step at such a pivotal point in their career will be interesting to see how it plays out with their fans. Let’s dissect this “concept” album and see if it’s worthy of elevating this very talented band to a higher level.
The album opens with an odd music box and piano lullaby sung in Finnish. It is almost as if you are sitting in an opera house as the first act is about to begin. I can imagine the lights going dark and the curtain opening. This leads us into the first single “Storytime”, which is familiar Nightwing ground. It has that symphonic and metal sound that blend together so well, plus an added background choir. This is probably the most commercial sounding track on the album and a great choice for lead-off single. Anette’s vocals on this track are hypnotic and smooth and you can’t help but to be drawn toward them.
Up next is “Ghost River”, with it’s almost Van Halenesque guitar intro. Listen to it and tell me that you don’t immediately drift off to “Ain’t Talking About Love”! I think song has a somewhat similar vibe as “Storytime” as it’s heavily orchestrated and very catchy, but the chorus is a bit heavier with the guitars amped up. The tempo slows down on “Slow, Love, Slow”. The simple arrangement of piano and a slow bass line that weaves throughout the song gives it a bit of an old school jazz feel to it. If you close our eyes, you can imagine Anette in a smoke filled bar against a baby grand singing this song.
“Scaretale” is a wild ride of a song as the intro sounds like something out of a horror movie, complete with little kids chanting “ring around the rosies”. The lyrics are also somewhat bizarre as it speaks of the bride eating the innocence of people. There’s also a killer riff worked in there to headband along to. “Arabesque” is an instrumental piece that just doesn’t work for me when I listen to it. Maybe it will make more sense when the movie is released, but for now, it just seems like filler.
The use of dual vocalists, especially one male and one female, doesn’t always work out on a single track or mesh well together. “Rest Calm” shows that when it does work, it takes the song to another level. Marco’s vocals are powerful and commanding, yet Anette’s vocals are too, but in a totally different delivery. She really shines on the chorus as she turns beast to beauty in her delivery.
“The Crow, The Owl and the Dove” is a beautiful song and a standout on the album. All the elements really come together and complement each other on this track. The lyrics are moving and powerful and the vocal delivery adds to the emotional element of the song. “Song of Myself” is a bit of a puzzler for me. It clocks in at just over 13 minutes and about 7 of those minutes are spoken word. It just seems a bit too long for me and maybe trimming it down would have helped it in its effectiveness. The album closes with the instrumental title track.
So, does this rock opera work without the aid of the forthcoming movie? I say yes, but not 100%, especially with the instrumentals. The album is diverse and has a little bit of everything on it. I think Anette really shines on here and shows that she was a worthy candidate to replace Tarja. The guitar work of Emppu Vuorinen and Jukka Nevalainen runs the gauntlet. The acoustic work is a very sharp contrast to the shredding guitars and solos, but its delivery on the songs is just as powerful.
I think Imaginaerum will please longtime fans of Nightwish as well as be a good jumping on point for new fans as well. The movie for this album should prove to be interesting as we wait to see if it propels this piece of art to another level or not. In the meantime, sit back and crank this up and allow yourself to be taken on a journey with Nightwish.
It seems as if every now and then that the music industry gets it right. Well, I do believe that this is one of those times. Century media Records announced on January, 12, 2012 that they had just signed the band OTHERWISE to a recording deal. Now, I know that many of you out there may not have a clue as to who this band is, but you are about to; mark my words.
The band was formed in 2005 by brothers Adrian and Ryan Patrick. The road up to this point in their careers has not been a bed of roses, as there were a few thorns experienced along the way. Adrian garnered quite a bit of national exposure when he was featured on "The Promise" singing with Maria Brink and In This Moment. The song received mainstream airplay and a video was also shot for the song. Adrian joined In This Moment on the 2010 Mayhem Festival and performed the song with the band. After the tour, he returned home with a new found hunger to make it to the big leagues, but it a setback. A major shakeup in band personnel happened and what might have ended other bands, just made Adrian and Ryan that much more determined.
The guys found the remaining pieces of the puzzle in bassist Flavio Ivan, drummer Corky Gainsford and guitarist Vassilio Metropoulos. The band was labeled by FOX News as the "#1 Unsigned Act in America" and by Xtreme Rock Radio 107.5 as the "#1 Unsigned Band in Las Vegas". Well, those two labels are a thing of the past thanks to the announcement on 01/12/12. The band are currently in the studio with Jay Baumgardner (Bush, Linkin Park, Papa Roach, Incubus) recording their debut album.
This article is just a little intro for all of you who may not be familiar with the band. The first video included here is "The Promise" by In This Moment. The second video is for "Soldiers" by OTHERWISE. Check out their Facebook page, http://www.facebook.com/otherwiseofficial#!/otherwiseofficial?sk=wall, and learn more about this band who will definitely be making a major noise in 2012.
“We’re not here to take over the world. We’re the band that will create a new world for you to come join us in and escape,” M Lazar, September Mourning.
Enigma. Webster defines it as an inscrutable or mysterious person; something hard to understand or explain. Enter stage left one Emily Lazar; a multi-layered artist whose talents including being a writer, singer and model. She has modeled for and/or endorsed such companies as Draven, Coffin Case, Samson Microphones, Sourpuss Clothing, Lip Service and many more. She fronts an art project, not a band, called September Mourning. The story of M and her vision is one filled with ambition, hard work, strong women and comics. I recently sat down for a long and interesting chat with M about what ignites the creative beast inside of her.
Johnny: Hey M, it’s great to finally catch up with you. I know that you have been really busy as of late with September Mourning, but before we get into all of that, can you give the readers a brief introduction to who M Lazar is?
M/September Mourning: Who knows? I’m not even sure if I do! Well, I am a performer and I have been one since I started walking. I stepped on the stage for the first time at the age of 4 and I haven’t come off since. I have always been involved in the arts in some way. I have always been singing, dancing and modeling. I usually come up with the concepts of the shoots that I do too, such as with Draven shoes. I just love to put my own stamp on it.
Johnny: So, tell us about your project September Mourning.
M/September Mourning: Well, it’s definitely more than just a band, so I like to refer to it as my art project. It started out as a story of a girl who has her own alter bridge to cross. She is a strong female who is not always taken seriously, but she will punch your face off if she is pushed to it. I wanted to integrate music into the story since I am a musician. I hooked up with Marc Silvestri of Top Cow Comics about 4 ½ years ago and told him my idea. I picked Marc because when he describes female characters, they are empowered and strong, such as his character Witchblade. He loved the idea and asked if I had a band to provide the soundtrack to the story, so at that time I started putting one together.
Johnny: When you were piecing the band together, what kind of sound did you want to create?
M/September Mourning: I got in touch with Chris Egert who was an industrial kid that I had great chemistry with. I knew I wanted an industrial sound with a rock edge to it, but I really hate to put our sound in a box. I also worked with James Duran and Carley Coma and we cut some demos.
Johnny: Your sound has changed somewhat since those early demos; as well as your band mates. Was the musical change a conscious decision?
M/September Mourning: I believe that you have to grow as a group. The minute that you stop changing or morphing as an artist is a sign for you to break up or just stop because there is nothing left to do. Our current sound is popcore with a little electronic thrown in, but it’s still changing along with our band members and our look. We will definitely have all of those changes defined by next year. Our sound did change a bit from those first songs, which were more industrial. We didn’t release them, but we are going to go ahead and do so because a lot of fans discovered us back then because of them. O
Johnny: Those fans got a taste of those songs when you went out on tour with Marilyn Manson. How crazy of an opportunity was that for you?
M/September Mourning: It was like being blasted out of a cannon! We got that touring spot just 6 months after becoming a band. I think we did really well and it was definitely a blast. Manson is such an amazing artist both musically and visually and I learned so much from him.
Johnny: So, this project has been in the works for a few years now. You had a pretty major announcement at the San Diego ComiCon this year. Can you tell us more about that?
M/September Mourning: I am so excited about our project with MTV. We are putting together live action/animation webisodes that will depict the storyline of September Mourning. Each webisode will link together and they will contain our original music. They will be very interactive and the fans will drive the storyline. MTV Geek is just amazing and they really understand where we are coming from. They are very forward thinking and they get our vision and that really helps. Ultimately, this project is my life, it’s my child. My little goth/metal child.
Johnny: You just recently released a teaser video for a new song entitled “Children of Fate”. What a great song and a bit of a different direction for you. Also, on a visual level, it is quite striking. Can you elaborate a little bit on the whole package?
M/September Mourning: Well thank you! The reaction to it has been really great so far. First off, I am a huge Annie Lennox (Eurythmics) fan and I love watching 80s videos. I especially love her video for the song “Why”. I was inspired by that one and I wanted to show how our look and sound has evolved in the video. My look is more specific now and the video shows me evolving.
Johnny: When you write a song, such as “Children of Fate”, where does your inspiration come from?
M/September Mourning: I write alot of songs and I try to write one everyday; whether it’s just a verse or a hook or a complete song. I draw my inspiration from everything in life. I draw it from the guy I am dating and the way he smiles at me in the morning. I’m inspired by movies or seeing an artist perform and the crowd’s response or the taste of a chocolate chip cookie on my tongue. I have my dark periods too and I think that was because I was surrounded by so much death and trauma when I was little. My dad worked in an ER when I was 7 and I saw a lot of things that I shouldn’t have at that age.
Johnny: So, on a lighter note, do you have any guilty pleasures that would surprise your fans?
M/September Mourning: Well, I am a Scorpio, so I am an intense, sensual person; so some of those things can’t make it to print. Hmmmm, a guilty pleasure that’s printable? Well, I love science and quantum physics. I guess that makes me a nerd huh? I’m also a gamer and I love the new Batman Arkham City game. There’s also a new game coming out called Darkness 2 and I played a demo of it at ComiCon. The first one was banned in Singapore because it was so violent. It’s an all out gore fest and I love it!
Johnny: I would use many words to describe you, but nerd is definitely not one of them. You are such an active person and you definitely prove that there is a lot of brain there to compliment all of your beauty. I know at times your body must be exhausted, but your brain is still running at mach speed. How do you finally come down long enough to sleep?
M/September Mourning: It’s very hard to and that’s why I am usually an insomniac! I just recently learned how to shut it off thanks to meditation. I use to think that stuff was for “sandal wearing, granola crunching people” and not for me, but boy was I wrong! The very first time that I tried it, I was so chill that night. I do it now to help me stay centered, plus I have also learned how to just let things go too.
Johnny: Speaking of letting things go, as much as I hate to, I guess I should let you get back to the studio. I, for one, can’t wait to hear the new CD. I know you are shooting for the first quarter of 2012 for a release. Please keep us posted on your progress with that and thanks again for taking time out of your crazy schedule to talk with us. Is there anything that you would like to add in closing?
M/September Mourning: You’re quite welcome and thank you for wanting to talk to me. I do want to thank all of our fans, both old and new ones, who have stayed with us all this time and for passing us on to new listeners. We are a product of what you make us. Keep spreading the word and keep letting us know on Facebook what you think.
Ivan Moody and the guys from 5 Finger Death Punch have a sound that is two parts testosterone driven rock with one part aggression. The band burst on the scene in 2007 with their debut The Way of the Fist. Ivan’s distinctive vocals and the band’s take no prisoners approach to their live show quickly established them a solid following in the world of metal.
Their second album, War is the Answer, was released in 2009 propelled the band to a whole new level. This album saw the band fine tuning their sound and the results were heard all over the radio. The album was deep in singles, six to be exact, with their cover of Bad Company’s song “Bad Company” exposing the band to a whole new audience.
That brings us to one of 2011’s most anticipated releases: American Capitalist. Producer Kevin Churko was called in to produce again and the results are nothing short of amazing. The album opens with the title track and quickly lets you know that the 5FDP sound is alive and well. The twin guitar arsenal of Zoltan Bathory and Jason Hook quickly begin to lay down the solos that are inspiring a whole new generation of guitar hero wannabes.
“Under and Over It” is the first single released and it blew up big everywhere upon its release back in July. Ivan’s signature growls mixed with clean vocals on the chorus are heard loud and clear on this track. It’s definitely a very catchy track and a great choice as a leadoff single for all outlets.
Track three is one that has been met with a great deal of opposition from fans and critics alike. The song is called “The Pride” and it’s been butchered for its “cheesy” or “fluffy” lyrics, which to many make no sense. Basically, it’s three minutes of Ivan naming off numerous staples from our pop culture. He then states “I’m not selling out, I’m buying it! Only the strong survive, I will not be forgotten.” Lyrics are always open to interpretation, but I think it’s all tongue in cheek and Ivan’s drive to be part of those iconic nuggets of pop culture.
5FDP also explore their softer side that was unleashed on their last album. “Coming Down” is a great example of the band being willing to show that side of themselves without coming across as wimpy. Ivan’s clean vocals combined with some very dark lyrics make this a powerful song. The other entry would be one of the best songs on the album entitled “I Remember Everything”. This song is today’s version of the big power ballad from the 80s, complete with the big guitar solo in the middle. It’s a song which serves as a letter home to Ivan’s family telling them that he’s sorry for all of his shortcomings. It’s a very powerful and emotional song with a great chorus made for being included in their live show. This song will blow up big when released as a single; mark my words.
To compliment the softer side of the band, there are plenty of heavy tracks too. “Menace” and “Wicked Ways” are standout tracks for those craving the harder side of the band. Ivan’s vocals are dead on and there is plenty of shredding on both tracks. Let me add that Jeremy Spencer is a juggernaut on the drums and takes that double kick to a whole new level. The man is insane!
It’s really hard to say that an album is perfect, but this one is pretty darn close. “The Pride” is a take it or leave it track for most, but other than that, this album is solid all the way through. Ivan’s vocals are stronger and even more distinct than ever. The rhythm section of Spencer on drums and new addition Chris Kael on bass have already formed a solid foundation for the band to play off of. I have already praised the one/two assault of Hook and Bathory on guitar.
I think this album will propel the band to that next level, but time will have to tell. The initial week’s sales were a strong indicator as it debuted at number 3 on the Billboard Top 200. In today’s turbulent music industry, it’s not a sprint, but a marathon, so we will have to wait and see.
They say absence makes the heart grow fonder. I am sure that Amy Lee from Evanescence was pondering that saying as she sat in her recording studio piecing together the bands’ third studio album. Would the teenage goth girls who looked up to her be all grown up now and out of that phase of their life? Would the industry welcome her back with open arms? A lot has changed since their last album; just look at Hot Topic!
Evanescence seemed to be an overnight sensation back in 2003 with their debut Fallen. Their songs were all over MTV, Amy was in almost every music magazine that you picked up and the band even won two Grammy Awards. Their follow-up in 2006, The Open Door, was also a huge seller for the band. Then, they just seemed to disappear. There have been many rumors floating around and dates of a new release were teased for quite some time. Early 2011 saw the first true signs of a new album forthcoming and the anticipation begin to grow among the fans.
The fans wishes were granted in October as the new self-titled album from Evanescence hit the stores. If the initial response to the first single “What You Want” was an indication of whether the fans missed the band, then they had nothing to worry about. The single blew up in a major way and has been all over MTV, the Sixx Sense Sideshow Countdown, radio and more!
The album is a good mix of styles that we expect from the band with each one woven around the incredible voice of Lee. There are several rock oriented songs on the album such as “Never Go Back” and “End of the Dream”. Each has that signature crunching guitar sound that you associate with the bands’ trademark sound. “The Change” is a great song that shows exactly how Amy can start a song out slow and build on it with her powerful vocals. She just wraps her voice around it and cradles it until it’s ready to be unleashed at its full fury. “My Heart Is Broken” is another example, but this time she includes a beautiful piano intro to build off of.
There are two key tracks on the album that stand out for totally different reasons; other than the fact that they are both exceptional tracks. “Swimming Home” shows Amy dabbling in the electronica field on this very smooth and relaxing track that sounds unlike anything I have heard the band do before. The other track is the beautiful “Lost in Paradise”. Again, Amy’s piano skills are featured here and they compliment her emotional vocal delivery to the utmost. There is a soft, angelic like quality to her vocals that helps to accentuate the emotion in the lyrics. The addition of the string section on this song is almost brilliant and takes it to another level. The sheer beauty and emotion in the vocal delivery is enough to give you goosebumps.
This album was well worth the wait and it presents the band in a different light both musically and lyrically. The sound is more reminiscent of Fallen than of The Open Door, but they still manage to branch out and grow their sound. The lyrics are also a big surprise as they are not as dark as in the past. We all know that Amy wrote the last album from a darker point in her life, but this new album seems to be almost a total opposite as far as the writing goes.
A new band, a new album that debuted at number one on the Billboard Top 200 chart and a new tour has Evanescence feeling a huge wave of love from their fans. Don’t fret though, there’s still some goth left in her, it’s just matured and channeled in a different creative way.
It’s amazing how quickly ten years can just fly by. It seems like just yesterday when we were reading about this new band called As I Lay Dying and their debut album Beneath the Encasing of Ashes that had just been released. The band quickly won over fans and respect from the critics and other artists. They were a part of Warped Tour, Ozzfest, Soundwave Festival and many other huge shows. They also toured with such heavyweights as Disturbed, Slipknot and Lamb of God.
Now, here we are 10 years and 4 more studio albums later and As I Lay Dying are celebrating. To commemorate their anniversary, the band has released a new album to say thanks to their loyal fans. Decas consists of 3 new songs, 4 covers, 1 re-recorded medley and 4 remixes. It’s a mixed bag of tricks that is sure to satisfy all levels of As I Lay Dying fans. The album opens with “Paralyzed”, which is in the same vein of where the band was on their last album Powerless Rise. This song will definitely wet the appetites of fans who are anxiously awaiting a new studio album and tour. “Moving Forward” is cut from that same musical cloth and will not disappoint the listener.
Cover songs; some people like a band to put their own spin on them while others like for the band to stay true to the original. The band covers Slayer’s “War Ensemble” and totally, no pun intended, slays it. Tim’s vocals on this song fit just like a glove. Next, the band attacks “Hellion” and “Electric Eye” by Judas Priest and produce a result that even the rock icon Rob Halford would give a horns high salute to. The last cover is a 35 second insane spin on the Descendents’ “Coffee Mug”. The medley, “Beneath the Encasing”, contains parts of several songs from their debut Beneath the Encasing of Ashes.
As for the remixes, the band takes one song from each of their releases since Frail Worlds Collapse and I have to admit that there is some very bizarre territory being explored there. They seem a bit bizarre to me for some reason. I’m just not feeling them at all and I don’t think that they bring much to the table. It’s nice for a band to explore new territory and try to expand their horizons, but I am not sold on these remixes. In a world of the ever growing dubstep craze, I think this is a step backwards for the band. I’m just glad it’s for this special album and not a new musical direction for the guys.
Decas is a really solid album, minus the remixes, from the band. The musicianship on the new songs and covers is tighter than the band has ever sounded. Tim Lambesis’ growls are more aggressive than ever and very dark at times. Josh Gilbert’s clean vocals offer a great balance and contrast to Tim’s. This album is something for the fans and is not meant to take the place of a new studio album. If the three new songs are any indication of where the band is headed, then their follow-up to 2010’s Powerless Rise is going to be one of the most anticipated releases of the year.
Have you ever played word association? Ok then, what comes to mind when I say Irish? Red hair? Shamrocks? Bagpipes? Lucky Charms? How about genuine and authentic rock and roll saviors, here to deliver a sermon that not only is rock and roll not dead, but it is about to grab you by the neck and choke you into submission. Do I have your attention now?
Let me introduce you to three lads from Dublin, Ireland: Shane Cooney on drums, Brad Kinsella on bass and Daniel Jordan on vocals and guitar. They go by the name Kopek and their debut CD, “White Collar Lies”, has only been out a short time, but it has caught the attention of an industry that has grown stale and an audience that is hungry for real music. These guys are as genuine as you get: real musicians writing real songs and playing real music.
I had the privilege of catching up with drummer Shane Cooney before a recent gig and we talked about this crazy rock and roll ride that has begun for the band. “The response here in the States has been overwhelming at times. We wanted to keep things honest and original when we made the CD, but we truly did not expect this kind of a reaction on this side of the pond. Everyone seems to be really into it,” said Shane. So, what’s in a name? What exactly does Kopek mean? Shane explained, “It really doesn’t mean anything, we just liked the word. We wanted to choose something that people would hear and associate it with the band, no second meanings. We wanted to have a blank canvas, free to do what we wanted. Plus, it needed to have a hardcore and rock sound to it.”
The boys have been busting their chops and paying their dues for almost ten years now, so this is no overnight sensation story. Drawing on influences ranging from Robert Johnson and the Doors to Nirvana and the Smashing Pumpkins, the lads perfected their sound. Daniel provides some nasty guitar riffs that are as infectious as his very unique voice. Shane and Brad are a solid rhythm unit providing that fist in the air pumping backbeat that keeps the songs throbbing along. “Our style is one that would stop you on the street, throw you up against the wall and slap you in the face”, says Shane, when asked about the group’s sound. “The Sex Pistols would have killed for all of this material to write about. There is so much horror going on in the world. Then you have bands that write love songs, but what if you don’t have a boyfriend or girlfriend? Things do tend to piss us off, especially after our hangover wears off and we like to write about those things; whether it’s the price of alcohol or the price of oil.”
Shane told me that his musical defining moment came when his parents took him to a midnight show when he was eleven to see Jerry Lee Lewis in Ireland. It was a rare opportunity to see Lewis perform and Shane was a mere twenty feet away from him in a small club. He was so blown away by how real Lewis was and how he wasn’t trying to copy anyone else, he just wanted to be himself. That was the moment that he knew he wanted to do that for a living.
Speaking of shows, Kopek has definitely been busy burning up the road on tour. They just finished up a very successful tour with Hinder, Saving Abel and My Darkest Day. I was fortunate to see the guys perform in Greensboro, NC on that tour. “That was a great show! The crowd there was very into it and very energetic. I also learned that moonshine is a delicacy in those parts of the South,” explained Shane when recalling their stop in North Carolina. The band ended that tour and then jumped onto another tour with Cold and Egypt Central. Shane told me that when that tour was over, the band would be joining another tour, but he couldn’t let the cat out of the bag yet and tell me who with.
Our conversation closed with a discussion of the band celebrating St. Patrick’s Day in the States instead of their native Ireland. “We were actually in Baltimore on that day and had a show to play. It’s amazing how all of America comes together and for one day only, everyone is Irish. I think we drank for two days straight and are still a bit hung over. America certainly knows how to do St. Patrick’s Day right,” said Shane.
I have to tell you all that this band has had a major impact on me. I cannot tell you the last time that I got a CD that was as solid as “White Collar Lies” is. Shane explained to me that they wrote and recorded in a way so that each song could be strong enough to be a single and video. The irony is that there are so many choices floating around, that the label is debating exactly which one to release next. How many bands can say that they actually have that type of a problem?
Check out these Irish lads and see what all the fuss is about. One listen to “White Collar Lies” will make you a believer not only in the luck of the Irish, but also in the talent of these amazing musicians.
Ireland’s newest export to the USA comes in the form of a power trio of rockers called Kopek. Their stellar debut CD entitled “White Collar Lies” has just been released onto the world. The band, consisting of Shane Cooney on drums, Brad Kinsella on bass and Daniel Jordan on vocals and guitar, are here to bring back some much needed energy and passion to rock and roll.
How many times have you opted not to buy a band’s CD because you only liked a song or two on it? Well, this CD is an exception to that rule as it is a work of art from beginning to end. It flows cohesively from beginning to end and warrants the listener’s attention to such an extent, that you don’t want to skip any tracks. How many times has that happened to you while listening to a band’s CD? Be honest now; very few times has such an occurrence happened.
The CD opens with the new single “Cocaine Chest Pains” and the opening riff immediately grabs you by the throat demanding your attention. It also caught the attention of Nikki Sixx of Motley Crue as he featured it on his radio show The Sixx Sense as one of his new picks. If this one doesn’t get you rocking, then you best call 911 because this is pure rock and roll ecstasy.
The title track shifts gears and slows the tempo a bit while delving in lyrics on a level sure to strike a chord with many people today. Touching on the government getting richer while more and more lives are lost, it is a song that touches on the sentiment of many Americans today.
“Love Is Dead” is another stand-out track that pays homage to many of the band’s fallen idols. It was the band’s first video and is a stellar example of singer Daniel Jordan’s insanely original and powerful vocals.
The band really mixes it up and rocks out with fierce intensity on songs such as “The Easy Way (D.B. Cooper)” and “Bring It Home”, which also includes another nasty riff that the song is based around. They also know how to slow the tempo a bit on songs such as “Floridian” and “Bigger Than Us All” to where they are almost ballads, but they build up to their chorus which rocks out.
Brad and Shane are a tight unit to supply the backbeat and drive that powers this band. Daniel, well, what can I say about Daniel? This guy is definitely a star that many people will be talking about in the near future. He is a highly skilled guitar player with some original and amazing riffs that hook you from the first chord. He also possesses one of the most original voices to come along in years. He has a rough and raspy voice that is so powerful and full of conviction that you can’t help but to notice who is singing. It hooks you and makes you want to hear more.
I highly recommend this CD to lovers of powerful rock and roll that is true to the core and heartfelt. You also have to love the effect of the distortion pedal on a catchy riff. Kopek may be new to the scene for most of us, but these guys have been putting in their dues for almost a decade and it looks as if the payoff is in sight. Check out “White Collar Lies” and experience a new force in rock and roll to be reckoned with.
The Vans Warped Tour celebrated its 15th anniversary this summer. Southern California’s In This Moment decided to help celebrate by taking parting the annual summer ritual. The band was kind of out of their element, but they soon found out how well they fit in. "These kids are very receptive to music, it’s like they are hungry for something new," said guitarist Chris Howorth.
The band took part in the entire nine week tour and could not be happier with the outcome. "The crowds have been great and we have made so many new fans. We’ve also got to meet so many great bands. It’s been very a lot of fun and a lot of partying," said lead singer Maria Brink.
The band reissued their CD "The Dream" before the tour. How did that come about? "We wanted to do something special for our fans to coincide with the tour. We decided to re-release ‘The Dream’ and put some unreleased tracks on it and some video footage. Our manager also suggested that we do a cover song to include on it. We had done some in the past, but we wanted to do something a little different this time. So, we chose to do ‘Call Me’ by Blondie. The response has been amazing and we’re getting a ton of airplay with it also," commented Maria.
The band’s set that night that I saw them in Charlotte, NC was only 5 songs long, but they drew a big crowd on the Ernie Ball stage. That show was their first attempt at "the pit" during "Daddy’s Falling Angel" and it was a special moment. Chris, Jesse and Blake went out into the crowd at the beginning of the song and Maria and Jeff stayed onstage. The song began and the crowd swarmed around Chris and Jesse and Blake went back to play on the stage. Maria ventured out to the guys and made the crowd form a mosh pit circle around them and run. It was pretty intense to say the least!! Footage posted on You Tube the next morning and pictures were posted online and the buzz was overwhelming. The band continued it each night of the rest of the tour.
Chris and Maria told me that day on their bus that they would be taking two months off to write material for their next CD to hopefully be out in early 2010. There was going to be a major announcement for the fans in the near future. It ended up being posted on their My Space that in November, the band would venture out on their first headlining tour until before Christmas. The set list will be much longer with several surprises thrown in for the fans. Revolver magazine has jumped on board as a sponsor for the tour, which is major news. The band will take Christmas off and then head into the studio for about two months and record.
The band that I met on Ozzfest back in 2007 just keeps continuing to grow. I was in Walmart a month or so ago and up on the Walmart network in the electronics department was, you guessed it, In This Moment. It was part of their Warped Tour Sound check and they talked to the band about the tour. It was kinda surreal for me to look up and see the band.
This band is going to just blow up big really soon. Their headlining tour should prove interesting to the fans that have been along for the entire ride plus their newly found fans from Warped. It should be very interesting next year to see what happens after they release their new CD next year. The road ahead for In This Moment is one full of promise and opportunity.
You ever go to a club to see a band perform and you have to sit through several "lame" bands to get to the one you wanted to see in the first place? Well, I had that mindset a while back when I went to one of my favorite clubs, the Somewhere Else Tavern (SWET) in Greensboro,NC. I went to see some friends of mine play and I didn't know most of the other bands on the bill. I missed the first band and was waiting for band number two to finish setting up.
Well, the next forty five minutes proved to be a very rewarding experience to me. The second band was Redshift out of Washington,DC. From their opening song, you could tell that there was something a little different about these guys. They were serious and they meant business. The band was very tight and cranked through song after song. Songs such as "Bleed Me Dry" and "Satellite" showed that the band combined the best of driving rock and roll, catchy hooks and a sound that demands your attention. I spoke with the band after their show and lined up the following interview that was very revealing.
JP: Let me start off by telling the readers that the band consists of Jake Mimikos on vocals and guitar, Pete Torres on bass, Shawn Battle on drums and vocals and Ron Cruz on guitar. So, where did the name Redshift originate from?
Redshift: We were looking for a name that would sum up our music, energy and what we were trying to portray as a band. Redshift first caught our attention as a good sounding word. The meaning of Redshift hit everything that we felt we were trying to convey. It means a large burst of energy that shifts the light spectrum to red, one example was the birth of a star.
JP: So how long have you guys been together?
Redshift: Originally, we started about three years ago. Over that time, we got Paulo playing bass about a year and a half ago and then Ron about five months ago. So honestly, we feel like we have a new beginning, the lineup was finalized when Ron joined the band. We feel like we are one cohesive unit now. We just recently had Pete Torres take over duty on bass.
JP: Funny you should say that. I was going to comment on the fact Ron joined the band after you recorded your EP "Into The Oblivion". Do you think that he has changed your sound any?
Redshift: Yes, we feel he has changed the sound slightly. he comes with more of a classic rock feel, so his sound will put more of that element in our songs. I don't think it will change the sound drastically, but it will fill in alot of space in songs. Sometimes music can be too precise, Ron brings that almost psychotic, unorthodox attitude to the band. It gives it an edge that is missing in today's rock. More importantly, Ron brings an energy that is unmatched and has brought our live performance to a new level.
JP: I do have to admit that after seeing you guy splay live at the SWET, Ron is alot of fun to watch onstage. In between songs, he is constantly riffing bits and pieces of songs. I kept hearing Van Halen's "Hot For Teacher" that night when I saw you.
JP: Who do you guys sight as your musical influences?
Redshift: We all take influences from different rock eras. mainly heavy, driven rock and roll. Jake's influence came from 90s grunge and new metal era bands like Pearl Jam, Audioslave, Muse and Coheed and Cambria to name a few. You can see a heavy influence of Van Halen, Led Zepplin and late 70s early 80s rock in Ron's style. Shawn grew up on Motley Crue and played in hardcore bands. He loved the straight forward pounding style of Tommy Lee, which gives Redshift its hard rock groove. JP: At your shows, you mention the Jagermeister is a sponsor and you give out freebies from them. That's a pretty major score for a new band. How did you hook up with them?
Redshift: We first contacted them and told them that we loved Jagermeister and of course we pestered them for a while and sent them our music. They finally responded saying that they liked our music and that they would put us on a trial period where they send us Jager merch and we had to prove we were worthy. We ended up putting together videos and slideshows of our performances showing us promoting the product on stage and at shows and sent them to our rep. He ended up loving them and we were sponsored within two weeks.
JP: You guys seem to love to play live. What are you best and worst road stories?
Redshift: Well, we love being on the road and checking out new places. Anytime we drive hours away and find ourselves in good company and playing in front of a large crowd, it's always a positive experience. We especially love being able to stop at a Waffle House on the way from a show. Our worst experience was finding out our show was cancelled after we had promoted it and driven half way there. Of course, it never helps driving long distances when Ron has to take a leak every five minutes!
JP: What's it like trying to get this dream going when the music industry is in such a time of turmoil?
Redshift: It certainly makes it more of a challenge and that's how we look at it. It pushes us even harder though. The industry is going through some changes now and that's fine with us. We are going to make music regardless of the status of the industry, even if we have to do all the work ourselves. This is the path we've chosen!
JP: So, tell me ...do you guys have any printable guilty pleasures for your fans?
Redshift: Ha ha! Well, Shawn loves 80s hair bands and spandex and rocks out with them all the time. Ron sings Michael Jackson songs really well without warning and Jake used to love Madonna...and still rocks out to her!!
JP: You guys probably don't get alot of down time. In that rare chance that it does happen, how do you like to spend it?
Redshift: Shawn hits the river by his house and goes fishing on his canoe all by his lonesome self. Ron sleeps because if its a day that ends with Y, he probably hasn't slept at all. Jake usually hits the gym or cries himself to sleep.
JP: Quick, one word to describe each other...what would it be?
JP: I like to ask this of all my bands that I interview. If you were trapped on a desert island with only one store bought CD, what would you want to have there with you?
Redshift: Jake would want Guns and Roses "Use Your Illusion 1", Shawn would want CCR "Greatest Hits", Ron would want Van Halen's first CD.
I have to add that the interview was done before Pete Torres took over on bass and i apologize to pete for not having his input on the answers. The band is currently burning up the road and playing every place that will let them plug up an amp. You most definitely want to catch these boys live. Anyone can record a CD, but the real proof is in their live show and these guys do not disappoint. The mixture of Jake's commanding vocals and Ron's intricate guitar guitar work along with the back beat of Shawn on drums and Pete on bass, this band is one strong cohesive unit. You mix in some catchy tunes that have you rocking along within minutes and you have a deadly combination. The band has opened for bands such as Def Leppard, Thriving Ivory,Candlebox, Lifehouse and Poison. You can catch them now or read about them later when they're in the big time!
One part sex, one part attitude, one part determination and one part talent. If you put all of those together and blend carefully you come up with one delicious combination. That would be one way to describe Rachelle Ramm: delicious. She is a treat to all of the senses. First off, it would be hard to look at her and not notice that she looks like a model. She definitely knows how to milk sexuality out of the most uncommon elements. Secondly, there is her voice. It's a mix of the rock attitude of Pat Benatar and the emotion of the Wilson sisters of Heart.
I spoke with Rachelle recently after discovering her on MySpace. Her first Cd “City Of Sin“ has been out for a while and Rachelle has been gaining a building a following with her aggressive take no prisoners attitude and amazing vocals. I asked her how long she had been performing. “Well, when I was very young, I had a small tape recorder. All of my neighbors knew that I loved the movie Grease. I think I was like 3 or 4 years old and I was so into Olivia Newton John. I would sing 'Hopelessly Devoted To You' for them over and over. My poor neighbors! I really loved to perform for anyone who would listen. My family was also very into music. My mom was into the Doors and Hendrix and my dad loved Stevie Wonder,“ said Rachelle.
Rachelle does have a wide array of musical tastes and influences. I asked her who her influences were and what I would find in her ipod. “I have so many influences, where do I start? I absolutely love Heart! I also like alot of rock such as Metallica, Alice In Chains, Soundgarden, Guns And Roses, Hendrix, I could go on and on. Now, when I chill out I like to listen to Cat Power or Sting. I like to mix it up. As far as what's in my ipod? I have a wide mix in it now. I have some Cat Powers, Kings Of Leon, early Chris Cornell, some classic Janis Joplin, Zepplin and alot of others.“
Rachelle aggressive attitude and determination may be traced back to her love of extreme sports. “I am a very active person and I am very hyper. If you give me coffee late in the day or at night, you better look out! I have swam competitively since I was six years old and continued through college. After that, I got into wake boarding. My true passion is snowboarding. I also enjoy mountain climbing, anything that pushes myself.“
Given the fact that this woman is in excellent shape, I had to ask her if she thinks that there is a double standard in the industry as far as women are concerned? “Well, I think there is, but I don't work out and eat right because of the media. I do this because it's a healthy lifestyle that I choose. I mean, I do want to look my best but I like to push myself and challenge myself. The whole double standard thing, yeah, it's sick and twisted I guess. I call myself healthfully insane because of the challenges I like to take on.
Let me tell you people, after five minutes with this woman, you can see that she is on full throttle. Most people would kill just for an ounce of her energy. She is truly a dynamo!
So, with all this passion and energy, how does she channel that into songwriting? Is there a method to the madness for this energetic lady? “Most of my lyrics come off the top of my head unless I am playing around with the guitar. Then again, maybe something is inspiring to me and I run with that. I ask myself 'how it can relate to people?'. Sometimes, Hank Shermann will give me a riff and I will play with it. It strikes me sometimes late at night, there may be a situation that I am going through in life and I will write about it. I have so many little scraps of paper and napkins and anything that I could find to write on when an idea came to me.“
So let's talk a little bit about your CD “City Of Sin“, can we? “You better believe we can! I had so many ideas that I wanted to try on this CD that we could have done two full CD releases. It was a “DIY”, do it yourself CD. Next time, maybe it would be wise to get with a label so that they could help with advertising. I would love to be in the situation to have financial backing for another CD. It's on its way though, don't worry. We did record a new single not too long ago called 'Asphalt Lucky Lust'. It was quick and easy. Hank and I created the idea in one day!“
Her CD “City Of Sin“ is a great tool for her to showcase her amazing voice. It also has a bit of a mix of styles on it also to show her versatility. “Not Ordinary“ has a punk/pop kind of feel to it while “Animal Attraction“ is a slower tempo song yet not quite a ballad. I told her that I would love to hear her slow it down and sing a real ballad on the next CD. “It's funny that you say that because I have been feeling that too lately. I want to record a very sultry, powerful and emotional ballad soon, “ said Rachelle.
So, for a woman who cannot stand to sit still for a long period of time, what are her long term goals for her career? “First and foremost, I want to be happy and share my passion for music. You should never start in this business to become rich or to just do it for the money because it will make you miserable. I think my biggest goal right now would be to tour around the world. I want to perform live for as many people as possible and inspire happiness. What a feeling to look out and see that you're making people smile and feel it with you.“
My last two questions were more about what makes her tick. One was what is your guilty pleasure, if printable and the other was if you were trapped on a desert island and could have only one store bought CD, what would it be? “My guilty pleasure? Well, I guess it would have to be Absinthe alcohol. As far as the CD goes, that's difficult. In this moment, I'd say Guns And Roses 'Appetite For Destruction', I have extreme fond memories during the time it was released.“
I have to tell you that my interview with Rachelle was so refreshing and entertaining. She is like a whirlwind spinning in every direction! You should check her out at www.myspace.com/rachelleramm or at her official website, www.rachelleramm.com. She has a powerful voice that will reaches out and grabs you be your neck and demands your attention. Check her out and see what all the fuss is about.
Tiffany Shea probably wrote her first song inside her mother’s womb. It seems as if just seconds after birth she had booked her first show. I’m pretty sure that she got her first standing ovation from the visitors looking at her in the hospital. You see, Tiffany is more than your flavor of the week artist. In an industry of manufactured artists, she is definitely a breath of fresh air. She has the personality to win over the most unruly crowd and the spunk and determination to make her dreams come true.
Tiffany last stormed through Greensboro in 2004 when she played the SWET. "You know, I think that it was one of the coolest club shows that I have ever done. All of the kids were really close to the stage and they were really listening intently to what I was expressing. It was kind of like pouring a glass of water. As opposed to pouring it out all over the floor, each kid there was a glass and they were full of the water that I poured out by the end of my set. They really absorbed it and took it all in. It was really cool," said Tiffany in a phone interview we recently conducted.
Tiffany is not a stranger to the music scene as I soon learned. She has been performing since 1997, first solo and then with her band in November of that same year. She has released an amazing 13, yes 13, CDs in that amount of time. I think the only artist to put out more CDs on that time frame would be Tupac, but he doesn’t count since he’s not touring anymore.
She was born into a musical family with her dad being a drummer and her mom was a piano teacher. She then moved to singing in church and later community theater. Her love for the arts also extends to art and her love of painting. "When I was 19 years old, I went to see Sister 7 who were out of Austin, Texas. They were a power, passion funk/rock band. I knew the minute that I saw them perform that was what I wanted to do with my life. It’s kind of funny, Patrice Pike was in that band at the time and she and I will be touring together later this summer."
Tiffany’s sound, both vocally and musically is very unique. Imagine taking the over the top personality of Cyndi Lauper, add a little Pat Benatar, a touch of Tori Amos and sprinkle in some Ani DiFranco and put them all in a blender and process them and you get a touch of what this women is capable of. If someone were deaf and she had to paint a canvas to describe her sound to them, how would she do it? "Wow, that’s an amazing question. Well, you know I love to paint. I think all of my art is an extension of who I am. I think the canvas would have lots of bold colors and it would be multimedia with tons of textures so that they could touch it and feel all the differences. It would be abstract yet evoking a feeling that’s universal at the same time. My music is raw, human emotion. I think I capture that where it’s not cryptic or so black and white that it’s boring." I can say for certain, that boring is one word that has never been used to describe this young lady.
The music industry has been in such turmoil the last few years and yet Tiffany is determined to keep marching on just as she has done for over ten years now. I was curious as to what keeps her going? " I have been doing this since 1997. I have funded all but two of my CD releases, they were on independent labels. In the summer of 2005, I had a major career letdown and I crashed and burned. I was burnt out! I mean, I had been doing all of this by myself: I booked my own shows, I was my own graphic designer, I was funding my CDs, it just got to be too much on me. I just walked away from it and tried to figure out what it was that I wanted to do. I tried working in a office and quickly found out that wasn’t what I wanted to do. I went to audio engineer school and I constantly found myself wanting to be on the other side of the glass. I went to art school and I was constantly drawing about music. The songs just kept coming into my head and I had to get them out. It’s then that I figured out that, music, it’s not what I do, it’s who I am. It’s my gift and I have to be diligent with it."
Her 2003 release "Phoenix" garnered her praise from all over and numerous awards. What was it about that CD that registered with people? "I think it was the first album that really captured the sound and the feeling of me. It was also super high quality. We really took out time and we wanted it to be right and not just do it to do it, you know what I mean? The power of the music on that CD really did shine. Actually we just re-released a new version called ‘Phoenix II’ this year. It’s been re mixed and edited. There are a few songs that were left off from the original release and some stuff added to it. It’s like ‘Phoenix’ on steroids!"
On a personal note, do you have any guilty pleasures that you can share with your fans. Well, as long as they are printable? "Ha ha! If they’re not printable, I think I will keep those to myself. I guess my one big one right now would be chocolate chip ice cream....I sure am glad you didn’t ask me that question ten years ago!" One more question as a more fun one for your fans. I always ask everyone that I interview this one. If you were trapped on a desert island and could only have one CD, it has to be a store bought CD, what would you want to have with you? "Oh that’s easy, it would have to be U2 ‘The Joshua Tree’, without a doubt. There are other favorites that I would also love to take such as Tori Amos ‘From the Choirgirl Hotel’ or Heart’s ‘Greatest Hits’ with their eighties stuff on it or Sting ‘Ten Summoner’s Tales’."
Again, Tiffany’s performance at the Somewhere Else Tavern is on Saturday, June 6 at 8:00 PM. If you have never seen her perform live, this will be a treat for all. Let’s just hope it doesn’t take us five more years to get her to come back and visit.
Italian alternative/metal rockers Lacuna Coil have been busy the last few months. We have seen them burning up the road as part of the Music As A Weapon tour with Disturbed, Killswitch Engage and Chimara. We also saw the release of their newest CD "Shallow Life". I got to talk to Andrea "Andy" Ferro, co-lead vocalist of the band, backstage before their show in Charlotte,NC on April 13.
JP- "Well, let me first thank you for taking the time to talk to me Andy. I'm a big fan of the band and it means alot. My first question is dealing with your trademark of having duel lead vocalists with Cristina and yourself. How did that come about?"
Andy- "In the beginning, I was playing bass and singing, we were mostly deathmetal and hardcore with some melodies, but mostly heavy music. Then in the early nineties, we started listening to goth metal and alot of European bands and we loved their style. So, we started playing slower and slowing down our melodies. We decided to add an extra vocalist in the practice room. We found Cristina working in a store and she wasn't singing professionally, she was only singing karaoke and asked her to sing some background vocals. We knew she could sing and when we heard her sing with us it sounded awesome. We knew it was making a difference. We were not sounding like any other band with the addition of a second vocalist. So, we added her as a second lead vocalist, I mean it was a shame to use her for only background stuff. That's how we started because it sounded different from everything that was out there. It gave us more space and added to the atmosphere. Some people do that with keyboards, we thought with vocals it would be more original."
JP- "On your new CD "Shallow Life", you chose to use producer Don Gilmore, who has worked with Good Charlotte, Linkin Park and Avril Lavigne to name a few. Did you guys choose him or did he come to you. How did all that work out?
Andy- "Our management approached many different producers. We had worked with the same producer from our first album through our fourth. We thought that we had done enough with him. I mean, it's not a marriage, we need to refresh ourselves and work with someone else. Plus, the way that our songwriting was going with more rock sounding songs and more in a rock vein, our last producer had not worked with rock bands, just mostly metal bands. Out of all the names we considered, Don was the one who really wanted to do it. He really liked the demo that we gave him of the songs. He wanted to work with the band and he was available at the right time. We decided to go for it and we met him and wanted to see he was as a person. He came down to Milan for a couple of days and we went out to dinner to get to know him and it was immediately a good relationship. He was a simple guy to talk to even though he had sold millions of records with Linkin Park. He was very down to earth and easy going. The next day, we took him to the rehearsal room to listen to other demos and he loved them and offered some opinions of the music. We then kept in touch by email and his ideas worked very well.
JP- " I listened to the CD that you streamed early on your MySpace page. I really loved the different sound on some of the songs like "I Like It", did Don bring that out in you guys?
Andy- "The songwriting and main structure of the rough version was done by us, Don contributed on arrangements and he cut parts that were too long or he simplified parts. He didn't change or write anything musically. The song is exactly how we wrote it. We've been very open musically to do what we want. If we want to do a ballad, then we do a ballad. We didn't care about the cliche of the band. We wanted to refresh our sound and the only way we could would be to go anyway possible and see what fits and what's out of the picture. We ended up with 20-25 songs, alot were too extreme or too much out of the picture of where we were going. Some songs we didn't change that much but so we really went out of our way to be not so ordinary. We wanted to find a new, fresher sound and still make it interesting. Many bands just repeat themselves and sometimes that's good. For AC-DC, it's good for them to repeat themselves if that's what you do but for us, we try to change a little bit with each album. We're not the kind of people who want to make exactly the same record but at the same time, we're not going to do a techno or rap album either. That would be too much out of our way. We do want to experiment as much as possible within the spectrum of rock and metal."
JP- "I like to ask a few personal questions that are more for your hardcore fans. Do you and the band have any guilty pleasures that might surprise your fans? Is it something that we can print?"
Andy- "Ha ha! I think most people think we just listen to metal but sometimes when we are on the road, we have a dance part and listen to ABBA or the Bee Gees or crazy seventies music. I mainly listen to rock but it's good not to limit yourself."
JP- "One last question for you. If you were trapped on a desert island and could only have one CD, it has to be a store bought CD, what would you want to have with you?"
Andy- "Wow, one CD is very limiting. I guess maybe a sampler of metal with Alice In Chains and Metallica and other rock/metal acts. Maybe Bob Marley would fit the atmosphere of being on an island better. You know, drinking and being on a beach."
Our interview was then over and ventured back outside. Lacuna's set was first on the bill that night in Charlotte. They came out to a great response from the crowd and opened with "To The Edge" and the crowd, although small, was really into the band. They followed it up with "Fragments Of Faith" and "Spellbound", which got a great pop from the crowd. An incredible version of "Swamped" as next followed by "Not Enough" and the band closed with "Our Truth". Their set was limited to thirty minutes but it was a tight set and it was surprising how into the band the crowd was considering they were there mainly to see Disturbed and Killswitch.
It seems that I will get my wish to see a longer set as the band has just announced headlining dates here in the US. That was the only problem with a thirty minute set, there was so much more that I was dying to hear. My only other complaint was not getting to meet Cristina as she arrived at the venue late. Oh well, maybe on one of their headlining dates. My thanks to George at Century Media for the tix and photo pit pass and to their tour manager Gus. Everyone, especially Andy, was a class act.
The metal scene seemed to take American by storm back in the late eighties. It has mostly been a testosterone driven style of music that women have a hard time being taken seriously in. Whether it's metal or hard rock in general, women have had a negative stereotype brought against them when it comes to playing in this male dominated field.
Through the years, many female rock/metal bands have come and gone. Remember Vixen? The Donnas are still around. Lita Ford pops up from time to time as well as the never aging Joan Jett. There's a new force to be reckoned with on the scene. They are Nashville, Tennessee's own Atomic Blonde. They are a mix of pop, metal, punk, sexiness and attitude. The ladies brought their style of playing to the people in 2004. The band consists of Dacia on guitar and vocals, Kendra on drums, Fran on guitar and Danielle on bass. I spoke with Dacia recently about the band and what's going on in their career.
Being an all female rock/metal band, do you find that there is a double standard for women in this industry? "Yes, it is difficult at times, especially in rock music. You are constantly being told by the labels that there are no all girl bands doing this. You have to keep your focus and believe in yourselves. We don't want to be pop, so we are not going to change for anyone. Alot of legendary groups have similar stories. You stick to your guns and wait for that right person who believes in your vision with you," said Dacia.
The band has different influences and it can be heard in their sound. "We listen to alot of stuff. I'm influenced by everyone from Gwen Stefani to Sheryl Crowe to Nirvana and to Chris Cornell. Kendra loves Primus and Nickelback and Linkin Park. Fran tends to be into bluesy stuff like Hendrix."
The band has a six song self titled CD that is available on Amazon.com , CD Baby and i-Tunes. It can also be purchased at their official website www.atomicblonde.net. It is a great showcase for how talented these women are. there are too many stereotypes in this world, whether it's in music or not. These women give the men a run for their money. The rhythm section of Danielle's pulsating bass and Kendra bashing the drums gives them a tight sound that is way beyond their actual years of playing together. Fran is a beast on guitar and Dacia......it's hard not to be taken away by her beauty, but this woman brings it to the table each and every time she gets behind the microphone. This woman can sing and she demands your attention.
Can we expect to see these ladies burning up the road anytime soon? "I think we will more extensively in the fall. We want to play more shows so that we can win over our audiences. We have to do everything ourselves so maybe we can get them to help us carry our equipment?"
Speaking of playing live, I asked Dacia if she had any interesting road stories to share with us? "One of the worst stories would be at this venue that we played that was not set up for live music. Two songs into our set, we blew the breaker. We had no electricity. One of the better memories was when we played at a film festival and it was really late. There was a guy in the crowd moshing and he actually ran into our bassist Danielle and knocked her into our drum kit. The next thing we knew, she had taken off into the crowd and was ready to kick this guys ass!"
So, how has the band coped with this double standard that we spoke on earlier? "It seems like the whole entertainment industry, not just music, is so much about image. First impressions can be lasting ones. We always hear people scream out, 'Girl bands suck!' Then at the end of the night, they come up to us and tell us how good we were and that they didn't really expect us to play as well as we did."
With the music industry in such a transitional stage, I was curious as to what Dacia's thoughts were? "The industry has had a hard time keeping up with technology. Radio is absolutely dead! Labels seem to be unwilling to look at new things. In the eighties, labels would take a band and put money into them and develop them. That's not happening anymore. Most bands have to do all of that themselves. As an artist, doing both the management role and the creative role is very hard. This past year I have suffered from writer's block because of it."
My last question for Dacia was my stuck on a desert island with only one CD what would it be question. "Wow, that's a good question. I have to pick two if I can. One would be Linkin Park's 'Hybrid Theory' plus Justin Timberlake's 'FutureSex/Loveounds'.
Do you want a dose of sexy rock and roll with a punk edge plus catchy hooks? I dare you to check these young ladies out. Don't think about the fact that they are an all female band and the fact that all four look like models. What if you were blind and put on their CD? Forget the image aspect and just listen to them for their musicianship and amazing songwriting abilities. You will find yourself rocking out with them in no time.
How about a game of word association? Let me throw a few words at you and you say the first thing that comes to mind. Singer. Powerful voice. Very compelling, dynamic and personal lyrics throughout her songs. Maximum security prison. CD cover that has a person dressed in black. Now, at this point I am sure that just about everyone has yelled out Johnny Cash, but I want to let you in on a secret. The artist in question, who does share alot in common with Mr. Cash is a newcomer to the music scene by the name of Kerri Edelman.
Kerri is not exactly your typical singer-songwriter. You see, Kerri graduated with a Bachelors Degree in Psychology as well as a Masters and Doctorate Degree in Clinical Psychology. She is currently employed as a Director and Clinical Psychologist in a maximum security prison. So, did your jaw just drop? Now, when you hear all of this, you may envision Hannibal Lecter from Silence of the Lambs. Then, you look at this very petite and beautiful woman and you really are confused.
I was intrigued and actually had a chance to talk to Kerri in order to settle my own curiosity on a few things. "I guess you could always say that I've been different. I was somewhat of a tomboy when I was growing up. When I was 11, I started surfing competitively. I was the only girl out there and of course I got resistance from some of the guys. Eventually, my persistence and hard work payed off; earning their respect. I am approaching my venture into music in a similar way," said Kerri.
Proving people wrong seems to be a reoccurring element in her story. "It seems like everything that I do, especially getting involved in music, has been done on my own with very little assistance, support and encouragement. Not alot of people think that I can do this and I guess that I am just going to have to demonstrate as I have in the past that with persistence and hard work what is perceived as impossible can be accomplished," Kerri said. A quick footnote to reference would be the track on her CD entitled "Vanilla Skies" which really captures the whole "I will prove you all wrong" spirit that she has.
So, how does one make the change from being a clinical psychologist by day to alternative rocker by night? "Well, it was about six or seven years ago that I began writing. I've tried putting a band together on dozens of occasions and it eventually fell apart for a variety of reasons. I have a very strong work ethic and I am a real go-getter. It's hard sometimes to find other musicians who share the same goals and aspirations that I do. It hasn't always worked out. I am grateful to have had the opportunity to collaborate with Chris Matty on this project. We have created some pretty amazing songs and I am very proud of what we have accomplished together," Kerri says.
I have to admit that I did expect her lyrics to be alot darker and disturbing than what I initially heard on the album, given her background. "I think some of my lyrics may be a little negative. I have had people tell me that they were shocked by some of the things I was singing about. I write about difficulties that I have been through and past relationships. People seem to be surprised that I have this darker side to me. I mean, I love horror movies and I love trying to figure out why people do the things that they do. It's kind of like Hannibal in Silence Of The Lambs. Stuff like that really intrigues me," said Kerri.
I do admit that the judging a book by its cover reference is going to pop up many times in her career. Kerri is definitely a walking contradiction in the visual sense. She stands, I'm guessing , not much over five feet tall. She has flowing, wavy auburn locks of hair. She seems like her voice would squeak like a tiny church mouse, but then you hear her sing. WOW! The power and emotion that comes out of her tiny frame is mind blowing.
Her CD entitled "Leave It All Behind' showcases Kerri's amazing voice and writing ability. She draws from her musical influences that include 3 Doors Down, Evanescence, Incubus and Staind as well as heavier bands such as In This Moment, Chevelle, Breaking Benjamin and Finger 11. Her songs do not contain the darkest lyrical content that I have ever heard, but song such as "Overcast" are somewhat personal. "This song was not written about one person in general, but deals with many people in my past as well as the present. The concept of this song is that every time you work hard and things begin to go in a positive direction, there is someone there that has something negative to say about your efforts and attempts to succeed," said Kerri.
Other songs seem to be bonded by the theme of relationships. "The song 'Goodbye' could be applied to getting involved in any type of a relationship where you really care about someone (boyfriend, girlfriend, best friend, etc.) but you are then led astray. The intentions that you thought the person had was ultimately wrong. Another track, 'Sinking In', was written about a person who puts on a facade and acts like he or she has your best interests in mind and at heart, but then you realize the person was being manipulative and deceitful," said Kerri.
I personally think that her CD is really good. It does have elements that are familiar to today's sound. Fans of Evanescence, Breaking Benjamin or Staind are invited to give this talented young woman a listen. Her CD can be purchased at CD Baby, i-Tunes, Amazon Music and other digital distribution mediums as well as on her website www.kerriedelman.com. To learn more about Kerri, you can visit her website and My Space page at www.myspace.com/kerriedelman. I encourage people to give her a listen and really pay attention to her powerful yet thought provoking lyrics. You can relate to the things she sings about and it really helps to make a personal connection between the artist and the listener.
The music industry needs a good dose of artists like Kerri. Even though she is a total package artist, she is more substance over style. An amazing voice and deep, meaningful lyrics show that she is talented enough to be around for the long haul. They say that dynamite comes in small packages and Kerri sure does make that statement true with a capital TNT.
Strong, assertive women have found their way into the pages or music royalty. Throughout the years we have had such icons as Billie Holliday, Janis Joplin, Tina Turner, Pat Benatar, Madonna and so many more that I cannot list them all. All of these women had several things in common, but they all had a strong work ethics and the drive to succeed. I recently met a woman who wants to follow in their footsteps. Her name is Christy Johnson and she fronts the band Dreamkiller.
Christy's resume reads like an entry into Who's who! She graduated from UNCG with both an MA and BA. She was Miss Jr. Greensboro in 2003. She has several big screen credits including Tobe Hooper's Mortuary and Leatherheads, among others. Her small screen credits include MTV's Road To The VMAs and MTV Making The Video Madina Lake and more. She is definitely a versatile woman who is very headstrong about being a success in the music industry. I had a chance to talk to her after a recent show in Greensboro,NC at the Greene Street Club.
"It seems like I have always been performing. My mom put me in all types of pageants at an early age. I remember trying out for my first play in the sixth grade. I actually got the lead part in it and it was Heidi. We had a band before this called the Arrival and it was more punk influenced. We actually released one cd. I then reformed the band under our new name Dreamkiller and I would say that our sound is more alternative/rock now," said Christy.
Finding the right pieces to the puzzle can be hard when forming a band. Finding the right chemistry and individuals with the same dedication can be hard, but it looks like things are falling into place. The band played its' first show since 2006 and its first with the new lineup at the Greene Street club in Greensboro, NC in late January. The band, consisting of David Lanning on drums, Erny Galvan on bass and Tian Garcia on guitar, performed a very tight set that night. It was really hard to tell that it was there first show live together.
Christy is every bit the flamboyant front person with her flashing and sexy outfits, but don't judge the book by its cover. This girl has some serious chops and has a vision in mind for this band. "Dreamkiller actually has a concept line with characters and a storyline. Kind of a throw back to rock opera. We have alot of ideas in store and hopefully it would all come to light on our new cd which we hope will be this year. We have one song already recorded called "RAGNAROK" which was used for the Superpower documentary."
I had a chance to catch both the show at the Greene Street Club and their headlining spot at the 2009 Winterfest on 02-14 at the Somewhere Else Tavern in Greensboro. The band is a very tight and cohesive unit. Tian is a beast on lead guitar and his harmonizing abilities bring a great element to the band. Although Tian appears to be a little subdued on stage, his guitar work screams volumes. Erny seems to like to cut up with the crowd more and his pounding bass lines combined with David's bashing of the skins seems to have molded into a powerful unit.
The band plans plenty of live shows planned for the future around North Carolina and into Virginia. It may take a little time for the average fan to pick up on the concept line of story and its main characters, but if you just want to rock out to some great rock/alternative music Dreamkiller is well worth the ticket price. I enjoyed the show so much that I actually felt undercharged. Check them out, you won't be disappointed.
A music blog that explores all genres of music. My blog includes concert reviews, album reviews and interviews with artists. All of my articles are written from a fan's perspective and not just someone who is "doing their job".
I started this blog several years ago and it has grown into my own music magazine. I am currently the Owner/Editor of I'm Music Magazine. We interview artists/bands of all levels, offer album reviews, book reviews, live show reviews, live concert photography, the latest breaking news and more. Please join us now at http://www.immusicmag.com/. Thanks!
