Showing posts with label Ted Nugent. Show all posts
Showing posts with label Ted Nugent. Show all posts

Saturday, December 28, 2013

STYX, Ted Nugent and REO Speedwagon Take Us On A Rock And Roll Nostalgia Show

Styx, REO Speedwagon and Ted Nugent brought their nostalgia filled Midwest Rock and Roll Express to the civic center in Roanoke, VA recently. The rock and roll resume of this tour includes over a century of classic rocking and countless hits solidifying these bands contributions to the history of rock. Although the turnout for the show was somewhat light, less than 4000 in attendance, that didn’t discourage the band from giving the fans their money’s worth.

The Motor City Madman opened the show and quickly made an impact on the crowd. Ted is an artist who tends to make more headlines by what he says off-stage rather than what he does on-stage. He proved on this night that his Gibson guitar is like another appendage when he hits the stage. It becomes a piece of him and he just bleeds rock and roll. There were a few familiar faces joining him on-stage including Mick Brown of Dokken fame on drums and original Ted Nugent Band rhythm guitarist Derek St. Holmes.
Uncle Ted let the music do the talking on this night as he put most of his outspoken views on hold. He may not pack as many “hits” as the other two bands on board, but songs such as “Wang Dang Sweet Poontang”, “Stranglehold” and his signature song “Cat Scratch Fever” definitely fired up the mostly 40something crowd. He definitely knows how to get a crowd out of their seats and fired up at a show.

Styx took the stage next and displayed an infectious youthful exuberance that many bands half their age don’t have on-stage these days. There were some in attendance who shockingly did not know that Lawrence Gowan was handling lead vocal duties for the band. He’s been doing so for fourteen years now as founding member Dennis DeYoung has been out of the band since 1999. Gowan definitely has a style of his own as you don’t see many keyboardists who actually climb on top of their keyboards and use them as a perch to sing to the audience.
Long time members Tommy Shaw and James “J.Y.” Young really do shine when they hit the stage, especially Shaw. He is like a little kid jacked up on Mountain Dew as he is constantly running around the stage and entertaining the crowd. The band cranked out hit after hit including such staples as “Too Much Time on My Hands”, “Come Sail Away” and “Renegade”. Bassist Chuck Panozzo, who has limited stage time due to health issues after being diagnosed HIV positive in 1998, did join the band for a few numbers.
REO Speedwagon closed out the night’s festivities as front man Kevin Cronin took the stage dressed in all black and sporting shades and a fluffy white hair-do that many commented on. The band was also missing several original members, but that did not seem to bother most in attendance as Cronin’s vocals sounded stronger than ever. The hits began to flow with such favorites as “Take It On The Run”, “Riding The Storm Out” and ”Don’t Let Him Go”  blasted from the speakers.
The band also proved that they still had the whole power ballad thing down pat. “I Can’t Fight This Feeling” and smash “Keep on Loving You” saw couples embrace and lighters raised high in the air. Although REO played a set that was a balance of ballads and rockers, they didn’t seem to pack the punch that Styx and Nugent did. I think it would have been a better balance by sandwiching them in the middle of the lineup rather than closing the night.
Overall, it was a great night of music from all three bands. Yes, it was a night of nostalgia as many in attendance exchanged “I can remember when” stories that revolved around the bands. There was an abundance of air guitar being played on this night as well as swooning and drooling over Tommy Shaw’s mane of flowing hair and his tight leather pants. It may be called dinosaur rock by many in the industry, but the fun that the evening provided for all in attendance was far from prehistoric.

Monday, November 25, 2013

There's Nothing QuiteLike A Chat With Uncle Ted

The only thing for certain when sitting down to talk to Ted Nugent is that you are definitely in for a treat. I had a chance to sit down with this icon in music and it was one of the most entertaining conversations that I think I have ever had. Check it out and see for yourself on page 40 of Rock Revolt Magazine:

http://rockrevoltmagazine.com/


Tuesday, March 13, 2012

Nashville Pussy Raunch And Roll On New CD


Atlanta, Georgia’s Nashville Pussy was dubbed by a U.S. magazine as “one of the hardest working bands in show business”. If you have ever seen them in concert, it would be hard to deny this label. They bring their unique mix of whiskey, Southern metal, raunch and roll to the stage unlike any other band around. Their studio albums have become instant classics, but their live show truly elevates them to another level.

The band was formed back in 1997 by vocalist/guitarist Blaine Cartwright. His wife Ruyter Suys has been by his side along the entire journey playing a blistering lead guitar. The two were joined by drummer Jeremy Thompson. The bass duties in the band have been somewhat of a revolving door having four different female bassists along their 15 year journey. Their current bassist, Karen Cuda, has been with the band 2005’s Get Some! album.



The band is releasing a deluxe version of their 2009 classic From Hell to Texas on March 27 via Steamhammer/SPV. The deluxe version features a remixed and upgraded version of the 2009 album in an unexplained new sequence. For those not familiar with the original release, it contains such staple songs as “Drunk Driving Man”, “Ain’t Your Business” and “I’m So High”. That was the last studio album to date from the band.

The deluxe version contains a second disc entitled Live and Loud in Europe. The disc contains sixteen tracks that are compiled from various shows on their 2011 European tour. The songs span their career from their 1998 debut album up through their 2009 release. The live disc really brings across the power and energy behind this band’s live show. It may be a bit raw at times and not perfect, but isn’t that what true rock and roll is about? It’s not supposed to be clean and sterile and sanitized for your protection.

The better tracks on the live disc seem to come from the show in Prague, Czech Republic. There are blistering versions of “From Hell to Texas” and “Hate and Whiskey” present from that show. Those aren’t the only highlights though. Other standout tracks include a smoking hot version of “Snake Eyes” and the crowd favorite “Go Motherfucker Go”. There’s nothing quite like a raunchy rock and roll song with a great sing-along chorus to get a little audience participation.

Now, I know that a lot of live albums are composed of songs from various shows, but it usually flows together from beginning to end making it almost impossible to tell. There are times on the album where it doesn’t flow as smoothly as others. That’s about the only fault that I have when listening to the album. I’m not sure if this is from the mixing or what, then again maybe the band intended it to be that way to give it even more of a raw edge. The omission of their 1999 Grammy nominated song “Fried Chicken and Coffee” was also a bit of a letdown for me.

The album does a great job of capturing the vibe of a live Nashville Pussy show. You can just sense the sweat dripping from lead guitarist Ruyter as she cranks out her solo; a solo that a lot of men in the business wish they could deliver in the way that she does. Blaine’s vocals do get a bit strained at times and almost sound borderline painful in his delivery, but the man’s a rock and roll trooper and keeps marching on.

The band was formed because they were tired of watching people in rock bands on stage just going through the motions, with more style over substance. As with many great and iconic bands before them, the band came together to play the type of music that they always wanted to hear. It’s raunchy, it’s dirty, it’s sexy and it’s pure, unadulterated rock and roll. They have maintained their authenticity over their fifteen year career and haven’t compromised who they are or what they believe in.
You may not ever hear any of their songs performed on American Idol, but something tells me that they really could care less.