Sammy Hagar Gets By With A Little Help From His Friends

Sammy Hagar has been known to throw some pretty legendary parties at his Cabo Wabo Cantina in Cabo San Lucas, Mexico. When you have an address book of peeps like Sammy has, you never know who might show up and jam with him. There’s nothing quite like an exotic getaway with your toes in the sand, lots of awesome live music, an endless supply of tasty adult beverages and clothing eventually becomes optional. Ok, now that I’ve caused most of us to drift off and day dream about those surroundings, it’s time to come back down to reality before we all get fired from our jobs.  

Sammy has been rocking the masses for almost four decades with Montrose, Van Halen, as a solo artist and most recently with Chickenfoot. He has just released his first album of musical collaborations in his illustrious career.  Sammy Hagar and Friends may not be the most creative title in the world, but when you have friends like Taj Mahal, Toby Keith, Nancy Wilson of Heart, Kid Rock  and Neal Schon of Journey making appearances I think the title nails it. The album features brand new material as well as creative re-works of some of Sammy’s favorite songs.

Let’s look at a couple of the new songs first and see what the Red Rocker and friends have to offer. “Not Going Down” is a song written specifically for Sammy by Jay Buchanan of Rival Sons. The nasty bass line that crawls throughout the entire song burrows into your head and hooks you from the start. The soulful backing vocals on the chorus along with the slide guitar add a bluesy element to the song that pops up more than once throughout the album. “Father Sun” has a feel of New Orleans to it complete with mandolin, accordion and lap steel. It this one doesn’t get you tapping your toes, then check your pulse please.

What about those guest appearances dude? Ok, ok, let’s talk about a couple of those now. “Knockdown Dragout” features the likes of Kid Rock on vocals, Denny Carmassi of Montrose on drums and a damn tasty solo from fellow Chickenfoot bandmate and guitar god Joe Satriani. It’s a high energy rocking number complete with the obligatory chant along chorus that screams rock and roll. “All We Need is an Island” slows the pace down to a mellower pace with a tropical feel and features the sugary sweet vocals of Nancy Wilson of Heart. Yeah, I’ll admit the song did transport me to a tropical island where Nancy Wilson was there waiting on me to join her for some yummy adult beverages; don’t you judge me.

Now, I know some people get turned off by cover songs, but I think these are more interpretations than covers. The Depeche Mode classic “Personal Jesus” takes a 180 degree turn in a hot, funky way with some nasty guitar work from the, still to this day, very underrated Neil Schon of Journey. Chickenfoot bandmates Michael Anthony and Chad Smith also make an appearance on this track. Holy HSAS reunion Batman! Well, almost but with Chad Smith taking the place of Michael Shrieve and Michael Anthony taking the place of Kenny Aaronson. Could Jimmy Buffet’s party standard “Margaritaville” get any better? Sammy and Toby Keith tackle this one and slow the pace down just a tad on it. They definitely add more of a tropical, calypso type of feel to it. A major thumbs up on the reworking of a song that many may have grown tired of hearing.

The deluxe version contains a DVD plus a bonus audio track entitled “Space Station #5”, which appeared on the debut album from Montrose. It features Denny Carmassi on drums, Bill Church on bass (both members of Montrose) and Joe Satriani on guitar and it was recorded live at a Ronnie Montrose tribute concert in This album could be the soundtrack to one of Sammy’s birthday bashes that he is known to throw at Cabo Wabo Cantina. The songs really do vary in style and composition, but I think that just adds to the overall atmosphere that it creates. 2012. The blistering guitar work featured on this album by both Neil Schon of Journey and Joe Satriani just may have many saying ‘Eddie who?’

Van Halen Dances The Night Away in Charlotte, NC

My ticket to my very first Van Halen show years ago cost me $7.00. I pointed this out to my show as I paid $10.00 just to park at their recent show in Charlotte, NC on April 25 at the Time Warner Cable Arena. We made our way into the beautiful arena and passed a large group of religious protestors outside who proceeded to tell us that we were going to burn for listening to the devil’s music. Van Halen? Seriously? I never really thought of Van Halen back then or even today as the devil’s music. I wonder if the devil plays a mean air guitar.

I have read so much negativity online for having Kool and the Gang open up on this tour. They looked and sounded great and really got the crowd in a party kind of mood. A good part of the crowd was up and dancing and really enjoying it. I think it was an excellent choice to get the crowd loosened up and ready for a night of great music and partying.

Van Halen opened the show with “Unchained” and they looked and sounded great! There was a huge video screen behind the band that seemed as big as an old drive-in theater that they utilized all night long. They mixed live footage along with pre-recorded footage and images. “Running with the Devil” was next and the crowd was up and singing the entire time.

There were some deeper cuts being played that night which included “The Full Bug” from Diver Down and “Hear About it Later” from Fair Warning. They also played a few newer tracks from their new album A Different Kind of Truth including “Tattoo” and “She’s the Woman”. The majority of the night was like a greatest hits show; “You Really Got Me”, “Beautiful Girls”, “Ain’t Talkin’ ‘Bout Love” and more. There was one massive signature Van Halen song after another with no Van Hagar songs in sight.

Alex Van Halen was and still is a beast on the drums and yes, there was a short drum solo too. Wolfie Van Halen is really good on the bass, but his back-up vocals fall flat in my opinion. Michael Anthony’s signature backing vocals, which were a huge part in the early sound of Van Halen, are sorely missed in the live show. “You Really Got Me” and “Dance the Night Away” were two prime examples of that.

As far as Eddie goes, the guy is playing like a beast. I read an interview with him in which he stated the only way that he was going to tour would be if his son Wolfie was in the band. It seems to have ignited a creative fire in him and he’s playing with more intensity than he has in years. His solo was pretty incredible too! A double edged sword: I miss Michael Anthony a lot, but it’s great to see Eddie so alive again.

As far as Diamond David Lee Roth goes, there’s good and bad there. He is still Captain Charisma and knows how to work a room. His vocals weren’t what they used to be on some songs, but on others he was dead on. We were treated to a couple of splits and a couple of round house kicks too. Is it just me or is Dave looking a lot like Steve Martin these days?

Overall, it was a really good show. They ended it with”Jump” and a shower of confetti fell over the arena. I had two personal complaints about the show. One was the overuse of the same pre-recorded footage and images on the big screen. It seems like they could have prepared more than what they had because mid-way through the show, it was becoming boring. The other complaint was that I really wanted to hear “Jamie’s Crying”, “And the Cradle Will Rock” and “Drop Dead Legs”; none of which were performed. They guys may not move like they used to and the vocals have faltered a bit, but it still beats so much of the new stuff out there today.

Bulletboys Refuse To Phone It In

The Bulletboys emerged on the metal scene in 1988 in a sea that was oversaturated with bands. The guys did stand out from the crowd. They did have the hair and the attitude, but the makeup was minimal. They also had a sound that stood out from the rest and a charismatic lead singer who would start drawing some unwanted comparisons.

The band’s debut self-titled album was released in 1988 and came out of the gates blazing. It contained two huge MTV hits (yes, back when you actually could see music videos on the channel) “For the Love of Money” and “Smooth Up in Ya”. The combination of being produced by Ted Templeman of Van Halen fame and the on-stage comparisons of lead singer Marq Torien to David Lee Roth lead to an unfair stigma. The band was quickly labeled as a Van Halen clone and that seemed to follow them wherever they went.

The band saw many lineup changes throughout the 90s, but Marq was determined to keep the band going and he kept marching on. The band has continued to record and tour throughout the years. Now, with a new generation hungry for the sound and feel of the 80s, the Bulletboys are gaining a whole new audience. I had the privilege of sitting down to talk with lead singer Marq Torien after a hot and sweaty show in Roanoke, Virginia recently.

Hey Marq, how’s it going man? That show tonight was just amazing. You guys looked like you were having a blast up there on stage and it was very infectious to us in the crowd.

Thanks man! We were having fun up there; that was genuine. There are too many bands out on the road today who just “phone it in”. They either try to fake it on stage or they stand up there with a major attitude and act like you owe them something. That’s just not us man. I am doing this for my kids, so I can leave some type of legacy for them. It’s been pretty tough her of late with Jani (Lane) passing away and all. That really hurt, it hit me pretty bad. I mean, we’re all getting a little older and you look up and see that one of your fellow rockers has passed away. Amy (Winehouse) passed away too and she was such a good gal. She loved my voice. We had a couple of really cool chats. These artists get ridiculed all the time now. We use to revere our artists and that’s not happening anymore.

There seems to have been a lot of greats in the industry who have left us too soon in the last few years. How do you keep it together and keep marching on?

I feel very fortunate and very blessed. God has blessed me and people can say what they want, but he has enabled me to carry on with what I love doing. I’m a musician man and I think that if you are able to bring something musically that’s relevant and people want to hear it, then you keep going. I love our audience and it’s not a fan thing anymore because these people are our family. I get a chance to see people that I have been seeing for years and I have seen them grow up and get married and have kids and now their kids are fans too. We’ve always been a kind of underground hard rock band. I mean, we’ve sold millions of albums, but we never made it to that next level. We didn’t follow trends. We were never a ballad band even though it seemed like every band from that era was doing ballads. That was purposely done on our part because we were against those bands that did those just to get signed.

Let’s talk about those early days because I have always wanted to ask you about this. The whole “Van Halen Junior” label or clone or whatever you want to call it. How unfair was that?

Well, it was great working with Ted. That cat had worked with the Doobie Brothers and Van Halen and Van Morrison and he taught us so much stuff. I mean, we were young teenagers and out of control and he just kind of let us do out thing. The Van Halen comparisons were really appreciated and we threw our arms around it and loved it, but it was a double edge sword for us because we were not that. We were this aggressive, piss and vinegar rock band that hated the Sunset Strip. We wanted nothing to do with that! We played the Troubadour and that was our home. We were a different band. We were a mix of a lot of things. Here is this R&B, hard rock soul singer and surfer/skater type guy with Lonnie, here’s Nick who loves metal, but can also write a pop song and here’s Jimmy who is hardcore. You mix all of that up and we had a unique sound. We were way less of a hair band and more like this weird cartoon character coming to life.

I agree with you because your sound did have a different edge to you that was unlike anything out there. Your voice was very distinct.

Thanks man! I wasn’t that typical rock and roll screamer guy. I have a Motown base to my sound. I worked, at an early age, with a Benny Medina and Kerry Ashby Gordy, who was Berry Gordy’s son. I met some amazing people and worked with some great people in the Motown family and not too many people in my genre can say that. They taught me to be humble with my talent and I wish I would have done that more in my early career.

You had copies of your 10cent Billionaire CD here tonight. That thing seems to be taking on a second life. I think it’s one of your best and definitely much underrated.

Thanks man! It’s a bizarre story behind it. I was signed with the label and when the recession hit the poor guy’s company went down and he couldn’t get behind it and push it. The record basically went away. We are resurrecting this record, with help from friends and family, and people seem to be loving it. People are just starting to hear it now. It’s been out for over a year and a half and got shuffled to the side. We had some people who were coming out to the last tour who were practically begging us to play some material from it. So, we did and people were singing along with it and actually knew all of the words. The reaction was so strong and we looked at each other and especially Lonnie was like ‘We need to go out and do this record. Let’s forget the old and move forward.’ So, that’s what we did. Even the response tonight was great to the songs we played off of it. We’re basically dusting it off and making people more aware of it again.

There seems to be a hunger for the 80s and the music from it. It was such a fun period that gets raked over the coals, but here we are 25 years later and a lot of these bands are finally getting some props. Have you noticed that while out on the road?

Yeah, I think a lot of times people think of our genre with a lot of contempt. I look at it as something that will never, ever happen again. Everybody was their own person. You had Axl Rose, Sebastian Bach, Mark Torien, Taime Down, Phil Lewis. We all had our own vocal style. That small bit of time carries on until this day and a lot of people still are into that music. People really want to hear rock; real people singing it and playing it. I think you notice that in popular music too. Lady Gaga, a brilliant lady who is so full of love and her music is just amazing. She has guitar players ripping real solos up there and that’s rock and roll. She doesn’t use tapes, she is a real artist. People don’t want to hear tapes and pre-recorded stuff, they want the real deal. That’s what we were and continue to be to this day. Yeah, I may miss a note every now and then and somebody may ask me why I didn’t tune up. I mean, did Keith Richards tune up? Hell no! That’s rock and roll man! Don’t phone it in man. Like tonight, my guitar strap completely fell off! Nowadays, kids panic on-stage when that happens, but you have to roll with it. If it’s too real and polished, then it’s not real rock and roll.

So, what’s next for you guys?

We are going to be doing more shows here in the states and then over to Australia by the end of the year. I’m excited because I have never been there. I hope it works out because there are a lot of fans over there with a lot of love in their hearts for us. I am also looking at making some additions to the band. I may add some back-up singers and maybe a keyboardist. You have to constantly re-invent yourself.

I have to tell you Marq, the show was awesome and this interview has been a blast. I can’t wait to see and hear what you guys have lined up for us next. Is there anything you to say to your fans to wrap this up?

I feel great that the fans give me a chance to be out here still doing what it is that I love to do. It’s been a wild ride and I am glad it’s not ending. We’re out driving 10-12 hour drives between cities to these shows, but I love it. There are a lot of people out there who want to see the band and I want to reach them all. Thank you for wanting to see us after all of these years.

UPDATE: There have been a few major things that have happened in the world of the Bulletboys since this interview. The band lost a former band mate and friend in August when former drummer Johnny G. was killed in a car accident.
On a lighter note, the Bulletboys just released a covers CD entitled Rocked and Ripped.

Redshift: Bursting With Rock

You ever go to a club to see a band perform and you have to sit through several "lame" bands to get to the one you wanted to see in the first place? Well, I had that mindset a while back when I went to one of my favorite clubs, the Somewhere Else Tavern (SWET) in Greensboro,NC. I went to see some friends of mine play and I didn't know most of the other bands on the bill. I missed the first band and was waiting for band number two to finish setting up.

Well, the next forty five minutes proved to be a very rewarding experience to me. The second band was Redshift out of Washington,DC. From their opening song, you could tell that there was something a little different about these guys. They were serious and they meant business. The band was very tight and cranked through song after song. Songs such as "Bleed Me Dry" and "Satellite" showed that the band combined the best of driving rock and roll, catchy hooks and a sound that demands your attention.
I spoke with the band after their show and lined up the following interview that was very revealing.

JP: Let me start off by telling the readers that the band consists of Jake Mimikos on vocals and guitar, Pete Torres on bass, Shawn Battle on drums and vocals and Ron Cruz on guitar. So, where did the name Redshift originate from?

Redshift: We were looking for a name that would sum up our music, energy and what we were trying to portray as a band. Redshift first caught our attention as a good sounding word. The meaning of Redshift hit everything that we felt we were trying to convey. It means a large burst of energy that shifts the light spectrum to red, one example was the birth of a star.

JP: So how long have you guys been together?

Redshift: Originally, we started about three years ago. Over that time, we got Paulo playing bass about a year and a half ago and then Ron about five months ago. So honestly, we feel like we have a new beginning, the lineup was finalized when Ron joined the band. We feel like we are one cohesive unit now. We just recently had Pete Torres take over duty on bass.

JP: Funny you should say that. I was going to comment on the fact Ron joined the band after you recorded your EP "Into The Oblivion". Do you think that he has changed your sound any?

Redshift: Yes, we feel he has changed the sound slightly. he comes with more of a classic rock feel, so his sound will put more of that element in our songs. I don't think it will change the sound drastically, but it will fill in alot of space in songs. Sometimes music can be too precise, Ron brings that almost psychotic, unorthodox attitude to the band. It gives it an edge that is missing in today's rock. More importantly, Ron brings an energy that is unmatched and has brought our live performance to a new level.

JP: I do have to admit that after seeing you guy splay live at the SWET, Ron is alot of fun to watch onstage. In between songs, he is constantly riffing bits and pieces of songs. I kept hearing Van Halen's "Hot For Teacher" that night when I saw you.

JP: Who do you guys sight as your musical influences?

Redshift: We all take influences from different rock eras. mainly heavy, driven rock and roll. Jake's influence came from 90s grunge and new metal era bands like Pearl Jam, Audioslave, Muse and Coheed and Cambria to name a few. You can see a heavy influence of Van Halen, Led Zepplin and late 70s early 80s rock in Ron's style. Shawn grew up on Motley Crue and played in hardcore bands. He loved the straight forward pounding style of Tommy Lee, which gives Redshift its hard rock groove. JP: At your shows, you mention the Jagermeister is a sponsor and you give out freebies from them. That's a pretty major score for a new band. How did you hook up with them?

Redshift: We first contacted them and told them that we loved Jagermeister and of course we pestered them for a while and sent them our music. They finally responded saying that they liked our music and that they would put us on a trial period where they send us Jager merch and we had to prove we were worthy. We ended up putting together videos and slideshows of our performances showing us promoting the product on stage and at shows and sent them to our rep. He ended up loving them and we were sponsored within two weeks.

JP: You guys seem to love to play live. What are you best and worst road stories?

Redshift: Well, we love being on the road and checking out new places. Anytime we drive hours away and find ourselves in good company and playing in front of a large crowd, it's always a positive experience. We especially love being able to stop at a Waffle House on the way from a show. Our worst experience was finding out our show was cancelled after we had promoted it and driven half way there. Of course, it never helps driving long distances when Ron has to take a leak every five minutes!

JP: What's it like trying to get this dream going when the music industry is in such a time of turmoil?

Redshift: It certainly makes it more of a challenge and that's how we look at it. It pushes us even harder though. The industry is going through some changes now and that's fine with us. We are going to make music regardless of the status of the industry, even if we have to do all the work ourselves. This is the path we've chosen!

JP: So, tell me ...do you guys have any printable guilty pleasures for your fans?

Redshift: Ha ha! Well, Shawn loves 80s hair bands and spandex and rocks out with them all the time. Ron sings Michael Jackson songs really well without warning and Jake used to love Madonna...and still rocks out to her!!

JP: You guys probably don't get alot of down time. In that rare chance that it does happen, how do you like to spend it?

Redshift: Shawn hits the river by his house and goes fishing on his canoe all by his lonesome self. Ron sleeps because if its a day that ends with Y, he probably hasn't slept at all. Jake usually hits the gym or cries himself to sleep.

JP: Quick, one word to describe each other...what would it be?

Redshift: Jake: zany, Shawn: idiotic, Ron: screw loose!

JP: I like to ask this of all my bands that I interview. If you were trapped on a desert island with only one store bought CD, what would you want to have there with you?

Redshift: Jake would want Guns and Roses "Use Your Illusion 1", Shawn would want CCR "Greatest Hits", Ron would want Van Halen's first CD.

I have to add that the interview was done before Pete Torres took over on bass and i apologize to pete for not having his input on the answers. The band is currently burning up the road and playing every place that will let them plug up an amp. You most definitely want to catch these boys live. Anyone can record a CD, but the real proof is in their live show and these guys do not disappoint. The mixture of Jake's commanding vocals and Ron's intricate guitar guitar work along with the back beat of Shawn on drums and Pete on bass, this band is one strong cohesive unit. You mix in some catchy tunes that have you rocking along within minutes and you have a deadly combination. The band has opened for bands such as Def Leppard, Thriving Ivory,Candlebox, Lifehouse and Poison. You can catch them now or read about them later when they're in the big time!