Halestorm Shine On In The Live Room EP

Halestorm aren’t shy about seizing a great opportunity and you can’t really blame them. Timing is a big part of the marketing aspect of a great band. The band released video clips on You Tube a little over a week ago of their performance entitled The Live Room Stream. I’m not sure if the very positive reaction to the clips convinced the band to release the songs for download or if it was all planned out in advance. Regardless, fans of the band are in for a big treat.

On the day of the opening of the Jagermeister tour headlined by Halestorm and including  In This Moment and Eve to Adam, the band released In The Live Room on iTunes. It’s a six song EP of their exclusive recording session live at Sear Sound Studios in New York City for The Live Room on The Warner Sound. It’s an exclusive series that showcases some of the most important artists around performing in legendary recording studios.

The EP includes “I Get Off”, the song that broke them nationally and “I Bet U Wish U Had Me Back”, the 80s flavored rocker; both from their self-titled debut album. There are three songs from their latest album The Strange Case Of….  including “Love Bites (So Do I)”, the tender ballad “In Your Room” and the explicit version of “Here’s To Us”, which packs more punch than the sanitized Glee version. One track that did not make it to You Tube is the cover of the Alicia Keys song “Empire State of Mind”. Fans of Halestorm know that the band loves taking a cover and making it their own and this one will not disappoint.

Overall, this is a nice surprise for the fans and it’s also a steal for five bucks from iTunes. The live songs offer a bit more emotion and power that sometimes gets sanitized while being mixed in the studio. Lzzy was named Revolver’s Hottest Chick in Hard Rock, but this live recording is just more proof that she’s more than just a pretty face. The grit and emotion in her vocals is powerful and her talent combined with her brother/drummer Arejay Hale, guitarist Joe Hottinger and bassist Josh Smith have solidified themselves as one of the strongest bands around; both on record and in concert.

Sister Sin Rock Harder and Darker on New Album

Sister Sin, Sweden’s heavy metal export, is back with a new album full of old school, piss and vinegar, 80s metal entitled Now and Forever. In an industry that seems to invent a new genre of metal quicker than it can turn out a proven long term talent, Sister Sin is a throwback to old school 80s metal. Come on, you remember. The hooks were infectious, the sing-along choruses and the attitudes were as big as the teased hair was.

Ok, first off, let’s address the “elephant in the room” and get it out of the way. Lead singer Liz Jagrell is hot and she is a regular part of Revolver Magazine’s Hottest Chicks in Hard Rock. She is far from being a one dimensional piece of eye candy fronting a band. If you ever get a chance to catch this band live, she will quickly change your mind if you think she’s just that. There are also three talented musicians backing this woman who are just as serious to prove they are not a novelty band or a band with a gimmick. By the way, before anyone tries to start something, “elephant in the room” is an old saying and it implies nothing about Liv. Seriously people, come on now!

Now and Forever is the band’s latest release on Victory Records and the follow-up to 2010’s True Sound of the Underground. It’s an eleven track arsenal of metal that hits you right between the eyes and never lets up. Now, I have to admit that the instrumental opener “MMXII” may be seen as a throw-away track. It may be something incorporated into their live show, but a short instrumental opener on a metal album can sometimes be confusing. It’s an eerie, kind of movie like piece that seems post apocalyptic in its build up. 

The real fun begins with the second track and the first video from the album “End of the Line”. Jimmy Hiltula’s opening riff took me back to classic Ratt from the 80s. The rhythm section of Strandh on bass and Dave Sundberg on drums lay down the foundation that helps rock this band’s core. “Fight Song” is up next and a standout on the album. Liv’s pissed off attitude is broadcast clear throughout the entire song. There’s a bad ass behind that pretty exterior and it’s just looking for a reason to be unleashed. I’m pretty sure that a song that starts off with a loud “F-you” is not going to be a heartfelt ballad.
“The Chosen Few” is catchy as hell as the guitar hooks you in immediately and that back beat from Strandh and Sundberg is infectious. The chorus is textbook metal as it is big and loud and commands audience participation. This will be a great song to add to their live show. “Running Low” is along the same design as the machine gun like drum intro immediately leads in one of Jimmy’s big riffs. In case I have failed to mention it before now, Liv’s vocals as stronger than ever on this album.

I was really caught off guard by the last track entitled “Morning After”. It’s a heartfelt ballad by Liz and the boys and very uncharacteristic of the band. I may be wrong and if I am, then someone please correct me, but this may be the first ballad that the band has attempted. It starts off with a lone piano playing and then Liv’s vocals, with a string section coming in soon after. It takes a power ballad turn midway through as the rest of the band joins her before the song fades out. It’s a very nice surprise as it expands the band’s repertoire and shows some depth.

Overall, the album is just what you would expect from Sister Sin. The ballad was a nice touch as I have never heard the band attempt one before and they pull it off convincingly. They pull no punches and they don’t try to reinvent the wheel or solve the national debt crisis on this release. It’s just straight ahead, classic metal with attitude and the balls to back it up. Yes, even with a front woman they manage to do that.

Evanescence May Have Been Gone, But Their Fans Did Not Forget

They say absence makes the heart grow fonder. I am sure that Amy Lee from Evanescence was pondering that saying as she sat in her recording studio piecing together the bands’ third studio album. Would the teenage goth girls who looked up to her be all grown up now and out of that phase of their life? Would the industry welcome her back with open arms? A lot has changed since their last album; just look at Hot Topic!

Evanescence seemed to be an overnight sensation back in 2003 with their debut Fallen. Their songs were all over MTV, Amy was in almost every music magazine that you picked up and the band even won two Grammy Awards. Their follow-up in 2006, The Open Door, was also a huge seller for the band. Then, they just seemed to disappear. There have been many rumors floating around and dates of a new release were teased for quite some time. Early 2011 saw the first true signs of a new album forthcoming and the anticipation begin to grow among the fans.

The fans wishes were granted in October as the new self-titled album from Evanescence hit the stores. If the initial response to the first single “What You Want” was an indication of whether the fans missed the band, then they had nothing to worry about. The single blew up in a major way and has been all over MTV, the Sixx Sense Sideshow Countdown, radio and more!

The album is a good mix of styles that we expect from the band with each one woven around the incredible voice of Lee. There are several rock oriented songs on the album such as “Never Go Back” and “End of the Dream”. Each has that signature crunching guitar sound that you associate with the bands’ trademark sound.
“The Change” is a great song that shows exactly how Amy can start a song out slow and build on it with her powerful vocals. She just wraps her voice around it and cradles it until it’s ready to be unleashed at its full fury. “My Heart Is Broken” is another example, but this time she includes a beautiful piano intro to build off of.

There are two key tracks on the album that stand out for totally different reasons; other than the fact that they are both exceptional tracks. “Swimming Home” shows Amy dabbling in the electronica field on this very smooth and relaxing track that sounds unlike anything I have heard the band do before. The other track is the beautiful “Lost in Paradise”. Again, Amy’s piano skills are featured here and they compliment her emotional vocal delivery to the utmost. There is a soft, angelic like quality to her vocals that helps to accentuate the emotion in the lyrics. The addition of the string section on this song is almost brilliant and takes it to another level. The sheer beauty and emotion in the vocal delivery is enough to give you goosebumps.

This album was well worth the wait and it presents the band in a different light both musically and lyrically. The sound is more reminiscent of Fallen than of The Open Door, but they still manage to branch out and grow their sound. The lyrics are also a big surprise as they are not as dark as in the past. We all know that Amy wrote the last album from a darker point in her life, but this new album seems to be almost a total opposite as far as the writing goes.

A new band, a new album that debuted at number one on the Billboard Top 200 chart and a new tour has Evanescence feeling a huge wave of love from their fans. Don’t fret though, there’s still some goth left in her, it’s just matured and channeled in a different creative way.