2012 Rock On The Range: Bigger and Badder Than Ever

Rock on the Range has become one of the premier festivals in music in its short existence and Columbus, Ohio definitely knows how to throw a party. It spanned two days, 40 bands and a total of 24 hours of music. This year’s event ran from May 19 and 20 and thousands of rockers showed up to rock out and hopefully get to meet their favorite band. It was hosted by Jose Mangin from Sirius XM/Headbangers Ball and also saw an appearance from radio personality Lou Brutus.

It only took a few hours in the blistering sun before many were questioning why they didn’t bring some sunscreen with them. The high temps combined with an abundance of cold beer provoked a lot of nudity from both males and females all day long. The side stages were sponsored by FYE and Jagermeister and they kicked off the festivities each day at 11:30.

On Saturday, the smaller Jagermeister stage saw stellar performances from Las Vegas’ own Otherwise on their first trip to Rock on the Range. In This Moment unveiled brand new music from their forthcoming album Blood to their Iron Army who was out in full force that day. The FYE stage saw great performances from New Medicine as well as P.O.D. and lots of people getting insane in the membrane with Cypress Hill.

The main stage on Saturday saw Lzzy Hales and her boys, better known as Halestorm, deliver rocking set that focused heavily on songs from their new album The Strange Case Of. Lzzy definitely knows how to command a crowd and had the huge crowd in her control. Five Finger Death Punch had the biggest sea of crowd surfers again this year and that didn’t surprise anyone at all. Ivan even pulled some young kids up on stage to rock out with the band. Ivan also has to be one of the best frontmen around these days. He really got the crowd all fired up!

Brent Smith and Shinedown were next to last on the main stage and delivered a set that was all killer and no filler. Their radio hits were all there, “Second Chance”, “45”, “If You Only Knew” and “Bully”. Incubus closed out day one with an impressive set, but many in attendance didn’t understand why Shinedown didn’t close the day. Brent seems to be in the best shape of his life these days and his voice was superb.

Day two saw more high temps and plenty of blistered skin everywhere. The Jagermeister stage was rocked hard all day from such acts as former American Idol contestant James Durbin as well as Lacuna Coil, who not only made their ROTR debut but they also headlined the Jager stage. The crowd was huge for their set and lead singers Cristina Scabbia and Andrea Ferro showed why their fan base has been continuously growing here in the states. They delivered a tight set and sounded amazing!

The FYE stage on Sunday rocked out hard when Trivium took the stage for their ROTR debut. Matt Heafy and the rest of his band showed why they were a standout at Mayhem last year. This is a band that you definitely need to see live to fully appreciate what they have to offer. Headlining the FYW was the thrash pioneers Anthrax and they unveiled their new “bare bones, guerilla” performance.  It’s a high-energy, barrage of song after song after song. Scott Ian and Joey Belladonna left the crown exhausted and in need of a cigarette after their insane set.

The main stage rocked out hard all day long with performances from Escape the Fate, the Darkness and Mastodon. Megadeth, another thrash pioneer, worked over the crowd with songs from their lengthy arsenal. Lead singer Dave Mustaine sounded great, but at times he appeared to be in pain as his movements were very limited. Marilyn Manson made his ROTR debut and seemed more interested in trying to shock people than in delivering a solid performance. He did everything from turning his band on the crowd as he stood there and sang to spitting beer at the photographers in the pit.

ROTR favorite Rob Zombie returned this year to close out the day and he brought his A game with him. The event is one of his favorites to play and he always loads up his arsenal with special goodies just for the show. Guitarist extraordinaire John 5 was by his side and they delivered a fun hit filled set that was over the top with pyro and lights and strange creatures roaming the stage. Rob always delivers a fun-filled set and gives you your money’s worth.

The days were long and tiring and left most in attendance with a feeling of having experienced their best weekend ever. The numerous signings gave fans numerous chances to get a signed 8x10 of their favorite band. The heat and the alcohol saw fans dropping like flies all day long, which is one thing I have never understood. Why pay all that good, hard earned money to get drunk and pass out? Overall, the 2012 Rock on the Range was a success and the planning starts now to see how they can top it next year.

John 5 Peels Back Another Creative Layer On His New Abum

John 5 has just released his newest solo album and as always, he is keeping his fans on their toes. This is a musician who continues to peel away creative layer after creative layer, almost re-inventing himself each time. God Told Me To is his newest solo effort and it’s a feast for the senses. If you think you knew everything about this guy, this album will prove you wrong.

The album was produced by John 5 long with Chris Baseford (Rob Zombie/Tommy Lee) and Bob Marlette (Sebastian Bach/Black Sabbath). It’s is an all instrumental effort with John 5 playing all instruments with the exception of drums. The first track, “Welcome to Violence”, opens with a lady saying “Play the guitar, play it again my Johnny” and then the crash of the strings as the assault begins. How does a mere mortal riff like this without peeling the skin away from his fingertips? What a way to open the album!

His cover of Michael Jackson’s “Beat It” is up next and was released digitally about a year ago, so I am sure a lot of people are already familiar with it. John 5 pays tribute to the great Eddie Van Halen but laying down a spot-on recreation of his solo on that song. I thought it was a very nice touch by John 5 to do so, instead of re-working the classic solo and taking away from its legacy.

 The first surprise comes on track three entitled “Ashland Bump”, as it’s an acoustic, bluesy number. A great change of pace and styles and is one mother plucker of a song. “The Castle” is another acoustic number and shows that John 5 can shred acoustically just as he does electrically. I don’t think I have ever heard a musician play an acoustic guitar so fast.

“The Hill of the Seven Jackals” head back to familiar ground for fans and the shredding is back at full force. One of more interesting tracks on the album is the Spanish flavored “Noche Acosador”. I almost felt as if I was watching a Quentin Tarantino and a bunch of outlaws were sitting around a table, exchanging stories with this music being the accompanying track. I love this track and two major thumbs up for John 5 stepping outside of what is probably expected on a solo album of his and do this song.

The last two tracks, “The Lie You Live” and “Creepy Crawler”, are acoustic numbers that are the complete antithesis of songs such as the album’s opener. Each of these tracks show a side of John 5 that is such a drastic departure from the kabuki faced axe warrior that we see alongside Rob Zombie on-stage. These tracks are beautiful, somber compositions that show the diversity of a truly gifted artist whose guitar is an extension of himself. These two tracks totally blew me away and just added another layer this insanely talented and gifted artist.

So, this new solo effort one half acoustic and half electric and switches back and forth on here. John 5 is becoming one of the guitar greats of this time. He is influencing a whole new generation of guitar players and this album will be a great eye and mind opener for many of them. Don’t be afraid to try new things and expand yourself as an artist. It’s a key in maintaining longevity in the industry today. This album tapped into several new keys in his guitar arsenal. What will he do next?

John 5: From KISS to Universal Monsters

John 5 is one of those artists that you don’t know what to expect before your first meeting. He’s obviously an insanely talented guitarist with a resume a mile long. He’s worked with Marilyn Manson, David Lee Roth, Meatloaf, Paul Stanley of KISS, Saliva, k.d. lang, Salt-N-Pepa and many more. His job for the past few years has been with Rob Zombie and the two of them have something magical going on.

In between touring with Rob Zombie and writing songs for other artists, John 5 even finds time for a solo career. His new solo effort God Told Me To just came out and we had the chance to sit down and talk to him about it.

Music Is My Drug Of Choice: Hey John, thanks for working us into your busy schedule. I guess this is media day for you. I know you have a lot on your plate today, so let’s jump right into the questions here. Let’s talk a little bit about this new solo album and the new direction that you chose for some of the songs.

John 5: Well, thanks for wanting to talk to me. You know, the whole key to putting out instrumental solo albums is to keep the fans on their toes. I’ve done heavy rock to country and it has gone really well for me. So, I asked myself what I could do to change it up and make it new. That’s where the acoustic stuff came into play.

MIMDOC: Have you been a fan of acoustic music already or was this something that you just wanted to explore?

John 5: I absolutely love electric guitar, but some of my favorite (Led) Zeppelin stuff is their acoustic stuff. It’s absolutely amazing! I love all types of guitar playing. When I put my iPod on shuffle, it has so much diversity, but that’s just who I am.

MIMDOC: Did you work with anyone on this album?

John 5: No, I pretty much did everything on it. I played all the instruments with the exception of drums. My producer Chris Baseford helped me out. Other than that, it’s all me!

MIMDOC: What’s the appeal of going out and doing a solo album after getting off the road with Rob Zombie?

John 5: It’s a great outlet for me and almost therapeutic. Crazy, instrumental guitar music is close to my heart and so very important to me. It allows me a canvas to paint on and to do things I can necessarily do with Rob. He doesn’t want every other bar on his song being a solo.

MIMDOC: Will your fans ever have a chance to hear any of this live?

John 5: I don’t think I will be doing and live dates, but you never know. It’s tough because a lot of my fans are really young and they can’t get into some of these clubs. It’s really late when we go on, sometimes close to midnight and there’s beer everywhere. My younger fans can’t always be a part of that. I will probably go more guitar clinics. They seem to be the best way to go. My younger fans can come to them and I have more time to meet people there and sign autographs.

MIMDOC: I have to ask you about the title of the album. Is there any hidden meaning there?

John 5: I love the title and it can be taken many ways. When I was really young, I would only go to church once or twice a year, like on Christmas Eve, and I would pray for God to make me a successful guitar player. So, in one way, when I’m asked on why I picked up a guitar, it’s because God told me to. On the other hand, I just love it in one of those creepy movies where a guy murders a bunch of people and they ask him why and he says “God told me to”.

MIMDOC: The cover is really cool! So, did you ask Rob to paint it for you or was it something that he offered to do?

John 5: I actually approached him asked him what he thought about painting the cover to the new solo album. He said that he’d love to do it. It’s as simple as that!

MIMDOC: Speaking of Rob, how was it scoring his film The Lords of Salem? Was that your first score?

John 5: That’s the first full length movie that I have scored. I’ve actually done pieces of other movies. It was actually very challenging for me. It’s so different to create music using so many different instruments, but I loved it. It pushed me as an artist.

MIMDOC: That’s a great transition for my next question. Your first solo album called Vertigo came out in 2004. How does the artist who created that album differ from the artist that created God Told Me To?

John 5: Wow, that’s a really good question. I remember when I starting recording Vertigo, I wanted it to be all instrumental, but I was very careful. I held back from doing things at times, but now if I want to put in a crazy solo or two, I will. I think there are some really good songs on Vertigo; very well structured.

MIMDOC: Where did the fascination with horror and the face makeup come from? I know you’re a big KISS fan and especially Ace Frehley.

John 5: Well, I have loved classic monsters since I was really young. You know, Dracula, Frankenstein and stuff. I remember buying KISS’ Love Gun album just because of the cover. That was the first album that I ever bought. It was awesome! That picture reminded me of those monsters that I loved.

MIMDOC: I’m a huge KISS fan too and I wanted to ask how you ended up working on the last Paul Stanley solo album Live to Win?

John 5: I’ve known Paul and Gene for quite a while now, as well as Peter and Ace. Paul was working on his solo album with Desmond Child and I had worked with Desmond when he was recording with Meatloaf. He suggested to Paul that we write something together and we did. KISS has definitely been a major influence on me. When an artist goes on stage to entertain, then they need to go all out and make sure that they entertain the crowd completely. Those guys are just about the best example of how to do that correctly!

MIMDOC: One last question for you John and we’ll wrap this up so that you can get back to work. Do you have any guilty pleasures that may surprise your fans?

John 5: Well, I’m not sure how much it will surprise them, but I do love those old horror movies with Frankenstein and Dracula and all those guys. I always watch about 20 minutes or so of one of those old movies before I go to bed, each and every night.

MIMDOC: That wraps up our time with you John. Thanks again so much for taking time out of your very busy schedule to talk with us. We plan on being at Rock on the Range in Columbus this year covering the show, so we will see you there. We also want to remind fans that your new solo album God Told Me To is out and to go buy it!

Dead Throne Elevates The Devil Wears Prada To A New Level

There must have been something in the water last year when The Devil Wears Prada recorded their Zombie EP. It’s as if someone or something took control of the band and steered them in a direction that was unfamiliar territory for them. The music and songwriting was taken to another level and the fans were caught off guard, but in a good way. It also left fans wondering if this was just an experimental phase because of the EP or was this something wet their appetites as they awaited the new album.

Well, the wait is over and it is proving to me well worth it. The band just recently released their fourth studio album entitled Dead Throne with very favorable results from both critics and fans. The band is sounded more focused and heavier than ever. The songs on the album, for the most part, were written by guitarist Chris Rubey. Maybe having just a single person focus on the songwriting is going to be the formula that TDWP needs to push them to the next level. It definitely seems to be leaning in that direction on this new album.

I do have to admit that I was buying into this new found direction during the first few tracks on this new album. The band seems to be warming up on the first four tracks and then it happens. I got kicked in the groin when “R.I.T.” began. It’s as if the case of Redbull didn’t kick in until then. Oh, but wait; it doesn’t end there. The rest of the album is just insane! The riffs are much heavier and the musicianship is tighter than ever. The trade off of vocal styles between singer Mike Hranica and guitarist Jeremy DePoyster is taken to a whole new level too.

“Born to Lose”, “Constance” and “Hold Fast” are standouts for so many reasons. Of course, the above mentioned reasons are ever apparent on these selections, but the balance between being heavy while still being catchy on these songs is just unbelievable. The band has also included a synth element with James Baney doing those duties. It really adds a layer to the music while still allowing the songs to take on that heavier sound.

The new album was produced by Adam Dutkiewicz of Killswitch Engage. I think he definitely needs to be credited, at least in part, for helping the band find this new comfort zone which helps them to grow as a group. This is definitely a different TDWP and they show that they have grown by leaps and bounds in such a short amount of time. I don’t know, maybe Adam helped them unlock their own personal Pandora’s Box? There is even an instrumental on the album entitled “Kansas” that showcases just how much the band has grown as musicians since the early days of their debut.

The rhythm section of a band is like the glue that holds them together, but doesn’t always get the praise that they deserve. Well, I think bassist Andy Trick and drummer Daniel Williams need to be given a co-MVP award on this album. The fill-ins that Daniel provides are top-notch and that double-kick of his is in rare form. It’s almost exhausting listening to him on this album!

So, is this the best that TDWP has unleashed on us? Well, I would have to say a major YES to that question. It seems as if almost every aspect of the band has been given steroids, with the exception of writing. It’s pretty much in line with past efforts, but this time it just seems to click better with their new sense of heaviness. The only thing that really doesn’t work for me would have to be Mike Hranica’s high-end screams/vocals, which seem to be a little weak when compared to his low end. His low register has quite a bit of depth to it and is very effective.

I really hope that TDWP will take this new found focus and build on it. Change and evolution is good for a band and is also very necessary for staying power. It’s tough to be a one trick pony in this industry now and not fade away quickly. The guys seem to have woken up to this fact and seemed determined to become a staying power and not just another footnote. This is definitely one of the best releases of 2011 and it also sets the bar high for many bands from this genre looking to release a new album in 2012.

Mayhem Tour Tears Through Raleigh, NC

They’re several definitions of Mayhem in the dictionary. A state of disorder or riotous confusion, havoc. That may be the best of them to sum up this year’s successful Rockstar Mayhem Tour. It made a stop on August 3 on a blistering Tuesday afternoon. The Raleigh venue was one of, if not the, smallest venues and crowds on the tour which has pulled in some impressive numbers in this summer’s dismal touring season.

The gates officially opened at 2:15 with a steady stream of black t-shirts, piercings and tats roaring through. Ah, the summer outdoor concerts, you have to love them. You see so much that you never expected to see and that usually has nothing to do with the artists performing. The crowd is like the show before the show!

Going to a show like Mayhem requires a few things from those in attendance. Sunblock is important as the temp that day was in the upper nineties with minimal shade to be found. Another is stamina and the consumption of lots of water. Lastly and probably most important is money.....lots of money. Every band was selling merchandise and almost all were doing meet and greets. Most of them required you to buy their CD and you got an autograph and picture with them. This is a great marketing move, especially with the industry being in such a downward spiral because of downloading. The mucho dinero also comes in handy considering beer was $9, Gatorade was $6 and hotdogs were $5 each.

The band’s schedules on the two secondary stages, the Silver Stage and the Jagermeister Stage, were staggered. One band would play their set on one stage and within minutes of finishing, another started playing on the other stage. Get the picture? Each band’s set was roughly thirty minutes in length but an intense thirty-minute set. All killer with no filler!

3 Inches Of Blood kicked off the day with a loud set that got alot of the hungry head bangers going but just wetted their appetites for more. In This Moment’s set saw lead singer Maria Brink go out into the crowd to the soundboard for their final song, “Daddy’s Falling Angel”, to get a circle pit going around the board. The fans were game and started a huge dust storm that looked like cattle being herded to their slaughter as their circled her.

Shadow’s Fall had a great crowd for their set which included a great cover of Ozzy Osbourne’s “Bark at The Moon” that got the crowd singing along. Lead singer Brian Fair pulled a little guy on stage, maybe 7 or 8, who could barely see over the barricade but had been head banging their entire set. He let this little rocker watch the last song from the side of the stage. Talk about a Mayhem memory!

Norma Jean and Chimaira, who had just played a club date the night before with In This Moment in Charlotte, NC, got some of the best crowd reactions with their ear splitting sets. There was lots of crowd surfing going on. Hatebreed closed out the Jager stage showing that after sixteen years of doing what they love, they still have what it takes to teach some of the younger bands how to rock out properly. These guys are an excellent example of true hardcore and always believing in what they are doing.

The band’s kept a tight schedule and right at 6:30, as shown in the program, Five Finger Death Punch took to the main stage. Vocalist Ivan Moody has assembled a tight unit of guys who, although were not friends to begin with when formed, have grown into a vital band in today’s scene. Ivan is great with the crowd too. At one point asking who in the audience had bought their new CD and then asking who had illegally downloaded it. Well, a question like that made some shy away from answering but there were quite a few who admitted to it. Ivan said that, even though it took fifteen cents out of his pocket for every copy downloaded illegally, the main thing was that it brought them out to the show. Their cover of Bad Company classic song “Bad Company” got a great response from the crowd.

Richmond, Virginia’s Lamb of God took the stage next. They are celebrating their fifteen years of slaying audiences this year. These guys are another example of never straying from your beliefs and compromising. Their aggressive forty minutes set had very little banter with the crowd and they simply gave the audience what they came for, the music. A set of all substance and very little style. Don’t get me wrong, these guys don’t depend on props or a fancy stage to make their point. They have a great light show but no fancy distractions to take away from the fact that they are here to thrash your faces off. These guys weren’t nominated at Revolver’s 2010 Golden Gods awards for Best Live Band because they sit on barstool and sing.

Next up was Rob Zombie, who definitely puts on a show. Almost the complete opposite of Lamb of God, Rob is over the top with his stage show. You know for a fact that two of his influences growing up were KISS and Alice Cooper when you see his show. There were flames and robots and smoke everywhere and that was before Rob even came out on stage! His set mixed in a few White Zombie songs along with his solo material. “Dragula” and “Never Gonna Stop” had the crowd on their feet. He paid tribute to his idol Alice by doing a cover of “School’s Out” which was awesome. His guitarist John 5 has been playing dates on a broken foot and teased him about it. He asked him if he wanted to play something softer that would hurt as much and he went into “Sweet Dreams” which he covered when he played with Marilyn Manson. Rob said that he was going to play a classic to get the older people in the grass seats up and played a hyped up version of his White Zombie classic “Thunderkiss ‘65” that went over great with the crowd.

At most venues on the tour, after Rob leaves so does most of the crowd. It almost seems as if he should have headlined. For those who left early, they missed a great performance by Korn. After some ups and downs the last few years, it seems as if they have returned more to what got them established back in 1994. That heavier, kind of edgy sound that you remember Korn having back then and less electronic. They played a few new songs from their latest CD and went old school with the rest of their set list. Their show was also full of pyro and a great overall stage show. Lead singer Jonathan Davis seems to have the boys back on track and their set at mayhem showed that they haven’t lost a thing.

So, after almost twelve hours of being in the blistering sun, the day had come to an end. Well, except for fighting all the traffic out. This year’s Mayhem Tour has been operating with ticket sales averaging a little over 20% above last year’s tour, which is good news for all of us metal fans. I cannot wait to see what tour producers Kevin Lyman and John Reese will have in store for us next year. I hope the smaller turnout doesn’t discourage them from coming to Raleigh, NC again. For those who were there, it was an awesome day full of rip your face off metal and for those who missed out, maybe next year! Horns high metal heads!