Showing posts with label Anthrax. Show all posts
Showing posts with label Anthrax. Show all posts

Tuesday, December 10, 2013

Chris Jericho Talks Metal, Fozzy and Parenting

Chris Jericho is slowing changing from that wrestler who is in a band to that metal dude who also wrestles. His band Fozzy are no overnight sensation, although many here in the US seem to be just discovering them. Their latest album Sin and Bones really did help to solidify them here in the states as a band to keep your eye on. I got the chance to sit down with frontman Chris Jericho as we talked about old school metal, raising kids, KISS and much more. Here's my interview with him for Rock Revolt Magazine:

http://rockrevoltmagazine.com/interview-20130930-fozzy/

Tuesday, July 9, 2013

Former Anthrax Guitarist Is Back In The Spotlight And On A Mission


Dan Spitz may be remembered to most music lovers as the guitarist for Anthrax from "back in the day". Dan left the band, but returned for a short stint several years later and then he disappeared again. Well, He is back with a brand new band called Red Lamb. Dan's also on a personal crusade this time around to raise awareness of autism. Dan and his wife have mirror image twin sons who have autism. You can read alot about Red Lamb, Autism Speaks and much more in my interview with him for Rock Revolt Magazine:

http://rockrevoltmagazine.com/Magazine/May2013/RockRevoltIssue4.html




Thursday, January 31, 2013

Anthrax: Grammy Awards, Cover Songs and Maximum Metal


Anthrax released Worship Music in 2011 and they were suddenly thrust into the mainstream spotlight. After 30 plus years of thrashing and headbanging, the guys were getting major props thrown their way from publications and fans and critics unlike anything they had ever seen before. It was a reassurgence in their career, although they were far from being on life support. Drummer Charlie Benante talked to me about their upcoming tour, their surprise Grammy nomination and lots of other interesting metal tidbits. You can read all about it here:

http://www.rockrevoltmagazine.com/jan-feb-2013-rock-revolt-magazine/


Friday, September 14, 2012

Mayhem Festival Delivers A Day Of Metal To Bristow, Virginia



The annual Rockstar Energy Drink Mayhem Festival has become the summer camp of metal in its short existence. 2012 marks the event’s five year anniversary and this year’s lineup promises a little bit for everyone. The nearly half-day long event brought a mix of veteran acts as well as quite a few rookies to the Mayhem stage. The blistering sun was beating down upon the sea of black t-shirts all around us. The added humidity was helping to create a sea of b.o. all around us and the day was still young.

The gates opened and the crowd was herded in like cattle. Every band had a merch booth set up as well as Revolver and a few others. There were plenty of options for anyone around to spend their hard earned money on. There were a few freebies for the fans such as a CD sampler from Sumerian Records. Rockstar Energy Drink also had a tent set-up giving away small cans of their drink. The temps were high that day and that tent stayed packed all day long. There’s no telling how many cans were consumed on that day.


A forgettable local band kicked off the day and the second band to hit the stage was I The Breather. Shawn Span and his boys got the crowd all fired up and a dust cloud soon erupted from the moshing in the pit. The band played several songs off of their newest album Truth and Purpose and converted quite a few people into fans with their powerful set.

The smaller Sumerian Records stage featured very intimate, in your face performances from Dirtfedd, Upon a Burning Body and Betraying the Martyrs. These three bands, with emphasis on the last two, definitely put their all into their short, yet power packed sets. Each performance saw the eruption of dust clouds again, which proved to be a great indicator for each band as to how well they were liked by the crowd. Obviously, the bigger cloud meant that more people were moshing.


The Jagermeister stage never slowed up a bit as the day progressed. Whitechapel  were next up to perform and were followed by The Devil Wears Prada and As I Lay Dying, who were alternating with Asking Alexandria as to who would open the main stage and being on the Jager stage before Anthrax. The godfathers of thrash and one fourth of the Big 4, Anthrax, chose to close the Jager stage everyday instead of playing the main stage. They were performing their bare bones, guerilla set which featured song after song, in your face, minimal talking, attack mode. Their set list ran the gauntlet and included songs that were recorded before a lot of the people up front in the pit were even born. “Anti-social”, “Caught in a Mosh” and “Fight ‘Em Til You Can’t” got great reactions from the massive crowd that formed to watch these icons of thrash.

The main stage began with Asking Alexandria, who had been alternating with As I Lay Dying for rights to open the big stage. Their set included “Closure”, “Morte et Diablo” and “A Lesson Never Learned” which seem to go over really well with the crowd. The main stage area slowly began to fill as they played as the smaller stages had finished their day and people began to filter over to the bigger stage.



The legendary Motorhead and their front man Lemmy soon took the stage. They were loud and kept the banter to a minimum as they blasted song after song from their extensive catalog. Lemmy did attempt to converse with the crowd between a few of the songs, but it was kept to a sentence or two and then on to another song. There wasn’t a lot to their stage presence, as their focal seemed to be purely on the music.

Another one fourth of the Big 4 was up next as Kerry King and Slayer took the stage to a huge roar of approval from the crowd.  As far as volume goes, I thought Motorhead was supposed to be loud! These guys took the volume knob that Motohead had turned up, cranked it up ALL the way and then ripped it off! They were dark, heavy, powerful and had a no BS approach to their show. There was almost no banter between songs as they unleashed on song after another. Kerry King is a menacing force to watch perform on the stage live. He aggressively slays that guitar as if there is a personal grudge between him and the instrument.


That left only one band to play and I can say with confidence that it was the band that almost the entire venue couldn’t wait to see perform. Slipknot was back and prepared to claim the stage that had made them somewhat legendary. This was, of course, the first US tour that band has taken on since the death of their bassist Paul Gray in 2010. The band took the stage and showed why their legions of fans are so dedicated to them. 

A Slipknot show is a sight to see as the nine members come together to form a nine headed masked beast of fury and pyro. They unleashed such classic s as “Duality” and “Psychosocial” with intensity and unbridled passion. It was truly a sight to see as lead singer Corey Taylor displayed the power that he has power that he has over the crowd at a Slipknot show. When he told the crowd to get down and jump when he counted to three, I looked around the crowded arena and could only see a scattered handful of people standing. That, my friend, is power and a pretty dynamic display for a front man of any band. Their set also included tons of pyro and even snow.

Of course, with each year’s announcement of the lineup for Mayhem, you hear the usual whining of people about how weak it is and that it’s not what it used to be. Yes, this year did see Sumerian Records having their own stage for the first time and they brought along several very hungry bands from their roster who all played great sets. There was also one half of the Big 4 with Anthrax and Slayer being there as well as the legendary Motorhead. Top it all off with the first US tour since 2010 by Slipknot as they set out to reclaim their elite status in the metal world. I think this year’s Mayhem had a great mix for everyone and 2013’s lineup will prove to be big shoes to fill in keeping up the great tradition of metal’s biggest touring summer package.

Wednesday, May 30, 2012

2012 Rock On The Range: Bigger and Badder Than Ever


Rock on the Range has become one of the premier festivals in music in its short existence and Columbus, Ohio definitely knows how to throw a party. It spanned two days, 40 bands and a total of 24 hours of music. This year’s event ran from May 19 and 20 and thousands of rockers showed up to rock out and hopefully get to meet their favorite band. It was hosted by Jose Mangin from Sirius XM/Headbangers Ball and also saw an appearance from radio personality Lou Brutus.

It only took a few hours in the blistering sun before many were questioning why they didn’t bring some sunscreen with them. The high temps combined with an abundance of cold beer provoked a lot of nudity from both males and females all day long. The side stages were sponsored by FYE and Jagermeister and they kicked off the festivities each day at 11:30.

On Saturday, the smaller Jagermeister stage saw stellar performances from Las Vegas’ own Otherwise on their first trip to Rock on the Range. In This Moment unveiled brand new music from their forthcoming album Blood to their Iron Army who was out in full force that day. The FYE stage saw great performances from New Medicine as well as P.O.D. and lots of people getting insane in the membrane with Cypress Hill.

The main stage on Saturday saw Lzzy Hales and her boys, better known as Halestorm, deliver rocking set that focused heavily on songs from their new album The Strange Case Of. Lzzy definitely knows how to command a crowd and had the huge crowd in her control. Five Finger Death Punch had the biggest sea of crowd surfers again this year and that didn’t surprise anyone at all. Ivan even pulled some young kids up on stage to rock out with the band. Ivan also has to be one of the best frontmen around these days. He really got the crowd all fired up!

Brent Smith and Shinedown were next to last on the main stage and delivered a set that was all killer and no filler. Their radio hits were all there, “Second Chance”, “45”, “If You Only Knew” and “Bully”. Incubus closed out day one with an impressive set, but many in attendance didn’t understand why Shinedown didn’t close the day. Brent seems to be in the best shape of his life these days and his voice was superb.

Day two saw more high temps and plenty of blistered skin everywhere. The Jagermeister stage was rocked hard all day from such acts as former American Idol contestant James Durbin as well as Lacuna Coil, who not only made their ROTR debut but they also headlined the Jager stage. The crowd was huge for their set and lead singers Cristina Scabbia and Andrea Ferro showed why their fan base has been continuously growing here in the states. They delivered a tight set and sounded amazing!

The FYE stage on Sunday rocked out hard when Trivium took the stage for their ROTR debut. Matt Heafy and the rest of his band showed why they were a standout at Mayhem last year. This is a band that you definitely need to see live to fully appreciate what they have to offer. Headlining the FYW was the thrash pioneers Anthrax and they unveiled their new “bare bones, guerilla” performance.  It’s a high-energy, barrage of song after song after song. Scott Ian and Joey Belladonna left the crown exhausted and in need of a cigarette after their insane set.

The main stage rocked out hard all day long with performances from Escape the Fate, the Darkness and Mastodon. Megadeth, another thrash pioneer, worked over the crowd with songs from their lengthy arsenal. Lead singer Dave Mustaine sounded great, but at times he appeared to be in pain as his movements were very limited. Marilyn Manson made his ROTR debut and seemed more interested in trying to shock people than in delivering a solid performance. He did everything from turning his band on the crowd as he stood there and sang to spitting beer at the photographers in the pit.

ROTR favorite Rob Zombie returned this year to close out the day and he brought his A game with him. The event is one of his favorites to play and he always loads up his arsenal with special goodies just for the show. Guitarist extraordinaire John 5 was by his side and they delivered a fun hit filled set that was over the top with pyro and lights and strange creatures roaming the stage. Rob always delivers a fun-filled set and gives you your money’s worth.

The days were long and tiring and left most in attendance with a feeling of having experienced their best weekend ever. The numerous signings gave fans numerous chances to get a signed 8x10 of their favorite band. The heat and the alcohol saw fans dropping like flies all day long, which is one thing I have never understood. Why pay all that good, hard earned money to get drunk and pass out? Overall, the 2012 Rock on the Range was a success and the planning starts now to see how they can top it next year.

Monday, January 2, 2012

This Is Hell Unleashes Black Mass


There’s a new addition to my ever growing “music to get a speeding ticket to” collection. This Is Hell has just unleashed a new album entitled Black Mass and it is definitely worthy of being added to that collection. It’s a full-on assault of the senses that just crawls underneath your skin and spreads all over your body.

The guys released Weight of the World in 2010 and it was their first album since leaving Trustkill for Rise Records. If that album was a step in the right direction for the band, then this new album is a huge leap for them. The band seems to be tighter and more focused than ever. One may even say that they are hungry and feel as if they have something to prove.

The first track on the album, “Acid Rain”, definitely sets the tone of the album and that tone is intensity and aggression. This takes me back to the early days of thrash with Slayer and Anthrax. The riffs are so insane on here that it should come with a “no responsible for spontaneous acts of air guitar” disclaimer!

They don’t even give you a chance to catch your breath as “Black Rain” and, my personal favorite; “Salt the Earth” continue the onslaught. The two guitar assault of Rick Jimenez and Chris Mazella is something of sheer power and brutality. There will be many a horn thrown in honor of these shredders throughout the world upon listening to this album.

Next up is the title track and for a mere 13 seconds, the band lets up on you with a slow, acoustic intro, but don’t be fooled. The pedal is then pressed to the floor and the thrash onslaught continues. Mike “I’m Gonna Beat the Living Hell Outta My Drum kit” Sciulara is a beast beyond control on here. He puts in a solid performance on every track, but this one left me exhausted.

“The Outlaw” has one of those infectious guitar riff intros that enter the ear and nests in your brain causing an instant mosh pit in your head. “Demons” then pushes the gas to the floor again and takes off at top speed. The level of intensity on this album just makes you shake your head in amazement.

I have to admit that I was totally floored by this album musically and exhausted by the end of it. It’s a non-stop joy ride on the hardcore highway. The guys sound tighter than ever and more focused. I love the old school thrash tone to the album too. This may just be the bands’ best offering since they debuted in 2006. Put this one on, crank up loud and sweat a few pounds off in the process.