Showing posts with label David Lee Roth. Show all posts
Showing posts with label David Lee Roth. Show all posts

Wednesday, May 16, 2012

John 5: From KISS to Universal Monsters


John 5 is one of those artists that you don’t know what to expect before your first meeting. He’s obviously an insanely talented guitarist with a resume a mile long. He’s worked with Marilyn Manson, David Lee Roth, Meatloaf, Paul Stanley of KISS, Saliva, k.d. lang, Salt-N-Pepa and many more. His job for the past few years has been with Rob Zombie and the two of them have something magical going on.

In between touring with Rob Zombie and writing songs for other artists, John 5 even finds time for a solo career. His new solo effort God Told Me To just came out and we had the chance to sit down and talk to him about it.

Music Is My Drug Of Choice: Hey John, thanks for working us into your busy schedule. I guess this is media day for you. I know you have a lot on your plate today, so let’s jump right into the questions here. Let’s talk a little bit about this new solo album and the new direction that you chose for some of the songs.

John 5: Well, thanks for wanting to talk to me. You know, the whole key to putting out instrumental solo albums is to keep the fans on their toes. I’ve done heavy rock to country and it has gone really well for me. So, I asked myself what I could do to change it up and make it new. That’s where the acoustic stuff came into play.

MIMDOC: Have you been a fan of acoustic music already or was this something that you just wanted to explore?

John 5: I absolutely love electric guitar, but some of my favorite (Led) Zeppelin stuff is their acoustic stuff. It’s absolutely amazing! I love all types of guitar playing. When I put my iPod on shuffle, it has so much diversity, but that’s just who I am.

MIMDOC: Did you work with anyone on this album?

John 5: No, I pretty much did everything on it. I played all the instruments with the exception of drums. My producer Chris Baseford helped me out. Other than that, it’s all me!

MIMDOC: What’s the appeal of going out and doing a solo album after getting off the road with Rob Zombie?

John 5: It’s a great outlet for me and almost therapeutic. Crazy, instrumental guitar music is close to my heart and so very important to me. It allows me a canvas to paint on and to do things I can necessarily do with Rob. He doesn’t want every other bar on his song being a solo.

MIMDOC: Will your fans ever have a chance to hear any of this live?

John 5: I don’t think I will be doing and live dates, but you never know. It’s tough because a lot of my fans are really young and they can’t get into some of these clubs. It’s really late when we go on, sometimes close to midnight and there’s beer everywhere. My younger fans can’t always be a part of that. I will probably go more guitar clinics. They seem to be the best way to go. My younger fans can come to them and I have more time to meet people there and sign autographs.

MIMDOC: I have to ask you about the title of the album. Is there any hidden meaning there?

John 5: I love the title and it can be taken many ways. When I was really young, I would only go to church once or twice a year, like on Christmas Eve, and I would pray for God to make me a successful guitar player. So, in one way, when I’m asked on why I picked up a guitar, it’s because God told me to. On the other hand, I just love it in one of those creepy movies where a guy murders a bunch of people and they ask him why and he says “God told me to”.

MIMDOC: The cover is really cool! So, did you ask Rob to paint it for you or was it something that he offered to do?

John 5: I actually approached him asked him what he thought about painting the cover to the new solo album. He said that he’d love to do it. It’s as simple as that!

MIMDOC: Speaking of Rob, how was it scoring his film The Lords of Salem? Was that your first score?

John 5: That’s the first full length movie that I have scored. I’ve actually done pieces of other movies. It was actually very challenging for me. It’s so different to create music using so many different instruments, but I loved it. It pushed me as an artist.

MIMDOC: That’s a great transition for my next question. Your first solo album called Vertigo came out in 2004. How does the artist who created that album differ from the artist that created God Told Me To?

John 5: Wow, that’s a really good question. I remember when I starting recording Vertigo, I wanted it to be all instrumental, but I was very careful. I held back from doing things at times, but now if I want to put in a crazy solo or two, I will. I think there are some really good songs on Vertigo; very well structured.

MIMDOC: Where did the fascination with horror and the face makeup come from? I know you’re a big KISS fan and especially Ace Frehley.

John 5: Well, I have loved classic monsters since I was really young. You know, Dracula, Frankenstein and stuff. I remember buying KISS’ Love Gun album just because of the cover. That was the first album that I ever bought. It was awesome! That picture reminded me of those monsters that I loved.

MIMDOC: I’m a huge KISS fan too and I wanted to ask how you ended up working on the last Paul Stanley solo album Live to Win?

John 5: I’ve known Paul and Gene for quite a while now, as well as Peter and Ace. Paul was working on his solo album with Desmond Child and I had worked with Desmond when he was recording with Meatloaf. He suggested to Paul that we write something together and we did. KISS has definitely been a major influence on me. When an artist goes on stage to entertain, then they need to go all out and make sure that they entertain the crowd completely. Those guys are just about the best example of how to do that correctly!

MIMDOC: One last question for you John and we’ll wrap this up so that you can get back to work. Do you have any guilty pleasures that may surprise your fans?

John 5: Well, I’m not sure how much it will surprise them, but I do love those old horror movies with Frankenstein and Dracula and all those guys. I always watch about 20 minutes or so of one of those old movies before I go to bed, each and every night.

MIMDOC: That wraps up our time with you John. Thanks again so much for taking time out of your very busy schedule to talk with us. We plan on being at Rock on the Range in Columbus this year covering the show, so we will see you there. We also want to remind fans that your new solo album God Told Me To is out and to go buy it!


Thursday, May 10, 2012

Van Halen Dances The Night Away in Charlotte, NC

My ticket to my very first Van Halen show years ago cost me $7.00. I pointed this out to my show as I paid $10.00 just to park at their recent show in Charlotte, NC on April 25 at the Time Warner Cable Arena. We made our way into the beautiful arena and passed a large group of religious protestors outside who proceeded to tell us that we were going to burn for listening to the devil’s music. Van Halen? Seriously? I never really thought of Van Halen back then or even today as the devil’s music. I wonder if the devil plays a mean air guitar.

I have read so much negativity online for having Kool and the Gang open up on this tour. They looked and sounded great and really got the crowd in a party kind of mood. A good part of the crowd was up and dancing and really enjoying it. I think it was an excellent choice to get the crowd loosened up and ready for a night of great music and partying.

Van Halen opened the show with “Unchained” and they looked and sounded great! There was a huge video screen behind the band that seemed as big as an old drive-in theater that they utilized all night long. They mixed live footage along with pre-recorded footage and images. “Running with the Devil” was next and the crowd was up and singing the entire time.

There were some deeper cuts being played that night which included “The Full Bug” from Diver Down and “Hear About it Later” from Fair Warning. They also played a few newer tracks from their new album A Different Kind of Truth including “Tattoo” and “She’s the Woman”. The majority of the night was like a greatest hits show; “You Really Got Me”, “Beautiful Girls”, “Ain’t Talkin’ ‘Bout Love” and more. There was one massive signature Van Halen song after another with no Van Hagar songs in sight.

Alex Van Halen was and still is a beast on the drums and yes, there was a short drum solo too. Wolfie Van Halen is really good on the bass, but his back-up vocals fall flat in my opinion. Michael Anthony’s signature backing vocals, which were a huge part in the early sound of Van Halen, are sorely missed in the live show. “You Really Got Me” and “Dance the Night Away” were two prime examples of that.

As far as Eddie goes, the guy is playing like a beast. I read an interview with him in which he stated the only way that he was going to tour would be if his son Wolfie was in the band. It seems to have ignited a creative fire in him and he’s playing with more intensity than he has in years. His solo was pretty incredible too! A double edged sword: I miss Michael Anthony a lot, but it’s great to see Eddie so alive again.

As far as Diamond David Lee Roth goes, there’s good and bad there. He is still Captain Charisma and knows how to work a room. His vocals weren’t what they used to be on some songs, but on others he was dead on. We were treated to a couple of splits and a couple of round house kicks too. Is it just me or is Dave looking a lot like Steve Martin these days?

Overall, it was a really good show. They ended it with”Jump” and a shower of confetti fell over the arena. I had two personal complaints about the show. One was the overuse of the same pre-recorded footage and images on the big screen. It seems like they could have prepared more than what they had because mid-way through the show, it was becoming boring. The other complaint was that I really wanted to hear “Jamie’s Crying”, “And the Cradle Will Rock” and “Drop Dead Legs”; none of which were performed. They guys may not move like they used to and the vocals have faltered a bit, but it still beats so much of the new stuff out there today.