Monday, November 4, 2013

Butcher Babies Release A Monster In Goliath

How many times have you looked through a magazine or on the internet and saw a band fronted by a sexy female and automatically went into Beavis and Butthead mode? Well, a hot chick and boobs will only get your band so far in the industry. The Butcher Babies have been fighting this stigma since their inception in. They know that the true talent tends to rise to the top and develop legs to help maintain a long career in music. Their debut album debut album Goliath is about to be unleashed on the world. Will it be a step in the right direction in the development of those legs? Let’s take a look, or should I say listen and see.

Lead singers Carla Harvey and Heidi Shepherd did garner a lot of attention early in the career of the Butcher Babies for their nipple tape and outrageous stage shows, but these two ladies have the brains to back up their beauty. Their self-titled EP was released in 2012 and word began to spread. The last six to eight months have seen several keys pieces of the puzzle of their career come together as they signed with Century Media and began work on their debut album as well being picked by Marilyn Manson himself to open dates on his tour earlier this year. The buzz really started to grow for this new album as the band announced that they would be performing on this year’s Rockstar Mayhem festival.

The album opens with “I Smell a Massacre” and goes from 0 to 80 in about three seconds as the riff starts and is accompanied by a huge scream that grabs you  by the throat lets you know you are about to get served. It’s a great lead-off track that sets the bar for what lies ahead.  “Magnolia Blvd.” is another healthy dose of in your face attitude and features a crazy mix of vocals that run the gauntlet from screaming to clean vocals to a bit of spoken as well. It also contains some pretty insane double kick drum from Chris Warner as well.

“C8H18 (Gasoline)” is one of my favorite tracks on the album as it brings together all the elements for the musical perfect storm. The riff is big chugs along and the chorus is catchy as hell with its use of clean vocals.  Another track that stands out is “Dead Poet” with its unusual arrangement, which begins and ends with sounds of a storm. In between those moments, the tempo goes from full throttle in your face to almost a complete stop with a short spoken passage before slamming the pedal to the floor again. It’s a very clever and unique arrangement that really makes this track standout. “Axe Wound” will also throw you completely off track with its acoustic guitar intro before tearing into some massive riffs.

Overall, I think the band delivers in a major way with this album. It’s intense, aggressive, and heavy and the riffs, provided by Henry Flury, are catchy and plentiful without sounding redundant. Carla and Heidi take the dual lead vocalist to a different level with their creative mix of screams and clean vocals. The rhythm section of Chris Warner on drums and bassist Jason Klein provide a strong, underlying layer to the Butcher Babies sound that may go under appreciated by some due to the two dynamic ladies garnering so much attention. Warner and Klein lay the foundation to which this might house of metal is built on.

This album was one of the most anticipated for the summer of 2013 and I think it delivers in a major way. I do admit that I wish “Mr. Slowdeath” would have been included on it. Hopefully, some of the haters out there or those with pre-conceived notions of the band will give this album a listen with an open mind; I think many will be converted over if they do. Then again, I don’t think the band really cares because as long as there are haters out there, then you know that you are definitely doing something right.

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