Two Dads Hanging Out and Talking: My Interview With Justin Furstenfeld Of Blue October

I have to admit that I did feel, as Homer Simpson would say, “giddy like a little school girl” when I found out that I was going to have the opportunity to interview Justin Furstenfeld of Blue October. I think he is an amazing songwriter. There are layers upon layers of depth to his songs that run the gauntlet of emotional exploration. At times they are happy, at times they are sad, but they never lack for the ability to connect with their fans.

The band was about to play the third show in their Quiet Mind Tour at the Fillmore in Charlotte, North Carolina. I was able to catch up with Justin before their meet and greet with their fans at the venue. Our talk proved to be an emotional one as Justin opened up and shared quite a lot with me. This was definitely one of the most emotional and personal interviews that I think I have ever done.

Johnny: Hey Justin! Thanks so much for taking the time to talk to me. I will try my best to be professional and not go into fan boy mode as I am a big fan of yours and of Blue October. I have mad respect for you and your songwriting skills.

Justin/BO: It’s no problem at all and thank you so much. I appreciate that a lot.

Johnny: Let’s jump right into business here. Your latest album Any Man in America has been out for a while now. It’s a very raw and emotional album. Was there ever a point in the writing process where you thought to yourself, ‘maybe I need to pull back a little’? You really seemed to open up about your divorce and custody battle and didn’t hold anything back.

Justin/BO: Yeah, there were plenty of points like that when I was writing the album. This album is definitely not made for little kids to listen to. I think there are other fathers out there who may have been through a similar situation. If there are kids involved when you go through a divorce, then you shouldn’t play games and use them in the games. There’s anger in my writings and I wanted people and especially other fathers to hear it as well. This album is the closest thing to a documentary about what I was going through that I could make. If I held back, I felt like it would be an injustice.

Johnny: I totally understand where you are coming from. You see it way too many times when it becomes a game and the child, who usually has no clue as to what is going on, becomes a pawn in the game.

Justin/BO: You’re absolutely right, they become a pawn and it’s sad. This has been really hard on my daughter. The last time that I saw her, she asked me why people were so mean to me. She’s so young; she doesn’t even have a clue as to what’s truly going on.

Johnny: Let’s switch gears and talk about your label situation. You signed with Universal back in 2000, then you were dropped, then re-signed in 2004 and then they offer you a 360 deal. I was shocked! You guys have been around for over 15 years and they offered you that deal. Can you tell us what happened?

Justin/BO: Yeah, we were not going to say yes to a 360 deal. Basically, that gives the company 20-25% of everything you make. That includes merchandise sales, album sales, and the whole nine yards. We said no to that and started our own label called Up/Down and we got a distribution deal through Sony.

Johnny: You worked with Tim Palmer on the latest album and he’s worked with the likes of The Cure, Concrete Blonde and Pearl Jam. What made you go with him?

Justin/BO: I had met him before and had really wanted to work with him. When I found out he had moved to Austin (Texas), then I knew it would be easy for us to do. It was great working with him. He was the person who kept telling me to not stop and to just say what I was feeling.

Johnny: Speaking of which, when you are writing, is there a method to the madness? Do you have a writing process?

Justin/BO: I tend to write alot and sometimes it just happens. It’s taken me two years to write a song before and sometimes it takes five minutes. If I find myself needing to finish a song because of a deadline, then I lock myself in the house for two or three days and shut myself off from everything until it’s finished. I love writing. I love placing syllables and trying to figure out how to disturb grammar and still make it sound interesting. I guess there is a method once it starts to flow out. Then, I have to tell everyone to shut up so that I can get it down.

Johnny: Being the type of deeply connected songwriter that you are, do you find it difficult to make music videos? Do they come out they way that you want them to?

Justin/BO: I love making music videos. I’ve really liked all of our videos, well except for”Calling You”. Have you seen that one? It’s the one with the baby. If you don’t remember it, that’s a good thing (laughs). That’s the only one that I wish we could have a do-over on.

Johnny: So this tour runs into December. What’s after that for you guys?

Justin/BO: We will hit the studio and start recording our new album. It’s almost 100% written already. We’re going to bring in David Castell, who worked with us on Foiled. The album should be out by next summer and there should be new songs available in February on iTunes.

Johnny: That’s awesome news! I know the fans will be excited to read about that. Speaking of David Costello, you guys scored a major hit on the Foiled album with “Hate Me”, but it came with a price. Are you sure you want that to happen again?

Justin/BO: A hit single is great, but I pray that we don’t get another one. It brings you to a level to where you have to answer to alot of people. “Hate Me” blew up huge and we ended up touring for three straight years because of that one song. None of us had any time for our families. A hit single just pumps your ego up and none of us need that as this point. We’re just focused on making great art, kind of like the Cowboy Junkies.

Johnny: You know, you guys have been doing this for almost twenty years. Did you ever think that it would last this long?

Justin/BO: Oh yeah, I knew that this was what I would be doing. I told myself that I had a backpack full of songs and that if I had to, I would travel the world so that they could be heard. You really have to separate yourself from the people who tell you that it’s not going to happen. Those people will bring you down and they get in the way of the creative, writing process.

Johnny: I know it must be hard sometimes relaxing and being able to sleep because even though the body is exhausted, the creative mind that you have is still hard at work. What do you do to relax and unwind?

Justin/BO: You’re right; it’s like two different beasts. I meditate a lot and I also like to hang out with my daughter. I remarried and I have a beautiful wife who I love dearly and we have a new daughter Sadie Bell. She hasn’t met her older sister Blue yet, but she will soon.

Johnny: Hey, congrats on that man. I know that having such a caring person by your side really helps during those tough periods of your life. I forgot to ask you earlier during another question about negativity in your life. You definitely have to cut that negativity out and disassociate yourself from it. If you don’t, it can suck you right down with it. Life’s too short for that to happen. Justin, you are definitely a very genuine person. When it’s all said and done, how do you want people to look back and remember you?

Justin/BO: I want them to think of me as a guy who kept it real. I was the guy who told them what they might not necessarily want to hear, but needed to hear.

Johnny: That’s awesome man; I love that! Justin, this interview has been an honor. Thank you so much and I really am looking forward to the show tonight. Good luck with everything and stay strong my friend. Your time with your daughter is coming; just don’t give up on your fight.

Justin/BO: I really appreciate that, thanks so much. Thanks again for wanting to talk to me. This has been really good.

Stars In Stereo Make An Impressive Debut

It’s tough for a new band starting out these days in music. The industry is still trying to adjust to illegal downloading and how it’s effecting album sales. New bands are faced with even more challenges than before as they try to make a name for themselves. How do you make yourself stand out in a pond full of musical fish and become one of the bigger fish?

Exposure to the masses is always a big plus for a rising band. Stars In Stereo, hailing from Los Angeles, is creating a buzz for themselves. They captured a spot opening dates for The Used and now for Blue October. I caught up with lead vocalist Bec Hollcraft and guitarist Jordan McGraw before their show in Charlotte, North Carolina to get caught up to speed on the goings on with this rising band.

Music Is My Drug of Choice: You know, I tried to do a little research to prep for our interview, but there’s not much on you guys out there. You’re kind of a mystery. Can you start by giving me a little history n the band?

Jordan/SIS: It’s kind of funny because we just figured out the exact date that we started recording for the first time. It was 6-6-11.

Bec/SIS: Which is pretty awful! You know, just one more six in there (laughs).

Jordan/SIS: Before that date, the other four dudes in the band had been making music in another band and we decided to take that apart. It wasn’t exactly what we wanted, so we started to individually write. We were still friends and still hanging out and we started to hear each other’s stuff and it sounded similar. We decided to that everyone was a good fit to start on another project and we started to search for a voice, a front woman. We found Bec and she was absolutely perfect. Literally, two days after we met, we went into the studio and started writing music together and doing the whole thing.

MIMDOC: So, did you guys find Bec or did she find you?

Bec/SIS: I was signed to Sony Japan before meeting these guys and my contract had just ended earlier that year. I had never been in a band before and I was open to just about anything. I was contacted by a friend who told me that they were looking for a singer, so I decided to go meet them and sing for them and see what happened. I was expecting this at all! We all ended up having the same vision and things just really worked out amazingly.

MIMDOC: So today, according to your Facebook page, is the official release date of your EP or album preview as you have called it. What can you tell me about that?

Bec/SIS: Yeah, we’re calling it an album preview because it’s four songs from the album that will be coming out early next year. That way you can get four now while we are finishing up the whole album. It should be out in February.

MIMDOC: You just released a video for one of those songs, “The Broken”. Did you pick that or were the suits involved on the choice? Also, was that the first video that you guys have worked on and what was that experience like for you?

Jordan/SIS: We’re actually doing this one on our own, so we didn’t have a label to answer to. Although, we do have people who do advise us and put in their own two cents worth. Ultimately, at the end of the day, we picked what we thought was out strongest song. We picked it because it’s kind of a mission statement for the whole album as well as for the band. We put together an image in our head as we were working on the song of how we wanted it to look. So, when we went to do it, it was kind of a no brainer for us.

Bec/SIS: The video was really interesting and definitely alot of hard work. It took a while before we found what we really wanted for the video. It was awesome, to be able to take your music and make it visual. It’s such a creative process.

MIMDOC: So, you guys did a few dates with the Used and now you’re opening for Blue October. What kind of plans do you have after this tour is over?

Jordan/SIS: We’re going to be playing some shows in LA. We’re actually from LA and we’ve only played one show there.

Bec/SIS: Yeah, it was our very first show! So, it was pretty nerve racking.

Jordan/SIS: We haven’t really had a chance to play for our local people, so we’re going to use the time after this tour to do so. The first date that we’re going to play will be at the Viper Room. That’ll be fun; I’m really excited for that one.

MIMDOC: Wow, the Viper Room is pretty awesome. There’s a lot of history inside those walls. There have been some pretty amazing bands that have played there. Speaking of history, who would you consider to be some of your influences?

Jordan/SIS: We all have really different influences. U2 is definitely a big influence, the Foo Fighters. I’m a huge Daft Punk and Blink 182 fan.

Bec/SIS: 30 Seconds to Mars. I also love the 80s.

MIMDOC: What about great road stories? I know you haven’t done a lot of dates, but I’m sure something fun or crazy has probably happened?

Bec/SIS: We had a day off in Montana and the venue we played at was also a movie theater. So, our bassist Justin and I walked up to this theater to watch a movie and there was this huge line of raver kids. There was a Renaissance them and they had on crazy outfits. So, there was actually a rave going on at the venue while he and I were watching this movie. We keep hearing this pounding bass throughout the entire movie. So, afterwards we decided to go check it out. It was pretty incredible. It was like an ambient rave and everyone was having the best time ever.

MIMDOC: I’m going to put you on the spot Jordan. What’s the first thing to come to mind when I ask you to describe Bec? Careful; I don’t want you to get smacked.

Jordan/SIS: She’s the most talented singer that I have ever seen or worked with.

MIMDOC: Now, it’s your turn to describe Jordan.

Bec/SIS: I would have to say thoughtful and passionate.

Jordan/SIS: Awwww……we’re gonna hug later (laughs).

MIMDOC: Last question for both of you and I always like to ask this one. If you were stranded on a desert island and could have only one CD, it has to be an official release and not a mix CD that you made, what would you want with you?

Jordan/SIS: Ray Charles “Hit The Road”.

Bec/SIS: The first thing that comes to mind would be Cyndi Lauper’s “Greatest Hits”. It’s so happy and she also has the amazing ballads in there to get you all emotional.

MIMDOC: Well, that’s about all I have for you guys. Thanks again for taking the time to talk to me and I am really looking forward to the show tonight.

Bec,Jordan/SIS: No, thank you. We really appreciate the opportunity and we hope you enjoy the show. Let us know what you think!

Sister Sin Prepare to Invade the US

Sweden and heavy metal are not always synonymous with each other. If you ask the average person what’s the first thing that comes to mind when they hear Sweden, they probably won’t mention metal. Sister Sin set out back in 2002 to change all of that. They were determined to rule the world with their old school style of 80s influenced metal and nothing would stop them, especially preconceived notions and stereotypes.

The band’s first album Switchblade Serenades created a minor buzz here in the states, but it caught on in a major way in their homeland of Sweden.  Their second album True Sound of the Underground saw the buzz grow here in the US as the band ventured out on the Hell Hath No Fury tour sponsored by Revolver that included other female fronted metal bands including In This Moment and Straight Line Stitch. The band later jumped onboard a tour with OTEP and One Eyed Doll that brought in many new fans.

I got to sit down with lead guitarist Jimmy Hiltula on the eve of the release of their anticipated third album with Victory Records Now and Forever to discuss their latest creation. “We’re very happy with how the album turned out. I think it’s kind of a different album in a way for us. I think it’s heavier and has a darker feeling to it than the others we have done. The songs are more diverse and more dynamic. We added different elements to them such as keyboard parts and even a piano. We wanted to create a different atmosphere on it and try to step out of our comfort zone.”

The album does have the feel that Jimmy mentioned, but it’s definitely plenty of what you would expect from the band. Such is the case with the first video released from the album entitled “End of Line”. “We chose that one because it had all the main ingredients of Sister Sin. The verses were pure Sister Sin, all the way. Then we threw in the thrashing guitar parts and the pounding drums. The tempo is fast and the chorus is melodic and dynamic, so the song was just a given for the first release.”

The album does have some surprises on it with a huge one being the band’s first ballad entitled “Morning After”. It’s a powerful song that will catch fans off guard as it begins with the delicate sound of a piano and Liv’s voice, with a string section also joining in. “We really wanted to do a ballad on this album, but we weren’t sure what to do. It’s not only our first ballad, but it’s actually a cover song too. We just kind of stumbled across the song on You Tube one day. It was originally done by Randy Piper’s Animal. We thought the melodies were really good and we felt that we could do something really special with it. I think Liv’s voice is very powerful in it and it really showcases her.”

The band has won fans over with their dynamic, high energy live show here in the US. Their first dates here in the states to support the new album will come in February of 2013 as they open for the iconic German rocker Doro. “We’re really excited to be hitting the road with her. We’ve done some previous things with her such as the cover of Motorhead’s “Rock N’ Roll”. We’ve also played a few times with her before, but this will be our first tour with her. She’s definitely one of our idols. The timing was perfect and it all just came together to be able to do the tour, so we can’t wait to hit the road with her.”

The touring cycle is a beast that’s tough to tame. The band travels from city to city in their home on wheels as they adapt to sleeping on a moving bed and being up all night and sleeping all day. Is touring the US any different than touring Sweden? “Well, the US packages that we have toured on seem to be really big. There are usually four or five national bands and maybe two local bands opening up. I would say that’s the biggest difference, unless it’s a big one day festival. The audiences are very similar, but the drives in the US from city to city can be very long. We sometimes have to travel thirty hours to the next show. The food is also a little different. When we first get to the US, we tend to eat a lot of burgers (laughs), but then we get tired of them. We love eating at Panera Bread and at Subway because we don’t have those in Sweden.”

It has to be a surreal kind of feeling to be a musician and go out on the road opening up for an artist who you have idolized or been influenced by such as Doro. It’s no secret that lead singer is a big fan of Doro as is the rest of the band, but Jimmy’s a guitar slinger. What influenced him to pick up that loaded six string years ago? “Metallica actually got me into playing the guitar. I didn’t necessarily think that Kirk (Hammett) and James (Hetfield) were guitar gods, but they did inspire me to learn to play. As far as my heroes go, first and foremost is Yngwie Malmsteen. I’d also have to say that Judas Priest is a big favorite of mine. Painkiller is one of my all-time favorite albums. You can’t get more metal than that! There are so many albums that influenced me too. The first WASP album, Motley Crue’s Shout at the Devil, the first Van Halen album, there are just too many to list here. The 80s was such a great period for metal.”

If you are a fan of 80s metal and haven’t checked out Sister Sin, then you don’t know what you are missing. The band’s influences run deep in the music of that era. The capture the feel and sound of the era and update it to make it sound current and not dated. Even if you are not a fan of 80s metal, Sister Sin has a lot to offer to rock any metal lovers speakers. Their new album is entitled Now and Forever and it is worthy of being cranked at least to 11, if not louder. 

Ill Nino Moves Forward on Epidemia

The six-piece metal band Ill Nino has definitely been on a musical rollercoaster since their debut album Revolution Revolucion was released back in 2001. The guys have been on three different labels and have seen several members come and go. They seemed to peak in 2003 with their release Confession. They haven’t been able to recapture that lightning in a bottle since that pushed them into the mainstream. All of that may change with their latest Latin infused style of metal entitled Epidemia.

This is the band’s second release for Victory Records and the follow-up to 2010’s Dead New World. It’s a solid and focused album that, given the right amount of attention and push by their label, could very well help them recapture that magic from 2003. The album opens with “The Depression” as the track slams its fist on the counter, demanding the attention of the listener. The riffs come in strong and aggressive as lead singer Cristian Machado volleys back and forth with an impressive mix of screams and melodic clean vocals. “Only The Loved” continues with more of the same from the guys.

“Eva” is a standout track as it sets an eerie tone with a creepy riff from the start that would make the song right at home in any slasher film. Machado delivers a solid vocal delivery on this one as again he mixes his styles up, but comes off in a very convincing way. This track is a bit reminiscent of older Ill Nino and I think after one listen, some of you may just agree. “Death Wants More” also offers up a strong delivery in its somewhat melodic delivery that still offers plenty of killer riffs.

Another standout track would have to be “Forgive Me Father”. It’s a mainly clean vocal delivery from Machado that helps to convey the emotional elements behind the lyrics in an effective way.  The riffs may not be as aggressive as on other tracks, but that works to the songs advantage given the lyrical content. It still has that Ill Nino Latin flavor to it and it still manages to rock. It may be the most mainstream sounding track on the album.

So, after listening to the entire album I found myself wondering what the fans would think of it. I think the newer fans of the band will definitely be happy with it as their more defined sound from the last few years is definitely there. I also think the older fans, and even some who may have given up on the band, will find this to be a more solid release with elements of early Ill Nino present throughout. Is it a perfect release? No, there are a few weak spots along the ride where the band seems to fall into a familiar pattern that some may find repetitive at times. Overall, it’s a more focused and stronger release from the guys and one that will please quite a few metal fans out there. Pick it up and crank it loud!  

Dokken's Big 3 Return with T & N

You might say that T & N is the closest thing to a full blown Dokken reunion that the fans are going to get. Guitarist George Lynch was in the studio laying down tracks for his new Lynch Mob album, but lead singer Oni Logan didn’t think the songs were true Lynch Mob songs and the album was shelved. Drummer Brian Tichy then suggested to George that he should get Mick Brown and Jeff Pilson together to form a new band. Pilson has already been writing new Lynch Mob material with Lynch, so it all just fell into place.

They decided to dust off some old Dokken classics and re-record them. The chemistry that the three of those guys have immediately went into overdrive when those sessions started. It was so strong that they wrote new material to be included in the new project. Thus, the formation of T & N. The name did start out as Tooth and Nail, but there was a legal dispute with Tooth and Nail records, so they decided to shorten it. Now, here we are as T & N are about to unleash something pretty special on the world.

The new album, Slave to the Empire, consists of seven new songs and five re-recorded Dokken classic with guest vocalists. Ok, I know everyone wants to know about the revisiting of the old Dokken songs, but I want to talk about the new material first. Lead vocal duties on the new songs are handled by Jeff Pilson and he does a great job. The album opens with the title track and you immediately know that the guys mean business. It’s an aggressive, rocker challenging the listener to rise up and be a free thinker.

“Sweet Unknown” has a nasty bass groove at the beginning that weaves its way throughout the entire song; a great track from beginning to end. “When Eagles Die” has a beautiful acoustic intro, but it doesn’t take long before the amps get plugged in and Lynch starts cranking away. The acoustic element shows up throughout the song and adds another layer to the song. “Mind Control” is definitely a stand out track on the album. It’s catchy and its infectious groove immediately hooks you in. Lynch also has some tasty guitar spot in it as well as a killer solo.

Now, let’s touch on the re-recorded stuff. Sometimes when a band re-records some of its old classics, they really come up short and the newer versions seem to pale in comparison. I think this time there is an exception to that. T & N stay pretty true to the originals, but each vocalist adds their own flare with their individual style. Lynch Mob alumni Robert Mason, currently fronting Warrant, lends his vocals to “It’s Not Love”. Doug Pinnick of Kings X takes on “Tooth and Nail” while Tim “Ripper” Owens of Judas Priest fame tackles “Kiss of Death”. The track that immediately created a buzz on the net after being announced was the classic power ballad “Alone Again” featuring the one and only Sebastian Bach on lead vocals. All I will say is that you will not be disappointed.

Overall, this is a killer album. Seven new kick ass tunes and fiver killer re-recordings that rock just as hard if not harder than the originals. If this wets your appetite for more T & N, then don’t fret. It seems that a second album of new material and re-recorded Dokken classic is in the works. I know that I am not the only one who is looking forward to seeing and hearing this band out on the road. 

Sister Sin Rock Harder and Darker on New Album

Sister Sin, Sweden’s heavy metal export, is back with a new album full of old school, piss and vinegar, 80s metal entitled Now and Forever. In an industry that seems to invent a new genre of metal quicker than it can turn out a proven long term talent, Sister Sin is a throwback to old school 80s metal. Come on, you remember. The hooks were infectious, the sing-along choruses and the attitudes were as big as the teased hair was.

Ok, first off, let’s address the “elephant in the room” and get it out of the way. Lead singer Liz Jagrell is hot and she is a regular part of Revolver Magazine’s Hottest Chicks in Hard Rock. She is far from being a one dimensional piece of eye candy fronting a band. If you ever get a chance to catch this band live, she will quickly change your mind if you think she’s just that. There are also three talented musicians backing this woman who are just as serious to prove they are not a novelty band or a band with a gimmick. By the way, before anyone tries to start something, “elephant in the room” is an old saying and it implies nothing about Liv. Seriously people, come on now!

Now and Forever is the band’s latest release on Victory Records and the follow-up to 2010’s True Sound of the Underground. It’s an eleven track arsenal of metal that hits you right between the eyes and never lets up. Now, I have to admit that the instrumental opener “MMXII” may be seen as a throw-away track. It may be something incorporated into their live show, but a short instrumental opener on a metal album can sometimes be confusing. It’s an eerie, kind of movie like piece that seems post apocalyptic in its build up. 

The real fun begins with the second track and the first video from the album “End of the Line”. Jimmy Hiltula’s opening riff took me back to classic Ratt from the 80s. The rhythm section of Strandh on bass and Dave Sundberg on drums lay down the foundation that helps rock this band’s core. “Fight Song” is up next and a standout on the album. Liv’s pissed off attitude is broadcast clear throughout the entire song. There’s a bad ass behind that pretty exterior and it’s just looking for a reason to be unleashed. I’m pretty sure that a song that starts off with a loud “F-you” is not going to be a heartfelt ballad.
“The Chosen Few” is catchy as hell as the guitar hooks you in immediately and that back beat from Strandh and Sundberg is infectious. The chorus is textbook metal as it is big and loud and commands audience participation. This will be a great song to add to their live show. “Running Low” is along the same design as the machine gun like drum intro immediately leads in one of Jimmy’s big riffs. In case I have failed to mention it before now, Liv’s vocals as stronger than ever on this album.

I was really caught off guard by the last track entitled “Morning After”. It’s a heartfelt ballad by Liz and the boys and very uncharacteristic of the band. I may be wrong and if I am, then someone please correct me, but this may be the first ballad that the band has attempted. It starts off with a lone piano playing and then Liv’s vocals, with a string section coming in soon after. It takes a power ballad turn midway through as the rest of the band joins her before the song fades out. It’s a very nice surprise as it expands the band’s repertoire and shows some depth.

Overall, the album is just what you would expect from Sister Sin. The ballad was a nice touch as I have never heard the band attempt one before and they pull it off convincingly. They pull no punches and they don’t try to reinvent the wheel or solve the national debt crisis on this release. It’s just straight ahead, classic metal with attitude and the balls to back it up. Yes, even with a front woman they manage to do that.

KISS : A Monster That Can't Be Tamed

KISS is at a point in their career where they don’t have to put out a new album. After 28 US Gold albums, 40 million US sales and over 100 million worldwide, they have nothing to prove to anyone, other than themselves. They don’t need to have a Top 40 hit and they definitely don’t sit around worrying if an album will go gold or platinum because none of that matters. If you’re a KISS fan, you probably thought that after the release of 1998’s Psycho Circus, there would be no more new KISS in your future. Well, funny how things change.

2009 saw the release of Sonic Boom. It was the first studio album from the band in over a decade and the first to feature the current lineup of founders Paul Stanley and Gene Simmons along with Tommy Thayer and Eric Singer. That album and tour saw resurgence for the band. It wasn’t a platinum seller, but it proved that the band still had alot of fire in the musical furnace of this machine. Here we are three years later and the band is releasing its 20th studio album entitled Monster.

The album opens with “Hell or Hallelujah” which is the first single and was released as the band began their tour with Motley Crue this past summer. It’s a guitar driven anthem whose riff sounds a little similar to “Any Way You Slice It” from their 1985 Asylum album. Just go back and listen and see what you think. Another déjà vu happened when I listened to the song “Freak”. Now, call me crazy but it sounds a little bit like “Thief in the Night” off of their 1987 Crazy Nights album. Yet, it’s still a great song and a standout on the album.

I’m not really sure what got into Gene Simmons on this album, but he’s playing with a renewed energy and he delivers some of his strongest material in a very long time. “Back to the Stone Age” and “The Devil is Me” are two great examples of The Demon firing on all cylinders. The Stanley/Simmons track entitled “Take Me Down Below” is a (clears throat) tender love story. It’s classic KISS innuendo, which we haven’t heard in ages. It may not be Lennon and McCartney but it’s been a longtime since we’ve heard such lines as “I raised my flag and she dropped her dress”. The added touch of having Stanley and Simmons share vocal duties on this one is a major plus.

Stanley also has his fair share of shining moments on the album as well including “Freak” as well “Shout Mercy”, on which Stanley proves he still has a knack for writing a killer hook. His standout may be “Long Way Down”, which is a well crafted song with great melody and it’s infectious. The acappella intro to “Eat Your Heart Out” will probably catch you off guard, as it did me. This song is loud and fun and the harmonies on the chorus are a throwback to some of the boys early rock influences.

The new guys, Tommy Thayer and Eric Singer also have lead vocal duties on the album. Thayer, in his tenth year with the band, offers up “Outta This World” which a good song and his voice sounds a little bit like Gene on this one. The chorus is pretty damn catchy too. Singer, in his sixteenth overall year with the band, offers up “All for the Love of Rock and Roll”, which didn’t blow me away, but it does allow Singer to show that he has a great voice.

 A tip of the hat needs to go to, here comes the collective moan from fans fixated on the 73-79 era of the band, Tommy Thayer. He shares writing credits on 10 of the 13 tracks on the album. A good rock song without a solo is like an Oreo with no crème. Well, Tommy offers up lots of Oreo filling on this album as he is laying down some great solos every time you turn around.

I really hate when the band is about to deliver a new album and they say it sounds like Destroyer or Revenge or a combination of both. I think a great album by any band needs to stand on its own merit. Now, I don’t think that this will go down as one of their all-time classics, but it actually is a very strong album. It’s not the Son of Destroyer or the Son of Revenge. Are they re-inventing the wheel on this one? Of course not, but they don’t sound like a band that’s about to celebrate their 40th anniversary.

Thayer and Singer were both KISS fans themselves before joining the group, which is not news to anyone. They were able to connect with Stanley and Simmons on a level that has seemed to re-energize them to some extent. Stanley may have had his hip and vocal issues and Simmons may seem determined to find more and more products to slap the KISS logo on, but they still know how to rock. Once considered all style and no substance, I think the group has finally shaken that image off. It may have taken them 40 years, but I think they have proven to the critics that they are a balance of both. They pull no punches and you get exactly what you expect from them, classic guitar driven rock and roll that’s fun.