Monday, February 28, 2011

Kopek: Dublin's Addictive Musical Export


Ireland’s newest export to the USA comes in the form of a power trio of rockers called Kopek. Their stellar debut CD entitled “White Collar Lies” has just been released onto the world. The band, consisting of Shane Cooney on drums, Brad Kinsella on bass and Daniel Jordan on vocals and guitar, are here to bring back some much needed energy and passion to rock and roll.

How many times have you opted not to buy a band’s CD because you only liked a song or two on it? Well, this CD is an exception to that rule as it is a work of art from beginning to end. It flows cohesively from beginning to end and warrants the listener’s attention to such an extent, that you don’t want to skip any tracks. How many times has that happened to you while listening to a band’s CD? Be honest now; very few times has such an occurrence happened.

The CD opens with the new single “Cocaine Chest Pains” and the opening riff immediately grabs you by the throat demanding your attention. It also caught the attention of Nikki Sixx of Motley Crue as he featured it on his radio show The Sixx Sense as one of his new picks. If this one doesn’t get you rocking, then you best call 911 because this is pure rock and roll ecstasy.

The title track shifts gears and slows the tempo a bit while delving in lyrics on a level sure to strike a chord with many people today. Touching on the government getting richer while more and more lives are lost, it is a song that touches on the sentiment of many Americans today.

“Love Is Dead” is another stand-out track that pays homage to many of the band’s fallen idols. It was the band’s first video and is a stellar example of singer Daniel Jordan’s insanely original and powerful vocals.

The band really mixes it up and rocks out with fierce intensity on songs such as “The Easy Way (D.B. Cooper)” and “Bring It Home”, which also includes another nasty riff that the song is based around. They also know how to slow the tempo a bit on songs such as “Floridian” and “Bigger Than Us All” to where they are almost ballads, but they build up to their chorus which rocks out.

Brad and Shane are a tight unit to supply the backbeat and drive that powers this band. Daniel, well, what can I say about Daniel? This guy is definitely a star that many people will be talking about in the near future. He is a highly skilled guitar player with some original and amazing riffs that hook you from the first chord. He also possesses one of the most original voices to come along in years. He has a rough and raspy voice that is so powerful and full of conviction that you can’t help but to notice who is singing. It hooks you and makes you want to hear more.

I highly recommend this CD to lovers of powerful rock and roll that is true to the core and heartfelt. You also have to love the effect of the distortion pedal on a catchy riff. Kopek may be new to the scene for most of us, but these guys have been putting in their dues for almost a decade and it looks as if the payoff is in sight. Check out “White Collar Lies” and experience a new force in rock and roll to be reckoned with.

Friday, February 11, 2011

Music as a Weapon Tour Assaults Winston Salem, NC


It may have been a cold and windy day in February, but it was about to heat up as the Music as a Weapon 5 tour pulled into Winston Salem, NC. A sea of black t-shirts congregated in front of the Lawrence Joel Sports Annex as the fans began to line up to claim their spots when the doors opened. The tour, consisting of co-headliners Korn and Disturbed along with Sevendust and In This Moment, has been drawing impressive numbers along the way so far and tonight’s show looked to follow suit.
Monster Energy Drink, the sponsor of the tour, was on hand for the show with their mobile unit parked out front. Their crew was giving away free drinks to anyone who ventured up too their tent outside. There’s nothing like getting a bunch of anxious head bangers all jacked up on energy drinks before a show! The doors opened at 6:30 and a mad dash ensued for not only the general admission floor spots, but also for the bathrooms!

In This Moment were first to hit the stage. The band, fronted by Revolver’s Hottest Chick in Metal Maria Brink, have been touring relentlessly since 2005 and establishing a very loyal fan base. Their five song set, focusing solely on their newest CD “A Star Crossed Wasteland”, was a full on assault. Maria seemed to be having some audio problems at the start, which did prove to be distracting for her, but she managed to keep it together like a pro. The crowd was definitely full of new recruits into their Iron Army. Their set closed with “Welcome to The Gun show” and a full moshpit erupted as bodies started to fly everywhere. This was my first time seeing In This Moment on a big stage and I have to say that they seemed right at home.

Sevendust were up next and fed off of the energy that In This Moment drummed up in the crowd. Lead singer Lajon Witherspoon took the stage with a vengeance and from the opening notes of “Splinter”, he had a chokehold on the hungry fans. The band sounded tight and marched through staples such as “Driven” and “Black”. Their short, but intense, 30 minute set ended with “Face to Face” and left the crowd hungry for more.

This proved to be the perfect set-up for Disturbed, who had a strong following in the building by turnout of t-shirt support alone. David Draiman, lead singer, may not prove to be the most charismatic person on stage, but he knows how to deliver the goods to the crowd of followers. The band, who’s last four CDs have debuted at number one, sounded great and the lightshow was top notch. They blitzed through their hour long set with very little interaction with the crowd. “Remnants” followed by “Asylum” followed by “Stupify”, one hit right after the other. It barely gave the crowd time to catch its own breath. The kamikaze style set closed with their signature hit “Sickness”. One argument heard about the band is that their sound has definitely been well crafted, but it’s beginning to sound a bit repetitious. It may be time to freshen up things just a bit.

It was Korn’s turn to close out the show, as they take turns with Disturbed alternating that coveted spot. The originators of the “nu-metal” sound, Korn has seen a lot of wannabes pop up in their career of almost 20 years. Their showing tonight proved why they have lasted for so long and earned the respect of many in the crowd. Lead singer Jonathan Davis may not look the part of the traditional front man, but the man has got the skills to fill the shoes and get the job done.

Davis, along with Munky on guitar and Fieldy on bass, controlled the stage front with their unique presence. Munky, looking somewhat like a cross between Prince and Adam Ant with his face paint and attire was a beast on guitar. Fieldy wielded his bass more as a weapon than an instrument of sound as he pounded away on it. Davis came out dressed more for a run at the gym than a rock show, but that’s the beauty of this front man. He doesn’t need all the props and fancy gimmicks used by some; substance over style.

I admit that a lot of people that I spoke with before the show were not very interested in seeing Korn perform. I heard a lot of comments such as “They use to be good”, “They suck” and “Maybe 10 years ago, but not tonight” when I talked to some of the crowd before the show. Well, Davis and company made believers out of these doubters with their high energy hour plus set of old and new songs. Most of the staple songs were there, “Freak on a Leash”, Twisted Transitor”, “Ya’ll Want a Single” and “Blind” kept the rabid crowd head banging along. Davis even brought out the bagpipes for “Shoots and Ladders” which turned into a mash-up of sorts with Metallica’s “One”. Are Korn closet Glee fans?

The band ended the show by coming out to center stage and tossing shirts, guitar picks, drum sticks and drum heads out into the audience. I will admit that I was highly impressed with their set. Yes, it could have been a little longer so that a few more of their signature songs could have been included. That being said, the entire show was a treat. The Music as a Weapon Tour focused this year n smaller markets that may not necessarily get shows of this caliber. Here’s hoping to its continued success in bringing music like this to the masses.

Monday, January 31, 2011

Hinder And Friends Keep Rock Alive In The Carolinas


The Carolina Theatre in Greensboro, NC recently played host to a good old fashioned rock and roll party. The new travelling rock show consisting of Kopek, my Darkest Days, Saving Abel and headliner Hinder pulled into town on January 27. Their agenda was simple: to thaw out the frozen town and to keep rock and roll alive in the Carolinas.

Kopek kicked off the show right on time to a half full house. The ones who were there got treated to a solid thirty minute set from this Irish band. Lead singer Daniel Jordan has a very unique voice and is a worthy front man. Low on style, but heavy on substance, they slowly warmed the crowd over. “Cocaine Chest Pains” and “Love is Dead” got the loudest crowd responses.

My Darkest Days were up next and the floor quickly filled up when they hit their cue. Discovered by Chad Kroeger of Nickelback, this band has developed a very strong and loyal following in a short amount of time. Their set really got the crowd fired up! It included a great cover of Duran Duran’s “Come Undone”. It was true to the original, but with an added rock edge to it. The set ended with their huge lead-off single “Porn Star Dancing” and everyone in the building was on their feet for this one. Lead singer Matt Walst is great fronting this band and his voice was top notch. The ladies did seem to be very taken to their shirtless, mohawk sporting guitarist Sal Costa.

Saving Abel took the stage next and kept the crowd pumped up. Touring in support of their latest CD “Miss America”, the bands energy may have been just a step down from My Darkest Days, but they did sound awesome. Lead singer Jared Weeks interacted a lot with the crowd and even dedicated a song to the troops serving overseas. “Addicted”, off of their first CD, got the crowd rocking as well as their latest hit “The Sex Is Good”.

It was finally time for Hinder to hit the stage and at that point, the crowd was hot and ready for them. In a time when most bands depend on a lot of flash and props to make up for a lack of actual talent, Hinder proved that they were not in that category. Lead singer Austin Winkler was definitely schooled in the eighties front man genre. He strutted around the stage enticing screams out of the women while at the same time encouraging the men to band their heads! He had the crowd eating out of the palm of his hand. The band was there to have fun and wanted the crowd to forget about their nine to five troubles for ninety minutes and enjoy this rock and roll party.

The set was a good mix of tracks off of their new CD “All American Nightmare” and their previous two releases. The band is all about partying, but they have also found a niche amongst their fans with their eighties inspired power ballads. “Better Than Me” and their huge hit “Lips Of An Angel” got two of the biggest sing along that night.

The band was tight and proved themselves worthy of headlining this bill. All bands did a meet and greet after their sets that night and met fans and signed autographs. The music industry is truly struggling with the issue of illegal downloading. When acts like these allow the fans to get one on one contact with them, it is a great marketing tool that needs to be utilized by more bands.

It was a fun night full of great rock and roll. Hats off to the beautiful Carolina Theatre for bringing such a great event to their venue. It is a small, intimate theatre complete with an upper balcony and the acoustics in the place were incredible. The theatre is a classy place with a top notch staff. Here’s hoping that many more great acts will make at a stop at this wonderful venue.

Tuesday, November 9, 2010

STYX Takes Us Back To The 70s


STYX visited the Salem Civic Center on October 25, 2010 and schooled the small crowd in attendance in what’s missing in today’s industry: true musicianship. The band has been on the road performing The Grand Illusion and Pieces of Eight, two of their huge releases from the seventies, in their entirety. The last few years has seen a resurgence of bands from the seventies packing arenas all across the country and STYX has been riding high on that wave.

The band’s current lineup consists of only one original member, James “JT” Young on guitar and vocals, longtime member Tommy Shaw on acoustic and electric guitar and vocals, Lawrence Gowan on keyboards and vocals, Ricky Phillips on bass and Todd Sucherman on drums. Longtime member Chuck Panozzo is on tour with the band, but is in a weakened state because of being HIV positive and only performs in some of the bigger cities.

As the house lights went down that night in Salem, the large video screen onstage came on and we watched a person in their bedroom flipping through a vinyl collection of such seventies groups as Journey and Bachman Turner Overdrive. Then, you see the STYX album The Grand Illusion and they take it out of its sleeve and place it on a turntable. The band then hit the stage and began “Great White Hope”, song one on side one.

Tommy Shaw’s vocals on “Fooling Yourself (The Angry Young Man)” were dead on and have aged like a fine wine. Lawrence took the spotlight for a huge hit of theirs “Come Sail Away” and received a huge, favorable response from the crowd.I, personally, miss Dennis DeYoung being in the band, but I do have to give credit to Lawrence Gowan. At times, he did sound eerily similar to DeYoung, but the guy has an amazing voice and he definitely knows how to win over a crowd. As the concluded side one, Tommy looked at the audience and asked “What do we do now? Flip it over!” and the video screen showed the actual vinyl album being turned over. Yea, kind of cheesy, but it does make you linger for those days of the pops and cracks of the vinyl.

James took center stage for a rocking version of “Miss America” that had the diehards on their feet. The band ripped through the rest of side two and then proceeded to take a twenty minute intermission before returning and starting side one of Pieces of Eight. “Great White Hope” kicked it off and the band really seemed to be genuinely having a great time on stage playing these songs. It was very infectious seeing Tommy and James smiling at each other and clowning around.

“Renegade” was without a doubt the big crowd pleaser of the night. Up until this point, the majority of the crowd was rather subdued and sat during the performances, but this song brought the entire place to its feet. The song is a definite staple for the local album rock station in town and the crowd was ignited with enthusiasm.

As side two of Pieces of Eight ended with the very mellow song “Aku Aku”, the band left the stage for a brief moment but then returned for a short encore. It consisted of a great cover of the Beatles “I Am the Walrus” followed by a Tommy crowd favorite “Too Much Time on My Hands” from Paradise Theater. The band then showed their appreciation to the fans by pelting them with STYX beach balls, frisbees and tote bags.

Overall, the show was a feast for the senses. The huge video screen provided a great backdrop all night long of art work and images. The ears were treated to a feast of instrumental expertise as the band sounded as good if not better than the recorded versions of these songs. It is very unusual to see a group that peaked in the late seventies and early eighties to be so on top of their game over thirty years into their careers. The music was top notch as were the vocals of everyone. A band like STYX just proves that these guys are from the old school of music making where you don’t do it because it’s the cool thing to do; you do it because you LOVE doing it.

Thursday, September 30, 2010

Terri Nunn of Berlin: Proving She Can Still Take Your Breath Away


The 80s was such a great decade for music. There were no rules and fresh, new bands were popping up everywhere. New Wave was introduced in the early 80s and riding that wave of creativity was the band Berlin. Fronted by the charismatic bombshell Terri Nunn, the band’s breakout EP in 1982, “Pleasure Victim”, brought them to the forefront of the synth driven MTV era. The band is probably known best for the love song “Take My Breath Away” from the movie Top Gun in 1986.

The band disbanded in 1987 and went their separate ways. Terri stayed busy throughout the years and in 1996 reformed Berlin with all new members. The creative juices immediately started flowing and the band hit the road touring and began recording. She reunited with original band mates in 2004 for the VH1 show “Bands Reunited”.

Terri recently slowed down from her very busy schedule long enough to answer a few questions that I had for her. It was an eye-opening interview:

Johnny: “Hi Terri thanks for taking the time to answer a few questions to let everyone know just what you have been up to. A lot of people do not realize that you were actually interested in acting early on in your career. The biggest piece of trivia to come out of that is the fact that you auditioned for the part of Princess Leia in Star Wars. So, what made you decide to focus primarily on music?”

Terri: “I wanted to be a musician/songwriter more than anything from the time I was 3 years old, but it scared the crap out of me. Some opportunities presented themselves pretty early in my life (15 years old) for doing television. At 18, I decided to try going after the music dream and got really lucky meeting John (Crawford, of Berlin) within a year. It was a lot of work, but our results together got attention pretty fast, so I made the choice of working on music full-time.”

Johnny: “Looking back, there weren’t many women rocking out or fronting bands. You were kind of a pioneer. I mean, you were pushing the envelope way before Madonna ever came onto the scene. “Sex, I’m A…” was a shocker back then, but pretty tame by today’s standards. Do you ever step back and think, ‘Yea, I was one of the first!”?

Terri: “There were a few women who really inspired me to rock out, Grace Slick being one of them. Along with the guest spot on her song, we (I, Martha Davis- the Motels and Gaye Ann Bruno) got to interview her on our weekly talk show “Between the Sheets. One of the questions I got to ask her what it was like for her to be truly one of the first female rockers on the planet. She said her role model was Mick Jagger and male role models are true for me too. Bowie, McCartney, Jim Morrison, these were the people I wanted to immulate onstage.”

Johnny: “A lot of people don’t realize what all has gone on since you reformed the band back in 1998. Your latest release was 2009’s “All The Way In”. Are you currently working on new Berlin music?”

Terri: “Yes, an all new studio album will be released in 2011! We’ve had quite a few releases since 1998: “Sacred and Profane” came out in 2000, the DVD “Intimate” in 2001, the studio album “Voyeur” released in 2003, “4Play” in 2005 and the DVD/CD package “All The Way In” in 2009.”

Johnny: “A lot of people mainly know you from “Take My Breath Away” from Top Gun. It was the number one song of 1986. Has there ever been a point since then when you thought ‘Oh my god, if I have to perform that song one more time?’ I had read that Pat Benatar once had that problem with ‘Hit Me with Your Best Shot.”

Terri: “I imagine every artist goes through that exasperation when you have to play songs whether you want to or not, but I have been to concerts where the artist did NOT play the hits I loved and it bummed me out. It felt like they didn’t care about their audience, so why am I paying to be there? Bottom line is, I’m lucky to have so many songs people love and it is my duty and HONOR to play them for people. I love my songs.”

Johnny: “Speaking of which, what motivates you these days to continue creating music and to perform?”

Terri: “Music always has. Collaborating with people, writing new music, seeing the audiences have such a great time that it transports me into freakin’ bliss. These things are really motivating!”

Johnny: “As far as collaborating goes, what would be your dream duet?”

Terri: “Wow, so many. Singing with Grace Slick on the song she just released, ‘Edge of Madness’, was a huge orgasm for me. She wrote it to benefit the needy people in Louisiana right now. Hooking up with people is so fantastic in this business. Chris Cornell comes to mind now; I’d love to sing with him.”

Johnny: “Earlier you mentioned your weekly talk show ‘Between the Sheets’, with your co-hosts Martha Davis of The Motels and your manager Gaye Ann Bruno. Can you tell us more about it?”

Terri: “I’ve wanted to do a talk show for a long time. I co-hosted a show on 97.1 Free FM here in Los Angeles last year, but it wasn’t the right fit. Then Sam Phillips, who also had a show there called The Single Life, started HotTalkLA.com and invited me to host a talk show on her site as well. Gaye Ann and Martha had guested on the Single Life and she thought they were great too, so the three of us started ‘Between the Sheets’ last March. We interview guests and talk about music and pop culture and sex and current events and even sing on occasion! IT’S A BLAST! We’ve interviewed some amazing people already: Grace Slick, Howard Bloom (author of The Lucifer Principle, Genius of the Beast) and Devorah Iyall (Romeo Void). We also enjoy bringing people in with interesting stories: a man who’s physically turning himself into a woman, a man imprisoned for 24 years and just exonerated for a crime he did not commit, a woman who was married to another woman for 5 years without realizing it…fascinating stuff. You can check out all the podcast on HotTalkLA.com.”

Johnny: “A couple of quick questions for your fans. What’s in your I-pod?”

Terri: “Oh god, a lot of stuff. The latest people that I’m listening to are The Birthday Massacre (a really good band!), Lady Gaga, Goldfrapp, Nine Inch Nails and the new Devo.”

Johnny: “Do you have guilty pleasures that may surprise your fans?”

Terri: “I don’t know if it’s surprising, but I love vanilla frozen yogurt with caramel sauce. It’s guilty because most of the time I don’t eat dairy at all, but oh god, it’s hard to turn down.”

Johnny: “So, when all is said and done, what do you want to be known for? When someone says, ‘Hey, do you remember Terri Nunn?’…what do you want to come to people’s minds?”

Terri: “My music and, hopefully, that I empowered people and contributed to their enjoyment of life. Also, with this new talk show, I hope I expose my audience to more talented people and mind-expanding ideas in this world.”

Johnny: “Terri, thank you so much for taking the time to answer these questions for me and thanks to your manager Gaye Ann for setting this up. It has been an honor.”

Terri: “Thank you Johnny! Good questions! Best of love to you.”

To keep up with all of Terri’s ventures, keep up with her at www.myspace.com/berlinmusic or www.berlinpage.com or on Facebook.

Thursday, September 23, 2010

UPROAR Festval Blazes Through Charlotte, NC


Summertime and major concerts go hand in hand. It seems like all of your favorite bands sit the road when the hot days of summer arrive. Even with the economy in a state of disarray, there were quite a few new tours this year. One of the most anticipated was the inaugural year of the Rockstar Energy Drink UPROAR Festival.
This is Rockstar’s second festival this summer, coming on the heels of the highly successful Mayhem Festival. UPROAR is a smaller version of that tour with only one side stage and not as many bands on the bill. Now, these bands may not be as heavy as some featured on Mayhem, but there was still plenty of rock for your money.

UPROAR made its North Carolina stop in Charlotte on September 1 and the weather that day was just as hot as the pyro featured during Avenged Sevenfold’s set. After a local band, whose name was as forgettable as their set, attempted to get the crowd charged up, Hail the Villain took the stage. This Canadian band unleashed a surprisingly impressive 25 minute set on the crowd that definitely got them fired up. Met up with these guys after their set and I have to say that they are a very nice bunch of crazy guys and the band even has their own comic book. You really need to check out this band’s amazing interactive website.

New Medicine was up next and performed a pretty good set as more of the crowd started to fill up the stage area. Australia’s Airbourne really got the crowd fired up with a high energy stage show that focused heavily on their outrageous lead guitarist/singer Joel O’Keefe. This guy is a poster child for rock and roll rydlin when he is on-stage. He was climbing on top of speakers and shredding out solos and at one point even ventured out into the crowd on the shoulders of a crew member
while shredding the entire time!

HELLYEAH closed out the Jagermeister stage and ripped the other bands on that stage a new one with a set worthy of their name. This “super group” of sorts, consisting of Mudvayne vocalist Chad Gray, former Mudvayne member Greg Tribbett on guitar, Tom Maxwell of Nothingface on guitar, Bobzilla of Damageplan on bass and the legendary Vinnie Paul of Pantera and Damageplan on drums, is dead set on bringing fun back to rock and roll and they are doing so with a vengeance.

The Rockstar main stage was up next with, even though they have been performing for ten years plus, the “still referred to as” overnight sensation Halestorm. Now, lead singer Lzzy Hale is the lone female performer on the tour, but she most certainly proves that she’s got the balls to front the stage just as impressive as any guy on the tour. Sporting a newer, shorter do, Lzzy and the boys commanded the main stage and got even the most skeptical metal fans in the crowd throwing horns by the end of their set. Slipknot vocalist Corey Taylor’s side project Stone Sour were up next and Corey displayed a side of him that most fans do not get to see or hear. The dynamics that he brings to this band is so different than that of Slipknot in that he is a totally different artist by lyrically and vocally. The band ran the gauntlet of musical styles with several heavy numbers performed, mixed with a softer side on songs like “Through Glass”.

Avenged Sevenfold have definetly been the focus of a lot of media attention going into the tour. Mid-way through recording their highly anticipated new album, they lost their drummer and brother in music Jimmy “The Rev” Sullivan. Then the album, “Nightmare” debuted at number one and brought the band screaming back to the forefront with a sound that defies labels. I, along with a great deal of fans there, thought that these guys should be headlining this tour. All one had to do was look into the crowd and see that they were in agreement. I mean, there was like five Avenged t-shirts to everyone Disturbed shirt in the audience.

The Avenged show started with a road crew member hanging himself front and center as they screamed into “Nightmare” and began their pyro heavy assault on the senses. The band, with Dream Theater drummer Mike Portnoy sitting in on drums, unleashed on the audience an arsenal of songs that spanned their entire catalog, yet after a 55 minute set left all of us wanting more. M. Shadow's vocals were dead on target and lead guitarist Synester Gates proved he is a force to reckon with. Another summer tour where the next to last band on the bill stole the show from the headliner. Disturbed closed out the show with a less than inspiring set. They sounded good and they had a great intro to the show, but maybe it was the fact that they had to follow-up such an impressive set from Avenged Sevenfold. It was just a little boring on the senses after the set that was just witnessed.

Overall, the crowd was not as huge as anticipated, but they were appreciative of the fine music being performed for them all day long. Most bands did autograph sessions similar to Mayhem with some bands actually doing two different sessions with one at their tent earlier in the day for free and another at the FYE tent with purchase of their CD. I hope that this tour is around next year, for they really showcased some smaller groups that may have been overlooked on the summer tour circuit given the state of the economy. I guess we will just have to wait to see how much “roaring” will be done next year.

Thursday, September 16, 2010

Fight The Lion Roars Forward


In an industry filled with copycat bands, it’s really hard to stand out and get noticed. DC’s Fight The Lion are attempting to do just that. Having just released their full length CD, “When The Mighty Fall”, they are winning over audiences with their great live show and a fresh batch of catchy songs off of their CD.

The guys have seen a lot happen in a short time. They have opened for such acts as Cheap Trick, Def Leppard, Poison, Candlebox and Lifehouse while touring up and down the East coast. A sponsorship with Jagermeister, two EPS, a name change and a few personnel changes later, the guys are really to solidify their place in music industry.

The band, consisting of Jake Mimikos on guitar and lead vocals, Ron Cruz on lead guitar and vocals, Shawn Battle on drums and vocals and Jason Proctor on bass, seems to be defining their sound on this CD. Tracks seem to bounce back and forth between uptempo rockers such as “Runaway Lover” and “The Drive” to slower, more emotionally charged songs such as “A New Hope” and “The Changing”. On the slower tracks, Jake has almost a Michael Stipeish (REM) quality to his vocal delivery. You can really feel the emotional attachment to the lyrics of the slower songs by Jake.

The title track, “When The Mighty Fall” is a standout on the CD and sets the tone of the overall positive message that the band is conveying to the listener, focusing on the positive and overcoming negativity. This does seem to be the overall theme to the CD.

Ron has really stepped up his game on this CD, yet at times it seems as if he is holding back. The band’s live show really gives him a chance to flex his muscles. Shawn really puts in a solid performance laying down some thunderous rhythms on the disc. Jason, newest addition to the band, shows that he is a worthy addition as his bass provides a pounding back beat that compliments Shawn’s drumming to create a worthy rhythm section.

“When The Mighty Fall” is a great progression for this young band. Their songwriting on this CD has matured a great deal since their two EPs. For fans of modern and progressive rock, I would highly recommend checking out Fight The Lion. In a world of wannabees, these guys show a lot of promise and drive that will soon make them the ones to be.