Monuments Forge Ahead On Gnosis

Musical genres and their subgenres have really been getting out of control the last few years. I know you’re probably saying, “Mr. Review guy, you are always using them. So, what gives man?” Yes, I do use them to try and help the reader grab a sense of what the band sounds like if they have never heard them before. I will be one of the first to admit that all these labels are a bit much. 

Let’s look at a new band on the scene named Monuments. They just released their debut album entitled “Gnosis”. I’ve seen this band labeled as UK tech metal, djent and progressive metal. I’m not even sure that djent is truly a genre and tech metal wasn’t in my genre to English cross reference dictionary. So, I think that progressive metal is a fairly accurate term for this band when compared to other similar bands.

This album has been a very long time coming for various reasons. The band released a three track EP in 2010 entitled We Are the Foundation which featured lead singers Neema Askari and Greg Pope. The band began working on their full length debut album and both singers left the band in late 2011. That left and the band recorded and entire album with no vocals. Matt Rose, formerly of The Qemists, was recruited and he added his vocals to the already completed tracks.

The results are pretty amazing to me. There are two of the three EP songs on here: “Admit Defeat” and “The Uncollective”. I will admit that I am not familiar with the two prior vocalists, so I can’t compare and contrast Rose’s style with theirs. What I can do is evaluate Rose’s vocals on these tracks and I think he fits like a glove. I think too much fuss is being made over the difference in his style on the songs that are on here that were also on the EP. Rose’s vocals show depth and range and a level of believability.

The album opens with “Admit Defeat”, which was on the EP, and it doesn’t take long for the listener to pick up on the fact that this is something quite special. Founder and guitarist John Browne, who briefly played guitar in the band Periphery, has a unique style of playing and his riffing really compliments the vocals of Rose. Rose can mix it up between screaming and an almost falsetto type of singing at times and make it all sound believable in his delivery.

“Degenerate” is a bit heavier of a selection. I think that any doubts on Rose taking over as vocalist can be dismissed after listening to this song. The guy displays his range throughout the song and even his spoken word insertion is really cool. “97% Static” is a big some with an even bigger chorus. This would definitely be a great song to perform live. There’s a bit of a breakdown towards the end where the guitar parts become the focal point and they are so rich and full and it’s easy to get lost in the musicianship at that point.

“Regenerate” starts off with a few simple cords being played and it builds and gets bigger and more complex as the bass, drums and other guitar join in and form a full on assault. Rose then joins in to make bring all the elements together bouncing between his growls and clean vocals. The album closes with “Denial” which features a vocal appearance from Spencer Sotelo of Periphery. It’s no coincidence of the ties between the two bands as guitarist John Browne was asked to join Periphery as a permanent member after touring with them.

Overall, this is a really solid album from beginning to end. Yes, some tracks are stronger than others, but I really don’t think they are any “filler” songs. A tip of the hat has to go to drummer Mike Malyan who is a beast on this album. He provides a solid backbeat for these songs and is very impressive with his attack on the skins. The musicianship on the album is far beyond the amount of time that these guys have been playing together. I was really surprised with how tight and cohesive of a unit they truly are.

If you are into bands that fall into the djent stylings or if you are into the progressive type of metal bands then this is right down your musical alley. I do recommend listening to the album more than once before passing judgment on it. There’s a lot there to sink in and one listen just won’t do. This is definitely a band to keep your eye and ears on as the year progresses.

Veil of Maya Talk Music and the Zombie Apocalypse

Veil of Maya have been riding a new wave of metal commonly referred to as djent for several years now. The music can be somewhat technical in its nature and also very complex at times. The band burst onto the scene back in 2006 with their debut album All Things Set Aside and quickly began winning over fans as well as critics. Their 2010 album [id] took them to a whole new level and really raised the bar for them as well as other djent bands. We recently caught up with guitarist Marc Okubo to talk about their brand new release Eclipse.

Music Is My Drug Of Choice: Hey Marc, how are things going for you?

Veil of Maya: Things are going really well! Today is an off day for me and I’m about to go see the Bulls play, so it’s going to be a fun night.

I didn’t know that you were a basketball fan. I wonder how many of your fans already knew that piece of trivia. Well, I definitely don’t want to make you late for your game, so let’s jump right into this thing. Your album Eclipse was just released. What’s the word on the streets about it?

The initial feedback has been overwhelmingly positive! There has been only one common complaint amongst the fans and that has to do with the length. A lot of people are unhappy with that. We wrote it and had originally planned on releasing it last summer, but we didn’t. I feel like the listener gets the full album effect, even though it’s short. I mean, we could have added a lot of filler and instrumentals between the tracks, but we chose not to.

So, how did you guys hook up with Misha Mansoor from Periphery and decide to use him as the producer?

Well, he’s a very good friend of ours and we had been talking about collaborating together with him. He said he wanted to try a demo and see what the results were. I think it was in May of last year that we tried him out and we really liked the results. I had written about 90% of the album, but I still needed some transitions and a few bridges. Misha helped me out with those. I wrote tons of riffs and then he helped me piece them together and he helped to write the transitions. It was like he was an extra member of the band.

So, how did he challenge you guys as musicians to top your last album [id]?

This album was much more experimental than the last one. This one has an old school feel to it. It was more like a four piece band being locked in a room and jamming. We also had the majority of this album planned out before we started recording. The production is also a big difference. It’s like a movie soundtrack; all detailed with orchestration and a big choir.

That’s a great segue for my next question. I think the instrumental “Eclipse” is an amazing song. Do you purposely set out to write an instrumental or do you have the music layed out and you can’t write the lyrics around it?

It’s one of those things that just happens. I actually wrote that on the Summer Slaughter tour in 2010. It all came about when I was jamming with Havier from Animals as Leaders. Our producer Misha heard me jamming on it in the studio. He just looked and told me that it had to be on the new album. I think it’s really cool and it has a Final Fantasy sound to it.

So, I know your tour with In Flames and Trivium has ended. I know you guys are dying to get back out on the road. Do you have any definite plans yet?

Well, we have plans to tour Japan and Hawaii and the Europe in May. We will be back here in the states for the summer doing the Summer Slaughter tour.

You guys are definitely road warriors! I, for one, cannot wait to hear this new material live. Speaking of live, do you have any kind of routine that you do before taking the stage each night to play?

I always drink two beers before going out there. I also have this thing that I do where I put an extra pick somewhere on the stage just in case I need it. The funny thing is I have never had to grab it.

I have to ask you my guilty pleasures question. Do you or any of the other guys in the band have any that would surprise your fans?

Well, it’s safe to say that nobody in this band listens to metal. If you put on that song “Moves Like Jagger”, then Danny and I are going to be singing along at the top of our lungs. Oh yeah, and Katy Perry’s “ET”. That’s my jam right there!

I’m not sure if you’re a fan of The Walking Dead, but what three necessary items are on your zombie apocalypse survival checklist?

Lets’ see, it would definitely be a car and keys and a crossbow. I do watch the show, but I am such a big technology nerd that it drives me crazy. I mean, I don’t get why there’s no internet or cell phones being used. The lack of technology on that show just drives me crazy!

You make a good point there, I never thought about that. Well, as much as I hate for all of this fun to come to an end, you have a ball game to get to. Marc, it’s been a pleasure and I hope we get to make it to cover a show of yours during the upcoming summer touring season. The new album Eclipse is something really special and we encourage everyone to take the time to check it out.

Veil Of Maya Shine On Eclipse

Veil of Maya have just unleashed an album that is sure to catch the attention of listeners and critics alike. Their new album entitled Eclipse surpasses the high expectations already placed on this young band. It’s the follow-up to 2010’s [id] which was a hailed by many as being close to perfection. So, how do you follow-up such a ground breaking release? It’s not always easy, but you dig deep into that create reserve that truly talented artists have and you raise the bar on yourself. That is exactly what Veil of Maya has done.

The album opens with the instrumental “20/200”. It’s barely over a minute in length, but it definitely wets your appetite and makes you anxious to hear what’s next. It leads us into “Divide Paths” which is brutality at its finest. The riffing of guitarist Marc Okubo combined with the drum attack of Sam Applebaum creates a sense of brutality at its finest. What a lethal combination these two guys are!

At times, Marc and Sam seem like two young kids competing for their parent’s attention. Maybe it’s a case of that that game “I can do anything you can do better”. “Winter is Coming Soon” is a prime example of that. The drums and guitars are insane on this track! It’s almost staggering to listen to them and not be in awe of their sheer power and intensity.

There is a lot of attention being given to the production quality of this album. Producer Misha Mansoor of Periphery listened to the vision that the band had and he delivered in a major way. The band wanted the production to be over the top, with a big, more detailed sound. I think all you have to do is listen to one song to be able to hear how substantial of a difference there is. The drums have definitely been brought more to the forefront and counter the barrage of riffing being done.



“The Glass Slide” is another standout track for many reasons. It packs all the intensity that you would expect as well as the intricate layers of guitar work. The vocals combine the lower end, growls with the higher end screams that work really well on this song. The song also has that big, orchestration sound near the middle that adds such depth to the song.

I have never been much of a fan of instrumentals from a metal band of any genre, but Veil of Maya may have swayed my opinion on this matter. “Eclipse” is such an amazing song that showcases a different side of the band that is rarely heard. This track isn’t necessarily a ballad, but its pace is somewhat slower than the brutal assault of most songs by the band. Marc and Sam are somewhat more somber on this track. The intensity from both is there, but it’s more melodic than on the other tracks. It’s a very cool composition from the band and showcases a side of them that should be tapped into even further.

The album is solid from beginning to end and all the guys have really stepped up their game. It’s still hard to believe that the album has ten tracks and clocks in at just 28 minutes. I can see how people can view this as the glass being half full or half empty. They could have put tracks in there to lengthen it out, but you don’t want to put filler in there just to adhere to what a normal album length is suppose to be. It’s 28 minutes of intensity and brutality and you get more in that 28 minutes than a lot of bands pack into an album twice its length.

Although short in length, this album packs quite a punch and is highly recommended. If you are into metal core or progressive metal or if you just like to crank it loud and headbang, then Eclipse by Veil of Maya is well worth the investment. This one deserves a second listen immediately following your first to truly appreciate the depth that this band has to offer.

I The Breather Find Their Truth and Purpose

Just about anyone who has been to college has heard of the dreaded “Freshman 15”, referring to college students gaining 15 pounds their freshman year of school. Well, in music, throughout the years there has been something known as the sophomore slump. That refers to when a band’s second album doesn’t sell as well as their first one does. There have been numerous bands that have fallen prey to this curse of the industry. I have always wondered if it plays with the psyche of a band when they are coming off a successful debut album and start preparing for its follow-up.

This brings us to I The Breather, who is definitely coming off of a successful debut album with These Are My Sins, released in 2010. The album saw the band’s fan base grow by leaps and bounds as it was praised by both critics and listeners alike. The band’s unique blend of chugging riffs and pulsating drums made them stand out amongst a sea of sound-alike’s. You could definitely hear their influences, but they were far from copying them.

Here we are two years later and their new album Truth and Purpose has just been released. Not only has the band not succumbed to the dreaded sophomore slump, they may have just raised the bar with this release and taken their game to a whole new level. The album opens with “False Prophet”, which begins in a calm and somber tone. Then, lead singer Shawn Spann rips open the speakers with a scream of “You’re not a prophet”. The intricate fret work ensues between Chase Kozlowski and Justin Huffman as they begin to lay down the many layers of this song. This is an excellent album opener that really gets the listeners attention.

The brutality really gets going on “The Beginning”. Again, I know this is being redundant, but the guitars are amazing on this one. The band manages to mix in some clean vocals on the chorus and have excellent harmonizing as well. The hook in the chorus on this one is especially addicting and catchy. “Bruised and Broken” is the first single from the album and a great choice at that as it definitely wetted the appetites of the listeners as soon as it was released.

“Mentalist” is another great track and it features a guest vocal performance by Micah Kinard of Oh, Sleeper. This is one of those times when they got the call right. Micah’s vocal delivery compliments Shawn’s really well and vice versa. “The Meaning” is a standout for on so many levels. Shawn’s delivery on this one is really powerful from beginning to end. The lyrics are exceptionally powerful on this track also. I love the ending of the song as Shawn screams and it goes into a haunting piano closing as the song finishes. “Lunar” is an instrumental on which the guys just let loose on a two and a half minute jam session. My only complaint about it is that it’s over way too quick.



I have to say that I was thoroughly impressed by this album. It’s solid from beginning to end and not a single track comes across as being “filler”. I could get all technical with terms describing their guitar playing and how they are part of the djent movement, but I’m not. The truth is, these guys are insanely creative and they lay down some incredible riffs from beginning to end. There are a lot of chugging riffs to be found on the album, but they skip the traditional breakdown that has become somewhat stale because of its vast repetition.

The drums are huge on this album and Morgan’s double kicks are unbelievable. Armand Jasari lays down some consistent nasty bass licks that really help to carry the songs. I’m afraid if go on any further about how amazing the guitar work on this album is that I may slip into geek mode out of admiration for Chase and Justin. Again, blistering, intricate, original and absolutely insane! Shawn also steps it up and sings with more power and conviction that I have ever heard him use before.

Overall, it’s a near perfect album in my opinion. The guys set the bar high with their debut, but not only did they surpass it this time, they totally destroyed it! I am sure this album will make many Best of 2012 lists come year’s end. Call it djent, call it progressive metal, call it melodic metal core, call it what you want. I call it a tasty new addition to a rather stale buffet of metal.

Tesseract Brings Progressive Metal To The Forefront

Labeling music has always been a tricky thing to do. There have been some many new genres created that the choices can be as mind blowing as the infinite number of boxes on the cereal aisle in the grocery store. A new band has definitely stood out from the pack of wannabes and is making a name for themselves. Tesseract, hailing from the UK, is winning over fans and critics alike and for all the right reasons.

Formed in 2007 by brainchild and guitarist Acle Kahney, the band started to put together a sound that was very uncommon at the time. Aided by Jay Postones on drums, James Monteith on guitar and Amos Williams on bass, the band was slowly finding their sound. The addition of Dan Tompkins on vocals was the icing on the cake. His diverse range was a perfect fit to the multi layered sound being created. The band are at the forefront of a new era of progressive metal that is blowing away everyone who is experiencing it.

The band just recently released their full length debut CD entitled One to high praise from music critics worldwide as well as fans. They hit the road in support of the CD along with Maylene and The Sons of Disaster and Protest the Hero. I was fortunate to catch up with drummer Jay Postones and guitarist James Monteith before a recent show in North Carolina.

Music is my drug of choice: Well guys, you have been out on the road for a month or so now promoting the new CD, how has that been going for you? Any shows stand out?

Tesseract: The tour has been going really well. We’ve had a few fails along the way so far. We have a rubbish van that breaks down a lot and we actually had to miss one show because of it. The Orlando, Florida show was really good. It was sold out and the stage was really tight and the sound was great. There was also a lot of energy in the room that night and that’s great because you feed off of the energy of the crowd. The Dallas, Texas show was especially awesome. It was one of the bigger venues with a capacity of over 1000. As far as bad shows, Las Vegas was probably the worst gig we’ve ever done in our lives. The problem with Vegas is that it’s only good for two things: losing money and partying and we didn’t get to do the latter. Unfortunately, we did lose money. The venues screw you over and you only get half of your fee and then they take more merch money and a cut of your CD sales; which is actually illegal if you don’t own the copywrite to it……so screw Vegas!

How different is it to tour here in the States as opposed to the UK?

It’s about the same except for the distances. In the UK, it takes one day to go from one end to the other whereas here, it takes a day to sometimes go through just one state. Also, the food is a big difference. Our intestines are clogged from all the greasy, fried foods. I don’t think we can eat another McDonald’s again. The first place we stopped in New Jersey had hamburgers that were like $350 and they were massive. You can never truly eat a burger of that size, that was crazy!

The CD has been out for a couple of months now and the reaction has been very positive. How satisfying is that to you as an artist?

We’ve been very pleased and also relieved quite a bit. It’s a nerve racking experience creating something that you are very proud of, but you have no idea what people are going to think of it. One real worry was that people criticized us about having a lot of the material being available on the internet beforehand, but we haven’t heard much more about it. Overall, we couldn’t be happier with the reaction from the press and especially from the fans.

What do you guys do for fun while out on the road? Who is the practical jokester?

We’re fairly calm, but if I (Dan) see an opportunity for danger, I generally jump on it. We released a DVD with our new album and on hat, there is a clip of me dancing along the edge of the Grand Canyon like a little monkey and we also did that on an iceberg on this tour. Overall, we’re pretty layed back and boring people. There is the occasional, spontaneous meat slap! We were touring Russia and the standard food over there is meat, cheese and bread. We found this big slab of dirty, sweaty meat in the leftovers from our gig. We were on a train ride and Acle was asleep in the top bunk. James gets the slab of meat and slaps it right on Acle’s face. He didn’t wake up immediately, it was couple of seconds, but it gave the meat time to mold to his face. It was so funny! There’s also food fights, but we’re all responsible for those.

I have to ask you about the name of the band and its origin. Anyone dare to explain it?

Well, we could lie to you and say that there is this really deep meaning behind the name, but unfortunately there isn’t. When Acle first formed the band in 2003, he was writing all these cool riffs and he watched a film called Hypercube and heard the word tesseract and thought it was a cool name. It’s as simple as that, but it’s actually a very fitting name for us. Our music is quite complex and if you read into the whole fourth dimension thing, it is kind of mathematical and scientific.

You guys really do have a unique sound. Who would you cite as your influences?

Well, everything from Steely Dan, Pink Floyd and Meshuggah to electronica, Slayer and early Metallica. In between shows, we tend not to listen to a great deal of metal. The last thing you want to do when you get in the van after a show is crank even more metal.

I saw that you guys are up for Best New Band at the 2011 Metal Hammer Golden Gods Awards. How awesome is that?

It was totally out of the blue for us. We received an email telling us that we had been nominated. Metal Hammer has been really kind to us over the last few years. It was really amazing to be even nominated. We hope all of our fans will go over to www. goldengods.metalhammer.co.uk and vote for us.

Can you tell us what we can expect from you guys in the near future?

We are already working on album number two. We have a few songs that are almost finished and Dan is writing the vocals to them. We have another tour that we are going to be doing here in the states later in the year too. Other than that, we will be travelling and busy on the road.

Well guys, thanks for taking the time to talk to us and we can’t wait to see you perform on this amazing bill with Protest the Hero. Keep knocking them dead out there and stealing the show each night.