Heart Prove That True Talent Is Timeless

Ann and Nancy Wilson of Heart are the musical equivalent to a bottle of wine which just gets better with age. A prime example of that would be the band’s new tour entitled the Heartbreaker Tour. It made a stop in Raleigh, North Carolina on June 22. Jason Bonham’s Led Zeppelin Experience is on-board for this tour as the opening act as well as the special guest for the band’s encore.

Jason’s band definitely got the crowd out of their seats and energized as they their way through as energized set of Led Zeppelin hits ranging from “Whole Lotta Love” to “Babe, I’m Leaving You”.  A short change-over took place and Heart soon took to the stage, not losing the momentum already provided to them by Bonham and his crew. You know it’s going to be a special night when a band opens with one of their biggest hits and Heart did just that with a blistering version of “Barracuda”. That definitely got the rest of the crowd out of their seats.

The hits just seemed to be endless as “Heartless” was next and followed by “What About Love” and then “Magic Man”. Nancy took over lead vocals on a beautiful cover of Elton John’s “I Need to Turn to You” as well as a mandolin flavored version of their number one hit “These Dreams”, which was stunning. It was also very nice to hear some newer music from their latest work of art Fanatic performed live. “Alone”, “Even It Up” and “Crazy For You” also made an appearance on this particular night as well. “Walkin’ Good” and “Dear Old America” were included in their set, with the latter providing one of the more powerful and moving points of the night for those who were paying close attention to its content.

The encore saw Jason Bonham and some of his band mates join Heart on stage for a Led Zeppelin tribute. To kick it off, Ann and Nancy came out to center stage and performed an acoustic version of “The Battle of Evermore” which set the bar for what this encore was going to be like. It was beautiful and powerful with their amazing voices accompanied by an acoustic guitar and a mandolin. The rest of the band joined them for the rest of the encore which included a kick-ass version of “Kashmir” as well as an outstanding version of “The Rain Song” which provoked even more goosebumps.

The night closed with what I was hoping would be the closer, which I am sure wasn’t too much of a surprise for many who were there. Nancy plucked the opening chords of “Stairway to Heaven” and you could sense this was going to be something pretty amazing. I am sure lots of us have seen the clip of the Kennedy Center Honors where Heart came out to salute Led Zeppelin and performed one of the most amazing versions of “Stairway to Heaven” that many have ever witnessed. Would they be able to recreate that magic again? Well, they did bring a choir out on stage with them in Raleigh and although Zeppelin wasn’t there, it was as close as you could come to recreating that magic at the Kennedy Center.

It was an amazing night of music and a very powerful performance by all who were involved. For me, it was somewhat spiritual for me as you don’t go to a concert too many times and have church break out. Ann Wilson’s voice has not faltered a bit over the years and it almost sounds stronger than ever. To be perfectly honest, I don’t know if I have ever seen the sisters look or sound better. They seem to be so happy and alive on-stage as well. I have seen Heart quite a few times throughout their career and this particular stormy night in Raleigh, NC was hands down the best performance that I have ever by them. As a fan of music and great performers, I feel fortunate to have witnessed something so special that night.

Heart Go Home On Fanactic

I don’t know which is harder to believe: the fact that it’s been 37 years since Heart’s debut album Dreamboat Annie was released or the fact that they still manage to put out amazing material today. Ann and Nancy Wilson of Heart are at a point in their career where they don’t necessarily need to put out new music, but they want to. The commercial success enjoyed in the late 70s and again in the late 80s may not be there, but these talented ladies are at a much more rewarding point in their long career. They are doing things their way and they haven’t sounded happier.

Heart’s new album Fanatic is the follow-up to 2010’s Red Velvet Car, their first Top 10 album in 20 years. That album was also praised highly by both fans and critics. Fanatic has the Wilson sisters cranking up the amps and rocking a bit harder than they did on their last album. There are also some new elements being incorporated into their music 

added yet another layer of complexity to these talented ladies.

The album opens with the title track and its distorted riff intro lets you know that this is going to be interesting. This is a killer track with its psychedelic feel and crunchy guitar tone. “Dear Old America” tells the tale of a father returning home from war. An interesting note about the song found in the album’s liner notes. The tempo switches to double time midway through the song. It seems that this happened accidentally due to a computer tempo error, but the band liked it and kept it that way.

“A Million Miles Away” is a very interesting song with its incorporation of electronic beats and elements not usually found on a Heart album. The ladies kick it old school in the Zepplinesque “Mashallah!” which is amazing. The addition of a string section in the song just takes elevates this rocking number to another level. What’s that? You need some more rock from the Wilson sisters? Well, there’s also “59 Crunch” and it won’t disappoint.

“Pennsylvania” brings us our first ballad with a bit of a rock edge. A haunting song lyrically and the guitar tone adds such an element to the song to compliment Ann’s amazing vocal delivery. On a gentler note, “Rock Deep (Vancouver)” is a beautiful, gentle ballad and brings to mind “Dog and Butterfly” with its peaceful acoustic side. Again, the use of strings on this song gets a major thumbs up. It’s an absolutely gorgeous song. It’s amazing how the Wilson sisters can tell a story in three and a half minutes.

Overall, I don’t think there’s a bad song on here. You know how a band will put out an album and there are one or two tracks that just seem to feel like “filler” in order to make it a full album? You really don’t get that feel on Fanatic. Ann and Nancy definitely rock out on it, but they also manage to keep in touch with their folk roots as well. The guitars are loud and crunchy and distorted at times, but they always rock. I mentioned it before, but I will again. The strings used throughout this album add such a great element to the songs. What a great touch!

Ann Wilson, does this woman just keep getting better with age? She is definitely one of the most amazing voices ever in music and at times probably one of the most underappreciated as I don’t think she has ever gotten the credit she truly deserves. Nancy is no slouch either, but even though she knows how to rock, her vocals add such a tender element to compliment Ann’s voice. Their harmonies are top notch. So many young artists today should pay attention to these ladies and take note on how true talent can manage to keep a career going strong after almost 40 years.  

Slash Returns To Rock And Roll Roots On Apocalyptic Love

There are many iconic musicians who can get by with using only one name. You have Sting, Bono, Cher and Prince. There’s also an iconic guitarist that needs to be added to that list. He’s almost as iconic for his black top hat and flowing dark hair as he is for his legendary riffs in Guns and Roses.

Saul Hudson, known to his fans as Slash, released his first solo album back in 2010 and it was received well by critics and fans alike. He had numerous guest vocalists on it including Ozzy Osbourne, Fergie of the Black Eyed Peas and the one and only Myles Kennedy. Slash took Miles out on the road with him to promote the album and the two formed a musical bond that was itching to get into the studio and start recording.

Apocalyptic Love is the product of that musical kinmanship between Slash and Myles. This album is so much different than his first solo album and I mean that in the best way. It’s stronger lyrically because of the excellent songwriting skills that Myles brings to the table. Also, the fact that Myles is the lone vocalist on this album allows the connection between the singer and lyrics to be presented in a stronger, more emotional delivery.

The album kicks off with the title track and the riff that’s layed down is a strong indicator that this is going to be more of a rock and roll freight train than Slash’s last effort. Myles kicks in with his insane vocal prowess and the bar is immediately raised from the last solo effort by Slash.

It doesn’t take long before you realize that Slash is playing with a renewed sense of urgency. Don’t get me wrong, he has always been an amazing guitar player, but Myles seems to have awoken a sleeping beast. It’s been quite a few years since Slash has played with this much passion and intensity.

Speaking of beasts, “Anastasia” is exactly that. What starts off as a beautiful acoustic piece, suddenly changes gears as Slash plugs in his electric and starts wailing away on it. This is, without a doubt, one of the greatest things he has created in his illustrious career. The vocal performance by Myles is so passionate and convincing and the harmonies on the chorus just take the song to another level. As far as solos go, it may be the best solo Slash has recorded since the Use Your Illusion sessions.

 If you’re looking for a powerful ballad, then look no further. “Far and Away” is just what the rock and blues doctor ordered. It’s a beautiful composition and Myles is just amazing. It has a bit of a bluesy flavor to it and Slash slows down the shredding to deliver a slower, yet just as powerful solo. Raise your lighters high in the air on this one; it will light up an entire arena.

Now, I know some of you out there just can’t get enough of the old Guns and Roses classics. Well, fret not metal heads because there are a few tracks on here that just may take you back in time to their heyday. I dare you to play “One Last Thrill” and “Shots Fired” and tell me that they don’t have that classic G-n-R flavor to them.

It’s really hard to find any major faults with this release. Slash and Myles have definitely raised the bar on this new release. The bond that developed between the two of them while out on tour is one of enormous magnitude. I can’t take anything away from the rest of the band either. The combination of Todd Kerns on bass and Brent Fitz on drums help to round out this lethal lineup.

I can’t wait to hear this material performed live. I hope that Slash will do a tour and not just play festivals. A headline tour of his own would allow for a longer set-list and more time to highlight this amazing piece of art. We’re almost mid-way through 2012 and Apocalyptic Love is one of the most solid releases to come out this year.