In This Moment Promises There Will Be Blood

He, who learns to welcome misfortune, learns that adversity is the prosperity of the great. This saying definitely applies to Maria Brink and Chris Howorth of In This Moment. They have had many ups and downs since the band’s formation back in 2005. They’ve had almost as many bass players as Spinal Tap had drummers. Last year, their metal saga suffered yet another blow all thanks to American Idol of all things. Yet, through it all, Brink and Howorth kept marching along and not allowing any distractions to capture their Iron Army flag.

The band lost two key members in drummer Jeff Fabb and guitarist Blake Bunzel last year, forcing them to stop and refocus. That loss came just a couple of months before they were supposed to enter the studio to begin on a new album. It ignited something in the duo and awoke a creative beast hungry for redemption. The result is the band’s fourth studio in five years entitled Blood.

The album kicks off with a short song entitled “Rise with Me” which has been serving as the introduction to their live show. It sounds like an intro to a fantasy or futuristic movie and serves as a great kickoff to what is in store. That song leads into the title track and the album’s first single “Blood”. Upon first listen, it’s hard not to notice new elements incorporated into the sound of In This moment that we have grown accustomed to. The first name that comes to mind would be Nine Inch Nails and possibly even Fear Factory. It’s the sound we expect from the band, but with a dose of steroids.

“Adrenalize” has an underlying groove that grabs you at the beginning and grinds its way throughout the entire song. The guitars have a heavy sound to them that’s brings to mind early Pantera. “You’re Gonna’ Listen”, which has already received some play on satellite radio, is a kick ass number with a guitar solo guaranteed to melt your face. This song definitely has a little bit of a Deftones feel to it.

One of the standout tracks on the album has to be “Whore”. The band really explores outside of the box on this with results that are going surprise many. The first time that I heard the song, I couldn’t help but to think of Eminem’s “Lose Yourself” when I heard the guitar intro. This is a hot number that combines some newly added electronic elements to their sound with a catchy guitar riff that hooks you in. Maria’s vocal delivery ranges from the sweet and innocent lines of “I can be your everything” to the anger that flows when she screams “you’ll love me for everything you hate me for”. “Whore” is a powerful song on both a musical level as well as a lyrical one.

“Burn” is another powerhouse number and is one of many different layers. As the song progresses, it just seems to keep growing and the more you cut into it, the deeper it gets. It starts out with a layer of piano with some electronic sprinkled on top that gives it a very alluring feeling. Then, as you sink your teeth into that layer, the drums and guitars come crashing in and take it in a totally different direction.        

“Scarlet” is another venture off the traditional In This moment path with very favorable results. It’s a song of forbidden love between two people who have shared so much, yet as Maria sings, “you know how this will end.” It also has a nasty bass line that thumps along almost like the heartbeat of the two lovers in the song. Throw in a wicked little guitar solo and you have the makings of one killer song that could easily get major radio airplay.

“From the Ashes” is a track that sounds new and fresh, yet familiar at the same time. I think it incorporates elements of the first album that will make quite a few fans happy.  “Beast Within” is another one of those songs on here that has a funky under groove to it that is infectious and burrows its way into your head. When Maria mentioned that the new album was sexy and alluring, she wasn’t wrong.

“Comanche” is a song that manages not only to kick some major ass, but it’s also a lot of fun. It kicks off with a nasty bassline and Maria experiments with a bit of a different vocal technique at times that’s pretty cool too. The drumline going through it has a tribal feel to it also. The album closes with a haunting, yet beautiful song called “11:11” and it’s an all vocal song by Maria. When it’s your time to go, can you say that you have lived and loved?

Overall, this album is pretty amazing and it will bring some new listeners into the fold and it may even turn some away who cannot get into the industrial/electronic elements that have been added. Bands have to grow and evolve in order to stay ahead in the industry today and especially if they want to have any legs and be around for a while. I love the new elements that they have added to their sound. At times, it’s not as heavy as their last album and that heaviness has been replaced by a dark and alluring sound that is somewhat sexy at times. I also have to give props to Chris Howorth. He’s never been a slouch when it comes to his playing, but the fire that he and Maria speak of runs all the way through this man’s fingertips. He is playing like a beast on this album. It’s not all in the shredding, which will definitely melt your face, but he’s also a master of some of the simpler chords which adds so much to a song.

It is a rebirth as Maria has stated before and it may take more than one listen to fully appreciate and grasp what the band is doing. The core of Chris Howorth and Maria Brink are not going to let anything get in their way of taking their dream to the next level. This is a new and improved version of their dream and they continue to lead their Iron Army along the journey.

In This Moment Find Their Sound

In their early career, In This Moment had reached a pivotal crossroads when writing began for their third CD. Their first CD, “Beautiful Tragedy”, was heavy and introduced the world to the screamo vocals of one Maria Brink. Their sophomore release, “The Dream”, was a more polished and melodic sounding CD on which Maria focused more on singing than her trademark screams. This sound seemed to alienate their early fan base while, at the same time, it exposed them to a whole new audience. How could they bring the best of both of those elements together to please such a diverse audience?

The hype behind their third CD, entitled “A Star-Crossed Wasteland”, began to build with Maria and lead guitarist Chris Howorth stating in interviews that they had finally found their defining sound. The first song and video released, “The Gun Show”, was an indication of what was in store. The intro sounds like you have just walked up on a good old fashioned gunfight, but instead of Billy The Kid you are confronted by Maria the Hottest Chick in Metal ripping your head off with her signature screaming. The song is heavy and intense with drummer Jeff Fabb displaying a style that we really haven’t heard on any of their prior releases. When listening to this song, you can’t help but want to start pumping your fist in the air.

“Just Drive” meshes both sounds into one from their earlier stuff. Don’t let the acoustic guitar intro fool you because this is no ballad. Maria combines both her screaming vocals with her more melodic and smoother vocal style on this one. The lyrics are definitely universal on this song, as we have all just wanted at one time or another to just get in the car and drive to get away. Chris also shines on this one with a blistering solo. A very nice surprise to hear him let loose and take some chances musically.

“The Promise” may be the best track on the CD. It’s a duet with Maria and Adrian Patrick of the band Otherwise. It is a great song full of powerful lyrics and emotion as the two go back and forth trading off vocals. The two definitely compliment each other in very similar styles. When they sing to each other “My promise is I will hurt you” it is believable and real.

The title track starts off with a beautiful piano solo and Maria’s vocals. The song builds intensity towards the chorus and turns more into a power ballad. “Blazin” is another full throttle ahead song with its chorus sounding very similar to “Violet Skies” from “The Dream”. Again, Chris shows off his skills for us with another blistering solo. “The Road”. One of my favorite songs lyrically on the CD about being on the road but never losing focus on what is waiting for us when the road finally leads back to home. One thing that shines on this song is the use of Chris doing background vocals. It really gives the song depth with his vocals behind Maria’s.

The next track entitled “Iron Army” seems to have taken on a life of its own with the fans. An in your face power metal song that has Maria singing the lyrics until the chorus and then she unleashes a fury upon the listener unlike no other. I recommend not listening to this with your headphones on as the fury of her vocals will leave your ears bleeding if not just totally rip your face off. This is an intense song and should be one included in their live show at some point.

The “Last Cowboy” starts with Maria, in spoken voice, telling us a story of a cowboy looking for that elusive kiss to bring his cold, dark heart back to life. The chorus again is a great example of layering Chris backing vocals behind Maria and creating a great addition to the song.

“World In Flames” closes the CD with an emotional bang. Maria, as well as the rest of the band, has proven to us on each of their releases that they are no one trick pony. This is a power balled for this generation of younger fans that missed out on the great power ballads of the eighties. An emotionally charged song of death on the verge of taking us away, but not even that can keep the love of two people apart. Maria’s vocals are top notch as you can shut your eyes listen to her and feel as if you are in that room with the flames on the other side of the door. The song starts to build at the 3:27 mark to a powerful climax with Chris laying down a solo worth of the Hall of Fame for power ballad solos. The way the song builds towards the end is very much along the lines of one of my all time favorites by Aerosmith “It’s Amazing”.

Have the band found their sound? I think time will tell, but the initial reaction has been very favorable across the board. The lyrical content of “Beautiful Tragedy” is very deep and may have a slight edge on this release lyrically. Overall, I think this is a stronger release from the band as a whole. Everyone seems to have stepped up his or her game on this one. I hear more of the eighties influences on the guitars this time. The layers created by the musicianship of Blake Bunzel on guitar allow Chris to go back and lay down those blistering solos. Blake’s performance is very solid throughout the entire process is shows alot of growth by him on this release. Jeff Fabb is a beast on every track and gets my award for MVP. He really has stepped his game up and shown us a side that we have never heard from him. I know Maria gets alot of attention from the press and it is deserving, but Jeff really doesn’t get the credit that he deserves.

“A Star-Crossed Wasteland” is nothing short of their greatest work of art to date. Check the band out on the road and see why everyone is buzzing about this group. If you are tired of radio’s same old flavor of the week, then you should take that ten bucks that you were going to spend on that lame emo band and hear what true musicianship sounds like.